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4 8 15 16 23 42 Lost Season 6 The Final Chapter
http://www.lostseason6.com/ ^

Posted on 02/02/2010 8:22:27 AM PST by Lucky9teen


Lost Season 6 Episode List
Episode 1: LAX
Episode 2: LAX (2)
Episode 3: What Kate Does
Episode 4: The Substitute
Episode 5: Lighthouse
Episode 6: Sundown
Episode 7: Dr. Linus
Episode 8: Recon
Episode 9: Ab Aeterno
Episode 10: The Package
Episode 11: Happily Ever After
Episode 12: Everybody Loves Hugo


TOPICS: TV/Movies
KEYWORDS: 4815162342; abc; abrams; carltoncuse; cuse; damonlindelof; finalechapter; jeffreylieber; jjabrams; lieber; lindelof; lost
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To: omega4179

Desmond is the bridge. The walrus is Paul. Number 9.....


361 posted on 04/07/2010 2:23:36 AM PDT by Edgar3 (America is suffering from "Sorosis" of the Presidency)
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To: cherry

Desmond AWSOMENESS!!!


362 posted on 04/07/2010 6:34:05 AM PDT by mom4kittys (If velvet could sing, it would sound like Josh Groban)
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To: cherry

It was so sweet when Charlie said he knew he loved the blonde woman on the plane.


363 posted on 04/07/2010 6:35:15 AM PDT by mom4kittys (If velvet could sing, it would sound like Josh Groban)
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To: mom4kittys

excellent episode.

Daniel introduces himself as Daniel Widmore, a musician vs. Daniel Faraday, a nerd scientist. And Charlotte, the woman he loved, blue eyed redhead.


364 posted on 04/07/2010 8:29:48 AM PDT by billygoatgruff
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To: Lucky9teen

Vozzek69’s recap is up on darkufo. It’s a great one!


365 posted on 04/07/2010 1:52:24 PM PDT by lonevoice (If Fox News is the only outlet reporting it, did it really happen?)
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To: billygoatgruff; mom4kittys

Here’s the mystery that’s bugging me the most after this episode. Daniel Widmore told Desmond that Penny is his (Daniel’s) half-sister. So...who is Penny’s mother? Long ago and far away, when Ben exiled Widmore from the island, he said it was because Widmore broke the rules and had been making trips off-island to be with a woman. Would that be Penny’s mother? So...someone other than Eloise, someone who existed off-island during the timeline that Widmore and Eloise still were the leaders of the Others. Maybe the crazy coma lady that Widmore was keeping on life-support after Daniel supposedly did some experiment on her that caused her to remain in a comatose state. Of course, in this show we’ve learned that her loss of consciousness probably means this woman is living in an alternate timeline...somewhere/some when. Maybe she is Jacob and MIB’s mother?!?


366 posted on 04/07/2010 2:00:41 PM PDT by lonevoice (If Fox News is the only outlet reporting it, did it really happen?)
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To: ßuddaßudd; acad1228; Anitius Severinus Boethius; Anti-MSM; babyfreep; BallyBill; BelegStrongbow; .
Things I Noticed - "Happily Ever After" by Vozzek69
Posted by DarkUFO at 4/07/2010 09:05:00 PM View Comments
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THINGS I NOTICED - Happily Ever After

Like most fans, I've always looked forward to Desmond-centric episodes. He's given us action, sorrow, loss, laughter, heartbreak, triumph, and probably the most popular love story in all of LOST. But in retrospect, Desmond's episodes have repeatedly given us something even more important: startling, game-changing revelations about the show.

Flashes Before Your Eyes, The Constant, Jughead - these episodes changed the very way we viewed things, and each of them sent our story spiraling in all new directions. And now, with Happily Ever After, Desmond's last episode does a lot more than just answer a few questions. It maps out a detailed blueprint as to what's going to happen in LOST's home stretch, as well as stopping to hint at subtle things that might've been staring us right in the face all along.

For six years we've wanted answers. Ready or not, here they come. Things I Noticed:

LOST Island... Headwound Capital of the Universe
As cool as Widmore's been these last few days, it was good to see Desmond deliver a nice, old-fashioned skull-crushing beating. He deserves no less for dragging Des back to the island, even if it was to save the known universe from imploding. He took his lumps, but he also reminded us of his own sacrifice, which looking back now seems fairly substantial. The only difference is that Charles Widmore chose to sacrifice these things for the good of the island, whereas Desmond did not. Not yet, anyway.

Widmore's overall attitude has definitely changed since he arrived on the island. In the past we've seen him manipulating anyone and everyone in order to make his way back. Now that he's here, Widmore seems to have adopted an open and honest approach to solving the last few pieces of the puzzle. Even if he's not giving Desmond or Jin all the answers at once, it doesn't seem as if he's hiding very much either. It also doesn't seem that he's lying - and after watching nearly six seasons of LOST, we can all pretty much consider ourselves experts on that subject.


Someone Get Me a MidiChlorian Count, STAT!

With the introduction of Zoe and Seamus, things have taken a markedly scientific turn on LOST. Monsters and mystical daggers have given way to laptops, gauges, dials, generators, and a giant pair of solenoids that must've been strapped to the sub's roofrack. Charles Widmore is cranking up more than his timetable as he jacks the gauss controls from his reluctant henchman. Seamus' hestitation to throttle up the generator was pretty funny when compared to the switch-happy co-worker who fried poor Simmons.

Electromagnetism has always been a part of LOST, and that's okay. I just hope it gets used sparingly, and not as an excuse to strip away the awesome mythology and mystique they've taken six whole seasons to build. I have no problem with introducing some science to counteract all of the recent faith... but if they start going all Lamp Post calculation and Valenzetti Equation on us, I for one will be sorely disappointed.

Although Widmore used Simmons' death-chamber as a test for Desmond, it's not too big of a stretch to say he's looking for a way to kill or stop the smoke monster. Whether he'll try to lure him in there like General Zod or just blast some giant electromagnetic pulse across the island, I guess the end result is still the same. Superman or Matrix, choose your poison.


Let Me Offer You My Driver, Mother!

The Desmond/Claire scene established a few things, the first of them being that I was wrong in my assumption about LA X. Turns out Desmond was on Oceanic Flight 815, and apparently he didn't know Jack at all. Here we see him vaguely begin remembering something as he stares at the arrival/departure board, but as always he's pulled back to reality before anything substantial can happen - this time by Hurley.

If Desmond's offer to Claire seemed overly friendly, maybe it's because he vaguely remembered her too. Being around each other seems to serve as a catalyst for remembering things when it comes to characters who've shared time on the island. Jack remembered Desmond on the plane, Ben cocked his head in recognition at Alex, Kate stared pointedly at Jack... all through season six these little flashes of acknowledgment have been happening. Later on this episode Charlie would cause Desmond to not only remember, but even to flash back temporarily to his pre-LAX life. This would eventually prompt Desmond to ask Minkowski for the flight manifest , as he somehow realizes getting everyone together for a Flight 815 reunion will help to further enlighten them all - Desmond included.

It was cool to see Minkowski again, too. Initially he seems overeager to help, but in a sleazy limo-driver-who-gets-kickbacks kind of way. By the end of the episode however, my opinion of him totally changed. George Minkowski, like Abaddon, is more than just Driving Ms. Daisy here. Minkowski is in the loop. Minkowski is like Charlie, like Keamy, like Charlotte... like many of LOST's other characters who've died in the island's timeline, and who are now a more 'knowledgeable' part of the LAX universe. His offer to help Desmond "with anything he might need" seemed a little loaded to me.

The Scales of Justice... Balanced with Backgammon Chips

Here, in an overly-gushing scene where I thought they might actually give each other a handy, Charles Widmore is singing Desmond's praises to a shot of 60-year old MacCutcheon's whisky. This isn't just a clap on the back for a job well-done... it's pure, unadulterated, unfiltered appeasement, designed to keep Desmond pacified and questionless in the LAX timeline. Yet whoever manufactured or created this reality to keep Desmond happy doesn't know him very well, because when it comes to what makes Des tick they forgot one all-important thing: LOVE.

As much as original Desmond desired Charles Widmore's blessing, the purpose for wanting such approval was always Penny. That purpose is absent here, in the LAX timeline. Desmond's new gig keeps him happy only up until Charlie points out how purposeless and meaningless his existence really is. It's Charlie who shows Desmond what he's really missing - a life with Penny and his newborn son - and it's Charlie who oversteps cosmic boundaries to get this message across. That "violation" Ms. Hawking mentions later on? It's all on Charlie, and it's probably going on his permanent record.

Look at the way Widmore speaks to Desmond in this scene. He talks about being blessed to "have him in his employ" (almost as if he has him in his pocket), and speaks about how "indispensable" Desmond is. He even goes above and beyond normal praise, making sure to reinforce how happy Desmond should be to be free from commitments and attachments.

Widmore is pulling the wool over LAX_Desmond's eyes, here. He needs him to not question things, and to not dig too deeply into any emotions that might remind him of his prior life with Penny. This gets reiterated by Ms. Hawking later on during their own conversation together, but in this scene it's important to note how adamant Charles gets about Desmond flying solo - and staying that way. LAX Widmore and Hawking remain on the team that wants to keep things status quo. They want things to happen they way they're "supposed to", possibly just to keep the loop going.


School's In... and Charlie's Teaching the First Lesson Underwater

Desmond's arrival at the police station cues up the requisite mirror scene, in which he sees a reflection of himself. From this point forward things change, and truths resurface. More specifically, Charlie brings about these changes in Desmond... from the moment he walks untouched through busy traffic - without a care in the world - to the second he jerks the wheel of Des's car into the depths of that marina.

At the bar, the first thing Charlie does is ask Desmond if he's happy. It's like he's testing the extent to which Charles Widmore and the new timeline has brainwashed him. Charlie corrects Desmond by telling him he doesn't even remotely know what happiness is, and then goes on to tell of the life-altering experience he had while slipping into unconsciousness. He also tells Desmond he's seen "something real", and goes on to tell him exactly what it is: the TRUTH.

All of these are elements we've talked about - in both my recaps and your comments - over the past several weeks. The mirrors reflecting back the truth... the water acting as a catalyst... the flashes of remembrance between the LAX and island timelines, brought about whenever these people run into each other. Charlie solidifies it all here, finally laying it out as undeniable fact. He calls Desmond out as a glorified babysitter, laughs at his 'perks', and hints toward his entire LAX 'life' being nothing but a pipe dream.

In talking about Claire, Charlie gets taken away to another place. "I know her. We're together. It's like we've always been, and always will be". Charlie's being totally candid here, and we all know it. Desmond however, still needs more convincing. This is where Charlie offers Desmond a choice, while driving along to DriveShaft. But it's also where Charlie violates the rules... taking that choice away from Desmond only seconds after giving it to him.

The underwater car scene, with Desmond's chilling revelation, was absolutely incredible. I think what made it a hundred times better was the absolute cessation of sound or music as Desmond saw NOT PENNY'S BOAT scrawled on Charlie's hand. Desmond's face was worth a thousand words, and I felt like a huge piece of the puzzle just locked into place, for both him and for us.

Charlie knew. He stepped beyond the scope of the rules to show Desmond. He didn't allow Des the choice to see things for himself, he flat out took control of the situation and gave him the answer.

This is a FIRST. It's also huge moment for LOST. It verifies that people outside of the 'game' - people who've died or gone over to the other side - are somehow in the know about things. Up until now, we've only seen these people permitted to push or nudge things in the right direction, the way Charlie did to Hurley during The Shape of Things To Come. Here however, Charlie wipes his ass with the rulebook. His flagrant foul gets called later on by Hawking, but at this point I'm not so sure Charlie even cares. He sits back in his seat, satisfied that he conveyed his message, expecting to die as he knows he's supposed to. And for one last time, Desmond saves him.


Get Me Out Of Here Before I Smother, Brotha!

As much as water acted as a catalyst for Desmond's cross-universe visions, so does electromagnetism. The MRI he receives at the hospital triggers even further memories of his life with Penny. LAX_Desmond is almost fully converted... he's gone from a non-believer to someone desperate to hook up with the woman he somehow knows he loves, all in the span of just a few hours.

After cornering Charlie for more answers, Desmond gets clued in a bit further. "This doesn't matter", Charlie tells him, gesturing to the new, foreign life that's been thrust upon them both. "None of this matters. All that matters is that we felt it."

Does this mean the LAX timeline doesn't matter? Not at all. Charlie's telling Desmond that he's barking up the wrong tree. He advises Desmond to stop worrying about rock concerts, Widmore's errands, and inconsequential bullshit. This is exactly the same as when Rose and Bernard told Sawyer, Kate, and Juliet to stop worrying about bombs, guns, and time travel. Penny is what matters. Love is what matters. Realizing that you have everything that you ever really wanted right there in front of you? That's what matters.


Let Me Course-Correct This Butter Knife's Place in the Universe, and I'll Be Right With You...

Desmond's latest encounter with Ms. Hawking is immediately dripping with hint-laden dialogue, and her initial face betrays how shocked and totally unhappy she is to see him. Like Widmore, she's doing everything to keep Desmond from remembering stuff. She jams "It's a travesty we haven't met before" down his throat rather quickly, in hopes he doesn't recall their meeting at the ring shop.

Truth be told, Hawking could care less whether Drive Shaft rocks her charity ball. What she's most concerned about is keeping Desmond away from Penny, and possibly away from her son Daniel as well. She's relieved to hear Desmond's only crisis involves not signing Charlie up for the gig, and she dismisses quickly him with a nice "What happened, happened". Unfortunately for her though (and thanks to Charlie) Desmond now recognizes Penny's name when he hears it.

Hawking's entire demeanor changes as she pulls Desmond aside, knowing that the jig is up. She tells him to 'stop' but remains obscure; she can't even tell him exactly what it is he must stop doing. Hawking is beyond pissed, and not at Des. She makes it known that someone's "changed the way" Desmond sees things, and that doing so was a violation. We know Charlie is the responsible party here, and that by helping Des remember he just tossed a huge wrench into Hawking's works.

Eloise continues with something even more revealing: that Desmond should be happy because he has a "perfect life", and the one thing he always wanted: her husband's approval. The idea that she would know this seems to span both timelines, because it's within the island-based universe that Desmond sought Charles Widmore's blessing. It also shows a serious error in judgement in thinking this was the one thing Desmond wanted "most of all". That honor goes to Penny, but these chumps haven't figured that out yet.

So let's deconstruct this for a moment. The fact that Desmond's pre-LAX needs have been taken into consideration seems to indicate we're seeing a manufactured reality. Someone or something has constructed the LAX universe based upon what it thought Desmond - and possibly every other character - would want.

Just take a look at Daniel, now a musician. Certainly his mother would remember her young son's only desire was to play the piano, and now we see him placated by having grown into a talented pianist. The only problem is that Daniel is not happy or placated, because running into Charlotte has reminded him of his past life. This causes him to go physics-happy all over a perfectly good notebook, prompting an investigation of his own.

So who created this new universe? We've always assumed it was Juliet, setting off Jughead with that rock. Yet someone has definitely stacked the deck here. Someone with intimate knowledge (or scanning?) of our main characters has tried, in a very Matrix-like way, to create the perfect utopia for each and every one of our heroes.

In a careful, calculated manner, someone has been trying to give our LAX characters exactly what it thinks they want, but at the same time, keep them completely in the dark about what happened in their previous, island-based lives. They're using happiness to suppress past memories, but love is the one thing that wasn't counted on. Is is so often the case, Love overrides everything else, spoiling the plan.


Daniel (Widmore) Faraday... Because Someone Still Needs to Represent the Skinny Tie
As if two mega-important conversations weren't enough for Desmond this episode, he goes and has a third with Daniel. Here's where our minds get even more blown away, because Dan starts talking about nuclear bombs and alternate timelines without ever having knowledge of such things. Being a musician and not a physicst hasn't slowed him down a single bit.

Many people have speculated that the LAX timeline is the correct one - the timeline that should've always been. Faraday squashes this theory, telling Desmond that the LAX timeline is actually the aberration. Much as the Oceanic Six timeline was described to be, their current timeline is still NOT right.

In Dan's opinion, they once had another life... but something happened to change things. He describes something catastrophic in the original timeline that needed to be avoided, with the avoidance of this event spinning off a whole new universe. Dan and Desmond now exist in a timeline that shouldn't really be, yet a timeline that was created out of necessity. Somehow, Daniel even knows that he's already set off the bomb.

Now, this isn't to say the LAX timeline still won't end up as the final timeline of the show. In fact, Desmond moving to correct not knowing Penny seems to indicate that it certainly might. Our LAX characters have fixed a hell of a lot of major problems in each of their centric episodes, and they may already be off the island to boot. Sticking around and finishing out their lives here might not be such a bad thing... if only they can slip out from under the thumb of those forces still manipulating them.


It's About Time Sayid Snapped Someone's Neck Again... That Hiatus Has Been Way Too Long

Not much else to say. It was interesting that he spared Zoe, but I guess someone needs to let Widmore know what happened.


Are The Stadiums Open 24/7 In Los Angeles? Because in NY They'd Toss You Out On Your Ass

The number of cool, touching scenes between Desmond and Penny are unfairly balancing the rest of the show's love interests. Watching his future-wife run her Tour De Stad, LAX_Desmond is fully and wholly converted, finishing the job that Charlie started.

Desmond faints, and his mind transitions unconsciously into the island timeline. Hopefully by now this shouldn't surprise anyone. What is surprising however, is that Desmond takes his memories with him.

Maybe it's his exposure to electromagnetic radiation - in both timelines - that allows this to happen. Maybe it's because he and Daniel act as each other's constants. Maybe it's just a plot point necessary to the last few episodes of the show. In the end, none of that matters. The only thing that's important is that island Desmond now seems to retain some or all of LAX_Desmond's knowledge. He's doing Widmore's bidding because he believes his assertion that everyone and everything will cease to exist should they fail. Yet at the same time, Desmond's smile betrays a whole lot of hope. The way he was grinning, it was almost as if he knew everything would be alright - whether it be in this life or the next.

Happily ever after, right? Sure. Except there's one thing that should still bother us: the sacrifice Widmore mentions Desmond must make. I've got a sinking feeling that sacrifice might just be his son, Charlie. If Des and Penny walk off into the LAX sunset, baby Charlie doesn't exist. Just like Widmore and Hawking, Desmond and Penny would have sacrificed a child to the island. Let's hope the writers and producers love Des as much as we do, so this doesn't have to happen.


367 posted on 04/07/2010 2:13:20 PM PDT by Lucky9teen (I'll just say the 2nd amendment to the Constitution is there for a reason!)
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To: Lucky9teen

Great recap, thanks for posting. I am starting to think Desmond will help everyone on the flight reconnect their memories and the LAX timeline will continue, but with the passengers knowing each other’s past efforts on the island. Desmonds sacrifice will be giving up his son so the LAX timeline will continue. That’s why the smoke monster can’t leave the island, everyone will die. The big box is the trap and in catching the monster the island sinks into oblivion. Either way it sure is fascinating!


368 posted on 04/08/2010 5:18:43 AM PDT by MomwithHope (Wake up America we are at war with militant Islam and progressives - 2 fronts.)
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To: ßuddaßudd; acad1228; Anitius Severinus Boethius; Anti-MSM; babyfreep; BallyBill; BelegStrongbow; .


RECAPS!!

Double Vision and Hallucinations: "Happily Ever After" - Recap by Robz888
Posted by DarkUFO at 4/08/2010 07:06:00 PM View Comments
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I had my fears about this episode, fears that seem silly in the wake of what is now one of my favorite hours of Lost ever.


I'm relatively spoiler-free at this point, but I do check upcoming episode titles and their receptions with the spoiler community, and "Happily Ever After", for whatever reason, wasn't well-received. This shocked me, since I had assumed it was going to be a Desmond episode. For a Desmond episode to be disappointing seemed anathema to me.

Well, I don't know what the early raters' problem was, because not only did "Happily Ever After" amaze me, it actually left me feeling significantly more confident that the end of Lost will be satisfying after all.

And when I say "satisfying", I mean "satisfying to me". For those of you who support the ATL as an epilogue, you and I are ideologically opposed, and we will soon see who wins the day. Personally, I think this episode shows that the ATL is a what-if aberration, one that will need to be destroyed in order for the true timeline - the one that we have always known and loved - to win out. I'll more fully explain why I feel this way later in the recap.

CATACLYSMIC ELECTROMAGNETIC EVENTS

Desmond awakes on the island in the company of Zoe, which probably garnered the sympathy of many fans, who don't seem to like her all that much. Widmore quickly explains to Desmond that they're back on the island, and Penny and young Charlie are safe. This isn't good enough for Desmond, who proceeds to beat Charles with an I-V stand.

Desmond has been brought back to the island to make a sacrifice, one that will save Penny (and pretty much everybody). But before he learns what that sacrifice is, he must survive a test. Without further explanation, he is thrust into a strange Dharma generator chamber. Even before he's put inside, Zoe's team screws up and accidentally kills one of their own people with the generator. Zoe's side kick (you know, what's his name) tells a rabbit locked up in a cage, "You're next, Angstrom." More time-traveling bunnies!


The generator fires electromagnetic energy at Desmond, causing him to blackout and, presumably, sends his consciousness to the ATL.

I wrote last week that Desmond's unique connection to electromagnetism would ultimately be important, so I was delighted to see this aspect figure in so heavily already. We know that Desmond was permanently, irrevocably altered by turning the failsafe key atop the pocket of energy at the Swan hatch (which we now know was the mother of all energy pockets). The effect on Desmond has been profound, giving him temporary future-seeing abilities, sending his consciousness into other time periods in his life, and possibly giving him the ability to "change things" relating to the timeline that otherwise wouldn't have been possible.

It should be quite apparent, then, that the end game of Lost will involve Desmond undergoing a huge electromagnetic event to achieve the show's aims, be they slaying the Man in Black or reconciling the divergent timelines.

WE WERE ON AN ISLAND

Cue flash-sideways to the ATL, and yet no familiar whooshing sound heralds this perspective shift. Instead, we simply see the sky, as one would see it looking out the window of an airplane. We soon join Desmond inside the terminal at LAX.


Why start us out staring at the sky? My guess is that we were meant to get the idea that Desmond's consciousness slowly shifted to the ATL, possibly only vaguely aware of its displacement during the flight.

But as the episode continues, Desmond becomes more and more aware that something is off in this reality, where Charles Widmore is his business partner and close personal friend and he's never met Penny. I'm sure the parallels - sharing a glass of MacCutcheon whiskey, for example - weren't lost on any fans, so I won't go into them.

One thing I will point out, though, is the painting of the scales in Widmore's office.


Note the black and white rocks, just like the scales from the caves. Also, my girlfriend pointed out to me that the astrological symbol for Libra is a set of scales. Libra is the seventh sign of the Zodiac, and it begins on September 23 - the day after the crash of Oceanic 815.

Desmond is sent to keep an eye on Charlie Pace, who's been going through an existential crisis ever since his near-death experience on the flight. The turbulence and the asphyxiation brought him to a place in his mind where he was in love with a beautiful girl. In other words, Claire in the MTL.

This is, of course, a huge development. So far, the characters have paused and appeared confused when they looked in mirrors, and shown signs of vague recognition when they run into each other. But Charlie is the first character to admit to these "flashes". And then, during one of the most satisfyingly revelatory scenes in I don't even know how long, he shows Desmond what he means.


Desmond remembers Penny. He remembers Charlie drowning at the Looking Glass station. We see it on screen. Just like that, it's finally, unequivocally clear that these characters are subconsciously aware of the true reality.

It's probably also true that the realities are affecting each other. On-island Sun's loss of her ability to speak English last week was probably a result of her ATL self being placed in a situation where the inability to speak English was particularly troubling. In moments of extreme stress, danger or excitement, the two realities clash.

This becomes even more clear during Desmond's MRI. The procedure gives him even more lucid flashes. It's interesting to note that "flashes" are now part of the plot. They aren't just something for the viewer to watch and learn about a character's history or future. The characters are experiencing them, now, as we experience them, or similarly.

Daniel Faraday is aware of it, too. He explains to Desmond that he wrote complex physics equations even though he doesn't know anything about physics. He is somewhat aware that he set off a nuclear bomb and brought about this reality in the first place. Daniel's admission here is especially key, because he is really the architect of this entire reality. It was his idea to set off the bomb. But now, he thinks he made a mistake. The language is the language that so many others have used, perhaps most notably, John Locke. He tells Desmond that they are in a reality that "wasn't supposed to happen".


TWO SIDES - ONE IS MTL, ONE IS ATL

The ATL isn't an epilogue, my friends. Nor is it a meaningless, inconsequential separate "what-if" reality. The ATL is the incorrect reality, dare I say, the enemy reality. It is the one that wasn't supposed to happen, just like the Oceanic 6 were never supposed to leave, the freighter was never supposed to reach the island, the survivors were never supposed to change the past.

This incorrect reality only exists because of the actions of the one person capable of "changing things" - Desmond. It all starts at the Swan hatch when Desmond turns the failsafe key, subjecting himself to an unfathomable amount of electromagnetic energy. This makes him special: "the rules don't apply" to him, as Faraday claims. He gains the ability to see the future - to see Charlie dying, specifically. And because of his uniqueness, he is able to prevent Charlie dying long enough in order for Charlie to disable the Looking Glass. Remember, the lock was musical, and Charlie is probably the only person among the crash survivors who could have disabled it. If Desmond hadn't intervened and saved Charlie, the freighter never would have reached the island.

The rest, of course is history. Because Keamy's team attacks, Ben moves the island, sending many of the crash survivors back in time and, eventually, the Incident transpires at the Swan construction site in 1977, launching the alternate reality. It was a reality that only occurred because of Desmond's electromagnetic powers, which is why it will be up to Desmond - perhaps in both realities - to solve the equation and ensure that the true intended reality wins out.

And make no mistake, it is the main reality - the island reality - that is supposed to win. Lost is a show about free will, yes, but it's about destiny, too. The island has brought with it plenty of tragedy, but it's fundamentally a special place, a place where miracles happen, a place where people get a second chance. In the end, the show will not condemn this island, but celebrate it. It will do that by proving that the alternate reality - though interesting, sentimental, and seemingly good - is wrong. Our characters destinies reside on the island.


We have a good understanding now of what the rest of the season might focus on during flashes. Desmond asks Minkowski for the 815 flight manifest - what could he want with it? I can only assume that he wants to track down the people who were on the plane, get them together, trigger some electromagnetic event, and that will be the end of the ATL. It wouldn't surprise me if Desmond has the ability to close his eyes, randomly circle names on the manifest, and ends up circling Jack, Kate, John, Sawyer, Sayid, Hurley, Jin and Sun, or something. He "just needs to show them something". He needs to show them that their lives aren't real.

DOING SOME VIOLATING

But before we leave the ATL, what is Eloise's deal? Does she just always know more than everybody else? Mirroring her appearance in the now-prophetic episode, "Flashes Before Your Eyes", she steps in and basically tells Desmond to stop messing with things. It's as if everything is just a game, and here she is, the referee, stepping in, pausing things and clarifying the rules.


She tells him that what he's doing is a "violation". Clearly, Eloise knows something about this reality and the other one. I wonder if she somehow has contact with her MTL self. It might make a lot of sense if she's been able to compare notes between the two realities. I think Eloise would most likely conclude that her life is better in the MTL, where Daniel isn't dead, her and Charles are still in love, etc. It might be her goal to perpetuate the wrong reality. If Desmond's ATL quest is to reunite the passengers of Oceanic 816, Eloise might be his main adversary.

Then again, I find it a little strange that she would have wanted Charlie to come to the concert. Charlie has never met her or Daniel, but he knows the name Widmore and may have recognized Penny. Seems like this would have led to more trouble for her. So maybe Eloise is on the same side as Desmond after all, she just has a different way of accomplishing things.

Desmond meets Penny in the same stadium where he encountered Jack in the flashback of "Man of Science, Man of Faith". She has the sense of recognition of him that many of the characters seem to be having toward each other. He has already seen her in his flashes, and when they touch, he faints, returning to the generator on the Hydra. Later, the episode flashes back to this moment, and they decide to go get coffee.


Interestingly, love seems to be the best medicine for making the characters realize what's going on. Charlie's vision of Claire, Daniel's encounter with Charlotte, Desmond's meeting with Penny - it's love that leads the way. Charlie and Claire, and Daniel and Charlotte can't be together in the main reality, though, due to character deaths. I wonder if they would still push Desmond to pursue the truth if they knew this.

THE MAGIC BOX?

Let's think about this strange DHARMA generator. Is it the infamous magic box? It certainly shows Desmond a fantasy world, and one that some people might think he would be happy with. But Desmond isn't happy with it, and he knows now that MTL Charles Widmore is right. One of the realities will win out, and if Desmond doesn't help the MTL win, his relationship with Penny, his child, will cease to be.

So Desmond is earnest to help Charles save the main reality. Desmond could be necessary for Charles's plans for a couple reasons:

1) Desmond is the ATL character with the highest level of comprehension that there are two realities. He may be able to will his consciousness from one reality to the other, setting events into motion that will restore balance to the timeline, such as uniting the 815 passengers in the ATL.

2) Desmond is the only character capable of surviving another cataclysmic electromagnetic event. He will have to climb into the Orchid wheel chamber, or revisit the Swan pocket, or something, in order to harmonize the timelines.

3) Flocke is actually made of electromagnetic energy, and Desmond is the only one who can kill him.


The only reason I like the third answer is because Desmond is so willing to go with Sayid. What if Desmond had an unseen conversation with Charles where he was told to go to Flocke's camp? This seems to make his lack of hesitance more likely. It also would explain why the Dharma pylons are able to keep out the Smoke Monster, if said monster is a cloud of energy.

Then again, it's also quite possible that Desmond went with Sayid for another reason: destiny. I think Desmond finally understands that he is special, he has to do something, and whatever it is, it's going to present itself. Until then, he's going to go with the flow.

WHERE WE ARE NOW

I love how this show changes from week to week. Two episodes ago, we were steeped in the mythology of a Biblical conflict between two men. This week, pseudo-science and electromagnetism allow for such science fiction as consciousness traveling and alternate reality comprehension. But no matter what direction the show takes, there are always two sides. And episode after episode, these sides becomes less vague. Just as I'm starting to believe that Flocke is evil after all, I think this week demonstrated that the ATL is wrong. I wonder, then, if somehow Flocke's interest intersect the ATL. Is his goal to blink the island reality out of existence, giving himself free reign over the ATL, where perhaps Jacob does not exist?

In any case, the fact that the ATL exists will figure in heavily to the resolution of Lost, even on the island. And I don't think it's going to be an epilogue.

Terrific episode. I can't wait for next week, even though the weeks where we can look forward to new hours of Lost are suddenly so few.

As always, thanks for reading,

Sean's Random Thoughts - Lost Recap - "Happily Ever After"
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This week's Lost recap is a day late (but hopefully not a dollar short), since I've just returned from vacation. For those of you that are new readers here from DarkUFO, I offer a hearty welcome, and I hope that you'll enjoy what you read here, Lost-related or otherwise. If you want to find previous recaps (and other posts) on Lost, simply click 'Lost' on the sidebar for the relevant posts.

If you are a fan of Erika Olsen and Long Live Locke, you will appreciate that my photos also have captions hidden underneath...simply mouse over the picture to see them. Imitation is the sincerest form of flattery, and I offer my captions as an homage to my favourite Lost recapper. (As a matter of fact, she actually taught me how to do it!) You won't find the same in-depth theories and analysis as you do in some other recaps, but I hope that you'll enjoy it all the same. My recaps will generally be up the night of the show, hopefully within an hour of the end of the 9 pm ET broadcast.

Now with that all said, let's get on to "Happily Ever After", since nothing makes me happier than a Desmond-centric episode...

I was surprised to see no "previously on Lost" segment, but I was more than happy to dive right into the episode, and see Zoe explaining to Desmond that he had been unconscious for 3 days and uder IV sedation. Can we assume that he drank the same OJ cocktail that Richard gave Juliet prior to her submarine trip? I'm still waiting to find out how Charles found the Island after searching for so long.

The conversation between Zoe and Desmond (and Charles) confirmed for us viewers that Desmond was taken from the hospital after being shot by Ben at the marina. As we watched him try to familiarize himself with his surroundings, I said to my girlfriend, "He's going to SNAP when he finds out he's back on the Island." And...sure enough, once he did, he beat Charles about the head with an IV stand. How good do you think that felt? Although the joy of beating Widmore would be short-lived, as Charles declared to Desmond "The Island isn't done with you yet."
When Jin asked Charles what Desmond was doing on the Island again, Charles responded by saying "It would be easier for me to show you than to tell you, Mr. Kwon." Although when asked again later, Widmore responded by telling Jin "That man is the only person I am aware of, in the world, who has survived a catatstrophic electromagnetic event." I need to know that he can do it again." Remind me not to hire him for my next negotiation. He caves when asked a second time.

Chip from Kate and Allie is still as whiny as he was as a kid back on that show in the 80s. When Zoe came in and told him that the test had been moved up based on Widmores orders, it looked like he was going to cry and throw a teddy bear.
Poor Simmons. All he was asked to do was check out the circuits on the solenoids, and he ended up a barbecued mess. I have to say that it was an awkward scene watching him get fried. I mean, some lackey figures out that it was a "bad breaker on the genny", and then just fires up the power again as Liz Lemon and Chip yell "Nooooo!"

Seriously? This is the finely oiled machine that Widmore has assembled for this project that presumably is intended to save the world somehow? This is the same man who hired Keamy and that team of mercenaries on the freighter, and now he's got this bumbling herd of Keystone Kops? I almost expected circus music to be playing.

And why did Simmons head out without a gun, while the group that chased out to try and save his sizzling carcass all carried weapons? Sorry, just didn't make sense to me.

Charles explained to Desmond that he was going to be asked to make a sacrifice, which then led to a conversation about the concept of sacrifice between the two of them. Desmond obviously sacrificed a life with Penny when he was trapped on the Island, and willingly sacrificed a potential life with her prior to that when he set off on his sailboat race to try and win the favour of her father. Charles, meanwhile, also pointed out that his own son (Daniel) died for the sake of the Island, Penny now hates him, and he's never met his own grandson (little Charlie Hume).

As Charles was explaining the stakes to Desmond, he told him that if they failed, Penny and Charlie would be "gone forever." I found this choice of words to be very interesting. In a previous episode, we heard that if Flocke/Smokey got off of the Island, everyone would "cease to be." Is this just a coincidental choice of words, or does the use of phrases like "cease to be" and "gone forever" without explicitly using the word die or dead give us some sort of hint? Is it a way of telling us that one existence may just disappear...or is it just a phrase that I'm reading too much into?
As we moved to the Flash Sideways (FS) world, we see Desmond at the airport looking at an Oceanic Airlines board, and as Hurley rounds the corner and direct our favourite Scotsman to Carousel 4, he asks him what all of us have been asking since the first ten minutes of the season premier, "You were on the Sydney flight, right?" Desmond confirmed that he was, so there goes the 'Jack-was-imagining-him' theory.

I'm not sure what the relevance was for the scene between Desmond and Claire at the airport. Was it a way for Desmond to let us know that he's "not a big fan of surprises", or a way for us to see him predict that Claire would be having a boy? Or was it simply a way for us to see Desmond and Claire together to remind us of their respective relationships to Charlie, who we would see shortly.
So nice to see Fisher Stevens back as Minkowksi...although in this episode, he was simply "George." It was a different touch for Lost fans to see him without a bloody nose and losing his mind. As Desmond walked with him at the airport and explained that he was in Sydney "closing a deal for the boss", I realized that we were about to see a FS world where Des worked for Widmore.

George gave a nod to the fans, asking directly what we have been wondering since L.A.X", that he wasn't wearing a wedding band. We all wanted to know whether he was married to Penny or not in the FS world, and we got the direct answer when Des said "I'm not looking for any companionship. I'm here to work."
In Widmore's office, we see Desmond peering longingly into a sailboat on the wall (nice touch), as Widmore screams into the phone to get someone (Charlie) out of jail. We then learn that Widmore's son is a musician, and we fans all cumulatively remembered back to young Daniel's piano lessons, didn't we? Apparently, he had a crazy idea to mix classical music with modern rock. Daniel Faraday...mashup artist. (Debut album title: Return of the Skinny Tie.)

Desmond and Charles had a drink, to celebrate Desmond's indispensibility", and isn't that an appropriate word to describe Des, in both worlds? As Charles poured the 60-year-old MacCutcheon (smirk), he said "You really do have the life, son. No family. No commitments. Ah, to be free of attachments." Desmond responded that he was "a blessed man". What do you think that the word "blessed" means here?
Ladies and Gentlemen, the band is back together...it's Desmond and Charlie, one more time! As they sat in the bar, Charlie explained his first experience with "spectacular, consciousness-altering love"...on the plane. As he started to tell the story, he first mentioned the woman in handcuffs, which I'm sure was a knowing nod to the off-screen relationship between Evangeline Lilly and Dominic Monaghan, before talking about the vision he experienced as he was choking to death on his bag of heroin. His vision was obviously Claire, and he apparently got a glimpse of her as he was dying.

Desmond offered him a choice, to stay in the bar and keep drinking, and risk the "extermination of his musical career", or to come with him, get a nice hotel on the harbourfront, and have Charles Widmore owe him a favour.

Charlie: "Doesn't really seem like a choice."
Desmond: "There's always a choice, brutha."

There's always a choice. Is Desmond channeling Jacob? Is he connected to Jacob? Or is he just echoing the theme we've been talking about for so long?

Charlie offered Desmond a choice as well, in the car after they left the bar. Since Desmond wasn't buying what our Little Lost Hobbit was selling, Charlie said that he could show him what he was talking about, or Desmond could get out of the car. My brow furrowed with confusion along with Desmond as I tried to comprehend what that meant.

What I most certainly did NOT expect, was for Charlie to grab the wheel and plunge the car into the water.
I have to say that the shot from the inside of the car as it went into the water was mind-blowingly fantastic. And as the car sunk down into the depths, emotions stirred up and returned from the scene where Charlie died.

Now, let me take a moment to say, for those of you that didn't know this...I was never a big Charlie fan. I don't know if it was the fact that I can't get past him being a Hobbit in my eyes, or maybe I was resentful of the aforementioned off-screen relationship with Evangeline Lilly, or maybe it was the fact that for the first few seasons, I just didn't like the character. But whatever the reason, I didn't like Charlie.

However, the scene in the Looking Glass station, when Charlie drowned after saving the day, was one of the most powerful scenes I have ever seen on the show. The look on Charlie's face, and the knowing nod he gave Desmond, as if to say "Please tell me you understand", was simply heartbreaking and heroic all at once. And as the car sunk down, I knew we were about to see some sort of callback to that scene.

As Desmond fought to get to Charlie, with a closed door and a pane of glass separating them, just like in the Looking Glass Station, we saw Charlie open his eyes and raise his hand to the glass...and then it happened.
Desmond flashed to the moment when Charlie held up his hand that said "Not Penny's Boat", and as we saw the look of acknowledgement on his face, it was our first essential confirmation that these two worlds (Flash Sideways and Island) were indeed connected somehow. Desmond had a "flash" of something, as we've seen before, in "Flashes Before Your Eyes", another Desmond-centric episode. Just as I speculated in my recap for 'The Package" last week, I think the connections are coming to light, like Sun's ability to only speak Korean last week.

At the hospital, Desmond was being funneled into the MRI machine when he had another series of flashes, but this time about his life with Penny. The look on Desmond's eyes as he saw these flashes said so much...this was the life he wanted, what he craved...but never knew. He pressed the panic button to get out of the machine and find Charlie. Topic of discussion for the Comments section: Discuss Desmond being commissioned with the responsibility of 'pushing the button' once again.

After finding Charlie and being told that he needed to start a search for Penny, Desmond then found himself on his way to meet Mrs. Widmore. We all knew that this was going to be Eloise, but between watching her berate her staff over butter knife placement and flower arrangement centering, I had to note that she was rocking the best female silver afro I have ever seen.
But septagenarian hairstyles aside, Eloise "met" Desmond, who explained that Drive Shaft would be unable to attend the event. Expecting Mrs. Widmore to be upset, Desmond was shocked to hear her say it was fine, because "whatever happened, happened."

Last season, we were told explicitly "Dead is Dead", in an episode title. But we all believed that John Locke was still alive. Now, we are being told "Whatever Happened, Happened", also an episode title from Season 5. Will we believe it now? Should we believe that this isn't just another option, but that it all indeed happened, and nothing can change that. I say yes.

Desmond happened to hear the name Penny, and asked about it, but was cut off by Eloise who dragged him aside, and after making it clear that she was very familiar with who he is, and that their "first meeting" earlier was a ruse on her part, declared angrily, "You're not ready yet, Desmond!" I submit that this is our first hard-core proof of a relation between the two worlds.

Now, did you notice that Penny's last name on the list was Milton? Is this just another historical/philosophical/literary reference in a last name (Locke, Hume, Hawking, Faraday, Bentham, Rousseau), or a hint to who Penny's mother is?
Desmond left the meeting with Eloise and ended up in the limo, only to have a rap on his window...and the re-appearance of Daniel Faraday....I mean, Daniel Widmore. He explained to Desmond that he was a musician, but after seeing Charlotte (never mentioned by name), he believed that it was love at first sight. He said "the second I saw her, it was like I already loved her." He then gave us the reveal that Penny was indeed his half sister, and he gave Desmond instructions on how to find her.

This makes me wonder if there needs to be a trigger to activate the flashes that provide the link to the other world. For Daniel it was Charlotte. For Desmond it was Charlie, or perhaps the name "Penny". For Charlie it was Claire. Is it the same concept of The Constant?

Daniel: "What if this wasn't supposed to be our life? What if we had some other life, and for some reason, we changed things?" Daniel is onto something...

Desmond heads to the stadium, the same stadium where he first met Jack. Only this time Penny is the one running instead of him. As soon as Des looked at her, you could see it in his eyes...he might as well have spoken Daniel's words, "the second I saw her, it was like I already loved her."
And as he touched her hand, we were transported back to the Island, as Desmond awoke from his Electromagnetic Fry Test. As he sat up, he looked at his hand, proving that he was cognizant of where he just was (with Penny). He then told Charles that he was ready to help, and that he understands, which I took to mean that he understands the relationship between the two realities he is experiencing, that they are connected/related, and that he is now willing to help Widmore. As he said to Zoe, "A lot can happen in 20 minutes."

And then out of nowhere, the return of Bad-Ass Sayid finds Widmore's hapless crew either running off into the jungle or with a broken neck. (Damn, it's been way too long since we've seen Sayid snap some sucker's neck, hasn't it?) Sayid tells Desmond to come with him...and Des follows. He has no reason not to trust Sayid. After all, Sayid is the one who linked up the phone call in "The Constant" to save Desmond's life, and they are connected through the Oceanic 6 experience.
As he awakens in the FS to see Penny, she asks "have we met before?" Weren't you just begging for Desmond to say yes? I know I was. After they make a coffee date, Desmond returns once again to the limo and asks George to get him the manifest from the Oceanic 815 flight. When asked why, Desmond responds, "I just need to show them something."

But who is he talking about? Charlie? Daniel? Jack? Charles? Charles in the Island World? I don't know...can't wait to find out.


369 posted on 04/09/2010 9:13:17 AM PDT by Lucky9teen (I'll just say the 2nd amendment to the Constitution is there for a reason!)
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To: Lucky9teen
LOL!!

Thanks for posting the recaps.

370 posted on 04/09/2010 10:33:04 AM PDT by lonevoice (If Fox News is the only outlet reporting it, did it really happen?)
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To: ßuddaßudd; acad1228; Anitius Severinus Boethius; Anti-MSM; babyfreep; BallyBill; BelegStrongbow; .
S6Ep11 - "Happily Ever After" Recap and Analysis, by Erika


~ Click here to be added or taken off the list ~


Season 6, Episode 12 – Aired: 4/13/2010
Everybody Loves Hugo


Episode Synopsis:
Hurley worries over what the group should do next, and Locke is curious about the new arrival to his camp.

371 posted on 04/13/2010 4:14:00 PM PDT by Lucky9teen (I'll just say the 2nd amendment to the Constitution is there for a reason!)
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To: Lucky9teen

I hope we see Hurley’s mom, Carmen Reyes in this episode—she is always hilarious.


372 posted on 04/13/2010 4:28:01 PM PDT by mom4kittys (If velvet could sing, it would sound like Josh Groban)
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To: All
I fell out laughing when Ilana got Arzt'ed.

I'm not sure why.
373 posted on 04/14/2010 4:47:37 PM PDT by Uncle Ivan (Alea iacta est)
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To: Lucky9teen
I can't wait for the recaps from the blogs.

Thanks for keeping the thread.

374 posted on 04/14/2010 7:56:10 PM PDT by carton253 (Ask me about Throw Away the Scabbard - a Civil War alternate history.)
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To: Uncle Ivan

My wife and I laughed. We both saw it coming and were grateful that she blew up. She was just another lame character the writers introduced late in the show...and we were glad to see her go.

Just our opinion...we’re only watching now because we’re holding some hope that we didn’t waste 5 years of our lives watching a series that’s going to end up leaving most questions unanswered.


375 posted on 04/14/2010 11:42:26 PM PDT by Skenderbej (No muhammadan practices his religion peacefully.)
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To: ßuddaßudd; acad1228; Anitius Severinus Boethius; Anti-MSM; babyfreep; BallyBill; BelegStrongbow; .

RECAP TIME!!!

Things I Noticed - "Everybody Loves Hugo" by Vozzek69
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THINGS I NOTICED - Everybody Loves Hugo

Everyone loves Hugo episodes. They always deliver a message, but they usually do it with an interesting mix of humor and sarcasm. This week, they even did it with darker and more shadowy overtones. Despite the increasing tension and imminent violence of the upcoming storyline, Hurley was still able to shine through. Things I Noticed:

Three... Is a Magic Number
LOST is playing out exactly as Locke predicted it would, way back in the Pilot episode. Two players, two sides, one dark and one light... things were a lot simpler back then, and ideas a lot more innocent. Perhaps this is why John neglected to take the additional force into account - the third grand master - the watchers, the whisperers, those who are apparently 'stuck' on the island through their deeds or misdeeds.

The bright red flower on Libby's grave this episode pointedly reflects the influence of a 3rd party. We've seen this all throughout the show - the use of the color red neatly implemented in some very key ways. Red has been used to make a point (by Eloise Hawking, showing Desmond the red-shoed man), and in scenes alongside the other two black and white forces (Locke's red WV bug alongside black and white sedans, the red hieroglyphics of the Swan's black-on-white countdown timer, etc...) - the list is pretty long.

Yet when it comes to people, red has been used mostly in conjunction with one key character on LOST: Michael. He's the guy wearing the red shirt as the raft launches in Exodus, standing next to Sawyer and Jin in their black and white ones. Mike's also the one who told us the season one joke: "What's black and white and re(a)d all over?"

Perhaps more than anyone else save John Locke, Michael's been the most manipulated pawn in LOST's whole game. You have only to watch the surprise on his face as Michael shoots Libby and Ana Lucia to know one thing: at that very moment, someone else had their finger on Mike's playing piece. He gets manipulated back to the island by forces beyond his control, and spectacularly disposed of once the island is done with him. As far as pawns go, Michael's unimaginative, single-sided approach to problem solving (i.e. bounding randomly into the jungle after Walt every ten minutes) probably made him an easy target. In essence, he was a good tool to use.

Michael is also the one 815'er who never really had a choice at all. From the moment we first see him, people like his ex-wife are making decisions for him. He's always been the victim, played the victim, and seen himself as a man taken advantage of. In that respect, it's only fitting that Michael would ultimately end up in an advisory role, trying to help Hugo make some very important decisions of his own.

Michael showing up in conjunction with the whispers, alongside Libby's red flower, really cements the theory of a third party on LOST. The watchers are the whisperers, and the whisperers are the ones who've been watching. When Mike steps up to Hurley here, it's not with vague hints or cryptic allusions. He flat out tells Hugo he's here to stop him from making a mistake, and then proceeds to tell him exactly what he must do. This is a much more direct influence than we've ever seen before, and it's probably because - one way or another - things are finally drawing down to a conclusion.

The whisperers aren't just watching anymore, they're getting involved. They have a stake in what happens, and they mean to protect it. Hurley's not exactly happy to see Michael, but he is happy to get some outside help. The insight Michael provides comes from outside the show's gameboard, and with some sort of advanced knowledge of what's going to happen. Hurley knows and understands this, and is smart enough not to question it. As he tells Miles later on: "Dead people are more reliable than the live people". At this point, it just makes sense.


I've Been Training My Whole Life For This!

Did you see Richard's face when he looked into Illana's satchel? That was some sweaty, nappy, nasty-looking dynamite! I should've realized what was going to happen here but I'm glad I didn't, because Illana's demise startled the hell out of me almost as bad as what happened to poor Arzt. Fool me once, shame on ABC. Fool me twice... I really should've seen that shit coming.

Sorry, but now that we've seen Illana's whole story arc I have to say that I'm less than impressed. She marched into LOST like she knew what she was doing, but backed it up with nothing but hard talk and a lot of rifle-pointing. She had a lame storyline, brought a very weak crew with her, and came to a totally useless ending. Ille qui nos omnes servabit my ass.

If Illana's only purpose was to tell our characters that they're candidates to replace Jacob, then maybe she should've just sent a telegram. I have a hard time believing Jacob would've taken someone he treated like a daughter and waste her in this way. Either Illana totally screwed up or Illana totally screwed up - as far as I'm concerned there's really no other possibility. If she were following the correct path and making the "right moves" (as Hurley questioned her earlier), there's no way she would've Arzt'd herself like that.

You could maybe convince me that the dark man offed Illana herself. If you examine her last words, she did just call him a 'thing'. We already know how badly the MIB hates that term, and maybe she really pissed him off. But a more likely scenario, I think, is that the writers are just trimming the fat. As the show winds down, we'll need to see more of our bigger heroes and less of Johnny-come-latelys like Illana and Frank (as much as I love that guy).

The only important thing Illana may have done? Burned down Jacob's cabin. Maybe this is what traps the dark man in John Locke's body for good. After all, in reference to the cabin Bram did mention that "someone was using it."


Stood Up On The Fahita Field Trip
Yes, it was good to see Libby again. Her character's exit was abrupt and her story unfinished, and it's always nice to see loose ends getting tied up. She also had some great interaction with Hurley, both this week and in past episodes, and going all the way back to the tail section gives her tons more street-cred than, say, Illana or Zoe.

Like Charlie, Libby remembers. She's not even fully sure what she remembers, she just knows that she feels it. Her revelation didn't happen by touch or even proximity to Hurley - interestingly enough it happened via the television. This screams back to the first time we saw Daniel Faraday, sobbing as he watched footage of the crash of Flight 815. Daniel cried back then without even understanding where those emotions were coming from - just as Libby does here - and this is just one of LOST's many cool tie-ins to past seasons.


Join The Dark Side... We Have Arts & Crafts!
What's whiny, ungrateful, mutinous, and impatient? Flocke's entire encampment, of course. Sawyer's certainly not one for inaction, and we all know how Kate feels about sitting in one place for too long. Carving sticks Eko-style without a care in the world doesn't seem to help smokey's image, and the latest polls indicate popularity has gone way down.

Yet despite all this, the dark man holds his position. He knows he needs the remaining candidates, and more importantly he knows they must come to him on their own. To appease Sawyer and Kate, the MIB makes up some nonsense about 'needing them all together' in order to be able to leave the island. Keeping Ajira in mind, this is something he knows they can understand. Temporarily, it serves as a great excuse to quiet their grumblings, so he can hear the wood when it speaks to him.

Many viewers already suspect that Flocke wants the candidates dead, and I'm jumping on board with them on this idea. Gathering the candidates together is the best way to accomplish the MIB's end goal, because I'm also assuming he can't harm them directly. He'll therefore need someone else to do it, and putting everyone in one place would make destroying them a hell of a lot easier for whomever he picks to do the job.

It's also important to note how John Locke's mannerisms have been shining through the MIB lately. He seems to have adapted John's hobbies as well as his slogans. Maybe he can't keep his hold on John's body forever. Maybe he can't suppress certain aspects of John's persona from exhibiting themselves. This sort of happens to Sayid too, as he let Zoe go last episode rather than shoot her dead. The smoke monster seemed fairly pissed about this, but avoiding any unnecessary killing seems to be something associated with 'good' Sayid.


It's Like a WalkAbout In Your Mouth!

Four days later, Desmond has gotten his greedy little hands on Oceanic 815's flight manifest. From here he takes on a very Jacob-like role, making it his own personal mission to plant seeds of enlightenment everywhere he goes. It's almost like he's recruiting here - bringing his fellow castaways' memories back for some ultimate purpose that only he knows about. First stop: Hurley's chicken shack.

Directly in line with the rules of the island, Desmond doesn't tell Hugo anything outright. He merely gives him a push, and leads him in the right direction. The Desmond we see here is almost omniscient - he's got his LAX memories, but he also has memories of being on the island. More evidence of this exists as Desmond's number is called: 42. Hugo on the other hand, has customer number 38 - indicative of his story in the sideways timeline.


Hospitals, Marinas, Mental Hospitals, Rec-Rooms...

Just like dialogue, names, faces and scenarios, there are certain places throughout LOST that are repeated time and time again. Here at Santa Rosa, we're once again treated to the same familiar people, objects, scenery and decor. I'm thinking Hurley's big donation won't change that fact one bit.

According to Dr. Brooks, Libby has "issues with reality". Unknown to him, he couldn't have put it better. As her mind slips between two different worlds, Libby has very specific memories of her island life, the plane crash, and even knowing Hugo in Santa Rosa during their stay in the previous timeline. We see dialogue identical to both worlds (i.e. "you're doing fine") that seem to jog Hurley's memory for a split second, but he still hasn't had that one big revelation that Charlie or Desmond have shared.

The connect four game dumps cargo a split second after this scene starts, but if you're quick enough to pause it, you'll see that red beats black. ;)


Dude, You've Got Some Black Rock On You...

Again, everything comes full circle. In Exodus, Hugo was running and waving his hands to prevent Locke from setting off dynamite. Here, Hurley is doing the same thing after setting off his own explosion. Hugo's even on the receiving end of another oft-repeated line: "Why did you do that?"

Hurley's a terrible liar, and it was easy to see his initial stutter while faking his conversation with Jacob. Jack caught onto it quickly, and so did Richard. Hugo sticks to his original plan however, which now includes talking to Locke. It's not clear whether he came up with the plan himself or got additional help from Michael, but it's safe to say Mike's okay with it because he later points out Locke's encampment.

"You can either come with me, or you can keep trying to blow stuff up." Great line. What's awesome here is the way Jack steps up to stand behind his friend. There was a point several seasons back where Hurley should've trusted Jack and went with him, but chose not to. Here the roles are reversed, only this time, Jack chooses the correct path. He puts all of his trust in Hurley... and by doing this, Jack lets go.

This is a very big moment for Jack. In his own words, Jack realizes he can't ever fix what happened in the past. With some help from his father, his friends, mirror-smashing therapy, and even Jacob, he's finally stopped trying to put his hands in everything. Totally and completely, Jack is now a man of faith.

This leads to our heroes being divided for what might (thankfully) be the very last time. Richard takes Miles and Ben to form the doomsday demolition team, where we'll probably get a requisite farewell tour of the barracks. Jack, Sun, and Frank agree to follow Hurley into the lion's den. Blowing up that plane seemed like a shitty idea anyway, and the more Illana pushed it the worse it looked.

RIP Black Rock. We had some good times.


Is That Your Brotha, Brotha?

We haven't had a Desmond/Locke scene in a while, and we've never seen Desmond with the man in black. The paring of these two characters, combined with Desmond's recent flash of insight, made for one of the best scenes in the episode.

Flocke doesn't know why Widmore brought Desmond to the island, but he knows he must be important. The electromagnetism thing seemed to bother him slightly, as he asked Desmond to specifically verify what happened. Desmond's honest, straightforward answers seem almost a little suspect, but for some reason he's unable or unwilling to lie about anything here. Flocke's most important question however, comes at the end of their interview: "Do you know who I am?"

This is a question asked all throughout the show. Identity is a huge theme, and I predict it will play a tremendous part in how LOST ultimately ends. Desmond however, answers the question simply and innocently (or does he?) when he responds with: "Of course. You're John Locke".

This pleases the dark man. I think he half-expected Desmond to identify him here, but chalks him up as unknowledgeable from this point forward. This will make it easier, or so he thinks, to faceplant Desmond in that ancient well. Des actually takes smokey's hand as he gets up, which may have enabled this to happen.

Later on however, Desmond slyly exhibits knowledge above and beyond what the MIB originally pegged him for. "Do you know better?" he asks him. "There's nothing special about me brotha. If you ask me, this island has it in for all of us." Desmond is decrying being special here for a reason: he's downplaying his significance. Immediately after that exchange though, he exhibits yet another important power: the ability to see the young boy in the jungle.

The boy sure as hell looks (and smirks) like Jacob. He's older this time, indicating a progression. Once again it angers the MIB, but he walks away this time rather than lose control. Is Jacob really there? Probably not. But the boy's image is a not-so-subtle reminder that he's still present on the island. And that their game is NOT yet over.


The Whispers... Explained in 31 Seconds

Okay, so from completely out of nowhere we get... an ANSWER to the WHISPERS!?!?!?

I was totally blown away... amazed that they answered this question right here, right now, and in such a short, rushed scene. The whispers turn out to be what many people have suspected since day one: the voices of the dead. These are the sounds of those stuck on the island and forced to watch things unfold, due to the actions (or inactions) of their previous lives.

As much as I hate to even say it, Michael's definition of being "unable to move on" jives a hell of a lot with the definition of Purgatory. He's trapped there because of what he did, and for some reason is offering Hugo his help. There's nothing Hurley can do for Michael, other than "don't get yourself killed". The way it looks now, Michael's final redemption lies in seeing that Hugo and his friends succeed.

This simple, easy, cookie-cutter answer to one of LOST's oldest mysteries just seemed way out of place for me. It's not that I didn't like the answer (I did - and it was pretty close to my own view of things), it was the hurried, nonchalant way it was thrown at us. Hugo stumbled off with a sudden "Hey, I think I know what these things are", and a minute later we were back on the way to Locke's camp again. Six years' worth of buildup and anticipation had a very weak, lame release.

Still, I think we'll get a deeper explanation of the whispers than Michael's simple nod. Who's back there? Why haven't they stepped forward before? What's changed that Hugo can suddenly see and even call the whisperers out into the open, asking for their help?

It's also cool to start thinking back and identifying when we've seen the whisperers before. I've always thought Harper (Goodwin's wife) was one of them. Maybe even taller ghost Walt. Ben's mother? She never even made it to the island, but it would make sense if she were among them. People have already pointed out that she appeared within the boundaries of the sonic fence, so her appearance couldn't have been attributed to the MIB.

There's a much bigger picture here, and I think Mike just gave us a small glimpse into it. I'm still holding out hope for a more thorough whispers reveal, so anyone who was unsatisfied like me shouldn't close that door just yet.


Everyone Loves Cheese

Hurley and Libby finally get their picnic, and if anyone deserved it, they did. Libby's memories get jogged even further here, to the point where both she and Hugo begin reciting more identical dialogue. The kiss happens, and that's the trigger... that's when Hurley's memory makes the (hopefully permanent) connection between the LAX and island timelines.

We're lead to believe that love is the bridge between these two worlds. In many ways, that's even true. But what's interesting to realize here is that Hugo didn't remember anything until he was placed into a situation familiar to the island timeline. Once he had the picnic, once he kissed Libby, that's when he remembered.

This is exactly what happened to Desmond last episode. His memory was triggered by an event that occurred in both timelines: seeing Charlie through a pane of glass, underwater. It's also what happened to jog Charlie's memory: doing drugs in the bathroom of Flight 815 was the connection for him, because it's something that happened in both the LAX and island worlds.

For Daniel Faraday, it was love at first sight. Maybe his connection happened because he fell in love with Charlotte immediately upon seeing her in both timelines. Love is important, but circumstances are important also, just as recreating the circumstances of Ajira 316 was crucial to getting back to the island.


Brothhhhhhhhhhhhaaaaaaaaaaaaaaaaaaaaaaaaaaa!!!!!!!!!!!!!!!!!!!

Flocke may be lying his ass off to get what he wants, but there is one thing I agree with him on. When he tells Desmond "Charles Widmore isn't interested in answers, he's only interested in power", I think he's dead on stating the truth here.

In a very awesome scene, the dark man regards Desmond curiously and asks "Why aren't you afraid?" It really seems to bother him that Desmond is so cool and collected. Maybe it's because the MIB is so used to ruling through fear and show of force. If we're to believe the hieroglyphics, the smoke monster is also used to being fearfully worshipped by followers for what may have been thousands of years.

Yet here's someone who's not only unafraid, he's totally casual about it. Desmond scares the dark man on some very new levels. His enemy, Charles Widmore, went through a lot of trouble to bring Desmond to the island, for one. He's resistant to electromagnetism - something the monster himself can't stand. And if Desmond can see the boy in the jungle, does that make him a candidate? If so, does the "sacrifice" Widmore mentioned last episode involve him taking Jacob's place?

Tossing Desmond into that well was a no-brainer, and Des should've seen it coming. From the sounds of that torch hitting the bottom, it seemed like it probably ended in some water. I'm sure Desmond's okay, just as I'm sure there's a donkey wheel on ice down there. Maybe Flocke expects him to turn it, or expects Desmond to be dead. Either way, he should've double-tapped.


I Know Who You Are... I Know What You Are

Not much to say about Hurley brokering his friends' safe arrival at Locke's camp, other than the Jack/Locke staredown at the end. As these two iconic characters exchanged looks, it really did give me the chills. Watch it closely, and Flocke's head cocks curiously, almost as if he sees something within Jack. Perhaps he sees who Jack "truly is", the way Achara did, because right afterward, the MIB smirks.


The School District Looks Fine Enough, But Desmond's Not a Big Fan of The Faculty

Sometimes the ending of an episode distracts you just enough to flick you right in the balls. That totally happened to me here, as Desmond happily and brutally introduces John Locke to several key surfaces of his moving car.

We know from his brief conversation with Ben that LAX_Desmond has memories of his island life. After lying about looking for a school for his son, Ben tries to catch him in that lie by immediately asking his son's name. Without even so much as a second's hesitation, Desmond instantly answers him: "Charlie".

As far as I see it, there are two possibilies here. In one, Desmond remembers Locke as Flocke. He knows he's the bad guy, and is now trying to kill him. Perhaps he thinks killing John in the off-island world will have an impact on the MIB's ability to maintain his dopleganger-like control over John Locke's emotional spirit, and maybe John can "take back" some of that control again. We've already seen mannerisms of the old John Locke bleed through from time to time, and we've also seen deceased characters in the island timeline transcend some of their memories to their LAX counterparts after they've died.

In the second scenario, Desmond is merely trying to induce the same type of revelation that he, Charlie, Daniel, and Hurley have already had. Somehow, Desmond knows about John's 8-story fall in the previous timeline. He realizes he needs to recreate that same type of hellacious disaster, and runs John down to accomplish this. Far-fetched and gruesome, but hey, this is LOST.

In the end, it's going to be interesting to see what happens here - both in the LAX timeline and on the island. I'm sure Locke's "accident" will be the deciding factor as to whether Jack fixes his spine or not, because I'd bet my ass that Locke's going straight to Shephard hospital. On island, I'm betting there will also be some impact on the MIB's side of things. We'll just have to see.

Crazy? Crazy About You! "Everybody Loves Hugo" - Recap by Robz888
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BOOM! It was nice knowing you (briefly), Ilana. Hey Desmond, welcome back to the isla... DOWN THE WELL! And, for good measure, let's kill John Locke one more time. Pretty much sums up last night's surprisingly violent Hurley-centric, doesn't it?


But much like "Sundown", the shocking death toll was pretty entertaining, especially after all the lovey-dove stuff lately, though "Everybody Loves Hugo" wasn't lacking in that department, either.

This was an hour of Lost filled with potential answers, questions and moments meriting heavy discussion. I'll try to get through it as quickly as I can, but I have a feeling this will end up being a lengthy recap. Let's examine the on-island action first.

ILANA, WE HARDLY KNEW YE. BUT SERIOUSLY, WHO WERE YOU?

Is that the producers' favorite gag, or what? Some character starts shaking the dynamite, we all collectively groan, oh don't do that, and BOOM, the end of said character.


From what I've gathered, most people expected Ilana to meet this fate the second she showed us the dynamite in her pack (and I'm guessing there must have been spoilers about this, though I truly don't know), but never in a million years did I think she would meet her demise tonight. Her character just never went anywhere. What was the point of her? Let's pretend for a minute that Ilana never existed. Bram and Co. were Jacob's only sworn protectors. They bring Locke's body to the Statue, and Flocke kills them all. Richard could have filled everybody in on the whole candidates thing. I fail to see what Ilana's character added, other than her shocking, semi-comical death.

At least Ben acknowledged this, pointing out that when Jacob is done with somebody, he's REALLY done with them. I warned in previous recaps that I didn't think Jacob cared about Ilana the way she cared about him, and that he was just using her. The moment she was no longer needed, she became cannon fodder. This doesn't reflect very well on Jacob. Sure, the Man in Black isn't exactly a saint lately, but Jacob's complete indifference to other peoples' lives seems almost as bad as Flocke's malevolent intentions.

In any case, I never felt very strongly about Ilana, and I don't think she had too much support among fans, so we can get over her pretty quickly. There are a lot of characters, and if Ilana's death frees up more time for the less-utilized people to get the spotlight (ahem, Miles and Frank), then maybe it's for the best. Still, the Beach Camp heroes scarcely had any time to mourn or process this loss before heading off on another seemingly hopeless mission.


HURLEY ABUSES HIS GHOST POWERS, AND THE WHISPERS EXPLAINED

Hurley has it on good authority that Ilana and Richard's plan to blow up the Ajira plane isn't going to turn out well. He's first warned by ghost Michael at Libby's grave. Hurley is less than thrilled to see Michael; he openly wonders why Libby is just about the only ghost who won't talk to him.

In the wake of Ilana's death, Richard is just as determined to put the dynamite from the Black Rock to good use. Hurley plays along at first, but then rushes ahead of the group and blows up the Black Rock before anyone can get their hands on more explosives. Farewell, pirate ship in the jungle. You've been a fan favorite for a long time.


Hurley then chalks his actions up to Jacob's invisible instructions, but Richard doesn't buy it. The gang then splits in two groups. Ben and Miles decide to follow Richard to the Barracks and gather more explosives. Jack, Sun and Frank agree to join Hurley in going to talk to Flocke.

The show has hinted at a close friendship between Ben and Richard, so I thought Ben's decision made sense. I was once again worried for Miles, though. Richard is basically wrapped up at this point, and Ben is currently at his most dispensable. If one of these factions ends up being the "Everybody Gets Killed" group, you know it's not going to be Hurley's. Then again, Ben, Richard and Miles should have a lot of island experience between them, right? I keep forgetting that Miles was Dharma security for three years, in addition to Ben and Richard's long careers as Others. Maybe they know what they're doing, after all.

Maybe Miles and Frank can score more screen time when they're apart. And I wonder if anybody has told Frank that Flocke killed his old buddy, Pilot Seth Norris, in Smoke Monster form all those years ago. Would he still want to talk to Flocke, then?

On the way to Flocke's camp, Hurley confesses to Jack that he hadn't spoken with Jacob. I enjoyed the conversation that followed, as Jack explains his new philosophy of letting go and seeing what happens. It's interesting how much Jack has come around to old John's way of thinking. I remember reading way back in season 2 that the producers had said Jack is both the "man of science" and the "man of faith". That's really come true as we head into Lost's final stretch.

In order to find the Flocke camp, Hurley has another chat with Michael, who confirms that the whispers are the voices of the dead who can't move on. I wish I had time to review every instance of the whispers over the course of six seasons, but here are my immediate reactions:

1) It was my understanding that, in some cases, the whispers were quotes attributed to still living people. I couldn't confirm this, but I thought we've heard Sawyer, Hurley and Richard's voices as whispers. Does this mean that they are going to die, or am I just way off?

2) This would explain why we do hear whispers from dead characters like Boone.

3) What about characters who died off the island but are somehow connected to the survivors? I'm thinking about Frank Duckett, here. His "whispering" was different than some of the others because it was louder and easier to understand, so maybe it doesn't count as part of the official whispers.

4) I'm still not sure why the whispers so often accompany the arrival of the Others or the Monster, but I have a guess. My favorite adaptation of Charles Dickens's "A Christmas Carol" is the one with Alastair Sim made in 1951. Just before the ghost of Jacob Marley departs Scrooge's presence, he bids Scrooge to look out the window. On the street below, a poor woman is freezing in the cold. She is surrounded by wailing ghosts who are throwing money at her, but she has no awareness of them or the money. Scrooge asks why the ghosts are so upset, and Marley replies, "They seek to intervene in the course of human affairs, but have lost their power to do so." The whispers are very similar. I think they appear right before the Others and the Smoke Monster because the dead people wish to warn the heroes of the coming danger.

5) I think Harper may have been dead after all when she appeared to Jack and Juliet in "The Other Woman". Juliet might not have known that she was dead, though.


Michael tells Hurley to apologize for him if he ever does see Libby again. And with events in the other reality unfolding in such a way, Hurley very well might be able to do just that. Then perhaps Michael can move on.

MY FLOCKE-IS-GOOD THEORIES GOT THROWN DOWN A WELL

Meanwhile, Sayid brings Desmond to Flocke, who is incredibly curious about the Scotsman. Desmond's exceedingly calm attitude is difficult to interpret. It's not exactly out of character for him, but he just seems so unshakable. Is this because he is now reassured that he is fulfilling his destiny, and only has to go with the flow? Or is it because his main consciousness is now stuck in the other reality?

I was also a little taken aback that Sayid would tie up Desmond like that. I mean, they were best buddies on the freighter! Sayid must be really, really gone. That, or he was just providing female Lost fans with one of their fantasies (see image below).


In any case, Flocke takes Desmond for a walk to the Orchid well. On the way, he asks Desmond how long he was down in the hatch in the exact same way that Locke did back in "Live Together, Die Alone". More deliberate Locke parallelism. Flocke was actually very John-like in a couple moments last night. One of those was when he was carving a stick, and replied to Sawyer that the stick would tell him what it was supposed to become.

On the way to the well, that mysterious boy appears again. I have to say, I thought it was a different boy. According to Lostpedia, though, the same actor played both. This boy seemed to have darker hair and may have been a bit older, but I really don't know. They wear the same outfit. Are they Jacob and the Man in Black as children? Does this mean Jacob and MIB originated as the same entity? I hope we find out soon.


Also noteworthy was that Desmond could see him. Sawyer could seem him, too, but as far as we could tell, Richard couldn't. I thought maybe only candidates could see the boy, but that would seem to be false since Desmond could see him. Flocke is certainly troubled by the apparitions of this boy, whereas the boy seems unafraid of Flocke, even possibly having authority over him. This could be because the boy reminds MIB of his younger self - a time before Jacob took his humanity and trapped him on the island - or because the boy is actually a higher entity.

At the well, Flocke explains that the people who dug it were looking for the energy pocket that was affecting their compasses. I wonder if these people installed the wheel, or if it was already there?

Desmond isn't afraid of Locke, for two reasons: 1) Desmond doesn't seem perturbed by anything anymore, and 2) he doesn't seem to know Locke is not Locke. The bald-headed bad guy responds by throwing him down the well - a plunge that John himself took last season.


Why did Flocke ditch Desmond? I can think of a couple reasons:

1) Flocke, like Randall Flagg/Walter O'Dim of Stephen King's novels, keeps his cool most of the time, but has a short-fuse when it comes to people not taking him seriously, not fearing him the way they should, or laughing at him.

2) Flocke intended to get rid of Desmond. He recognizes the potential for Mr. Electromagnetism to be a thorn in his side, possibly because MIB has something to do with the electromagnetism. Long have I thought that the Smoke Monster form might be a sort of energy pocket in and of itself. But because Desmond is special, the only way to dispose of him is to throw him into a pocket.

3) Flocke didn't necessarily intend to hurt Desmond, he just needs to use him for something. He knew that Desmond would survive the fall because the well leads to an energy pocket and pockets are Desmond's specialty. The well tunnel is the next step on Desmond's quest, and Flocke wants him to fulfill this quest.

I think option 2 constitutes the bulk of the answer, but some aspects of choices 1 and 3 might apply as well.

Flocke returns to camp, and is soon joined by Hurley's party. The long-awaited Jack/John reunion moment occurs, but we'll have to wait until next week to see what they say to each other. Flocke, at least, looks pretty pleased that he finally has all the candidates in one place, minus Jin (poor Sun!).

HAVE A CLUCKITY CLUCK CLUCK ALTERNATE REALITY

Didn't Pierre Chang's remarks about Hurley sound like a eulogy? Luckily, Dr. Chang is merely recognizing Hurley for his generous philanthropy.


The award made me laugh. Didn't Hurley think the Smoke Monster was a dinosaur at one point?

Anyway, Hurley is in most respects a lucky guy in the ATL, but he's still unlucky in love. Unsurprisingly, Libby soon crosses his path, and Hurley is immediately falling for her. Libby, for her part, has memories of her time on the island with Hurley - and these memories have landed her in Santa Rosa.

I thought this was a really brilliant way to build on the revelations in "Happily Ever After", with Libby expressing the same sentiments as Daniel and Charlie. It seems that love is very much the tool by which the ATL characters become aware of their other selves. It must be the intensity of the emotion of love that causes it to stretch across dimensions and connect these characters.

Desmond meets up with Hurley at Mr. Clucks, trying to nudge him to pursue Libby. We of course already know that Desmond has a hidden agenda of getting the 815 passengers to remember their other lives. Wasn't it funny that he was order number 42? In addition to being one of the numbers, 42 is the answer to "Life, the Universe, and Everything" in the Hitchhiker's Guide to the Galaxy universe.

Hurley ends up bribing Dr. Brooks with a donation to fix up the rec room in order to see Libby. Though Hurley has never spent time in Santa Rosa in this reality, it's cool that he will be responsible for sprucing up the shabby room in which he spent so much time.

Hurley and Libby go on the beachside picnic that they never got around to on the island, and a kiss prompts Hurley to recall his time with Libby. Desmond watches, satisfied.


THE MAD SCOTSMAN STRIKES AGAIN

Taking his plans to the next level, Desmond heads over to Ben and John's school. He waits for John to wheel himself into the parking lot, and promptly runs him over at full speed.

Oh, Damon and Carlton. You guys just couldn't resist, could you? "It's been at least a couple episodes since we killed John," you must have thought. "Have Desmond run him over." We John fans are the perpetual punching bags of Lost. The show constantly crushes our John hopes, restores them, and then crushes them all the more brutally. Remember when John's body was just sitting out in the sun for a day? That's how John fans are treated. And then they bury us.

That said, I'm assuming John will pull through, and that the accident might trigger John's other memories, as it did for Charlie and Desmond during near-death experiences. I also wonder if Desmond could have planned the accident enough to know that John would be taken to Jack's hospital, and that the two of them interacting might bring on the flashes. So I'm excited to see what comes next for John, but come on Desmond, did you have to run him over that hard?

He'll probably die on the operating table. Or better yet, Jack will revive him just long enough to tell him that his life is a lie. Then the alternate reality will disappear, and John will go back to being a dead failure whose form is possessed by a mocking, evil entity.


I still have hope for you, John. I know you're inside Flocke, deep down. Please make your presence known!

UNTIL NEXT WEEK...

So Flocke is definitely a bad guy. Jacob is no hero either, though. Everyone who has followed him ended up dead or seriously disillusioned. My hope is that both of these scheming, imperious entities will be rejected by a group of survivors who have become too smart to keep following orders. I hope they will learn that free will has its limits, just as destiny has its disappointments.

As always, thanks for reading! I can't believe how little time is left.

- Robby "Robz888"

Sean's Random Thoughts - Lost Recap - "Everybody Loves Hugo"
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Here is Sean Furfaro's Recap of Tonight's Episode.

Jack Shepherd was the Man of Science, John Locke was the Man of Faith, but Hugo “Hurley” Reyes has always been the heart of Lost. Think back to the pure unfettered moments we’ve shared with Hurley over the course of Lost’s run, from building a golf course in Season 1, to his joyous cannonball into the ocean in Season 4, to his heartbreak over learning of the deaths of Libby and Charlie, to his self-convincing efforts to start the Dharma Van, and all the way to his current role as Jacob’s conduit. Hurley has arguably been the emotion of this show for 6 seasons (Sorry Desmond and Penny lovers, myself included)…he has been the voice, the conscience, the one who says what we’re all thinking as we watch. Tonight, with only 6 episodes left to go before we reach the end of this road that we all anticipate and dread with equality, we get our Hurley episode, “Everybody Loves Hugo.”

As the episode opened with what may have appeared to the naked eye as a eulogy, we quickly learned that in the Flash Sideways (FS) world, Hurley was being honoured as Man of the Year, partially due to his "lifelong love affair with chicken" as the owner of Mr. Clucks. Did you recognize the MC's voice as that of Pierre Chang before the visual reveal? How many Dharma Initiation tapes do you need to see to catch that one?

Yes, Hurley is overweight, and yes he has physical self-esteem issues, but is there anything more emasculating than having your mother set you up on a blind date with Uncle Tito's neighbour's daughter, Rosalita? Ouch.

On the Island as Richard and Jack ready the troops to head out, Hurley has a private moment on Boone Hill, talking to Libby. From the onset of this scene, I started crying just listening to him talk to her, womdering why she didn't appear to him the way that others did. As he explained to Ilana who Libby was, it was heartbreaking, and I was a mess. Jorge Garcia was fantastic in this scene, and I knew it was going to be a long, emotional roller-coaster of an episode.
Cue the whispers and the appearance of Michael, who told Hurley that he needed to stop him from blowing up the Ajira plane. As Hurley astutely asked "Why should I trust you? You murdered Libby and Ana Lucia", Michael responded with a dismissive "That doesn't matter right now." Well, I'm sorry, but if you murdered my girlfriend (and presumably my soulmate) and then just gave me a "doesn't matter" when I was hesitant to trust you, I'm not sure I would be ok with that. And as much as Michael gave a solid argument, I wasn't sure that Hurley would listen.

Back in the FS World, Hurley waited for his blind date at Spanish Johnny's, making me think that the only thing more emasculating than having your mom set you up on a blind date with your Uncle Tito's neighbour's daughter, Rosalita...is to have your Uncle Tito's neighbour's daughter Rosalita stand you up.

But then Libby arrived...

And that first moment between Hurley and Libby tugged on my heartstrings again, as Hurley's breath was taken away seeing her for the "first" time. As Libby tried to explain that she was connected to him, and that they were soulmates, you could see him wanting to believe it while not understanding it in the least. Then Dr. Brooks rained on everybody's parade and corraled her, herding the Santa Rosa Mental Health Institute crew into a waiting van outside.

Last week in Vozzek's recap of Happily Ever After, he suggested the theory that the ones that can trigger the memories in the FS World, the ones who are, as he put it "in the know", are the ones who have died on the Island. I loved the theory when I read it, and now after seeing this, it appears to be true. First Charlie, then Daniel, then Libby...who's next?
Ilana retrieved the dynamite from the Black Rock as they prepared their plan to blow up the Ajira plane. As she was explaining things to everyone, I watched her tossing bottles of water on top of the dynamite in her bag, and made a note that I would have to point it out as a problem. I mean, how could Arzt blow up from barely handling a stick, and she can use it as a cushion for her water?

Then...BOOM!

Ok, I have to admit, that was seriously unexpected. And as shocking as it was, I have to think that after establishing Ilana as a caring, protective, and sympathetic character, she probably deserved a better end than just to be blown to bits by being careless. But perhaps, as Ben stated, "The Island was done with her."
At Flocke's camp, Sawyer has once again morphed into Stompy McStomperson, the angry sarcastic guy who storms around camp demanding answers. He corners Flocke who explains that they are waiting for Hugo, Sun, and Jack. I had to note that he didn't mention Frank, which may possibly debunk my theory that he needs Frank to fly the plane, but perhaps he was just referring to the ones that arrived on the Ajira plane. But then again, he told Claire that he didn't need Kate, so that likely isn't it either.

Flocke then told then that the were going to "get off this godforsaken rock", which is the exact phrase that Sawyer used in Episode 7, "Recon". What is the significance of the phrase being exactly the same? It can't just be a coincidence, I think. Your thoughts?

Sayid then showed up at camp again with Desmond in tow...and "in tow" is an appropriate description as Desmond was tied to a tree. Why on earth was he tied up when he went with Sayid so calmly and willingly? That didn't make a lot of sense to me, and even though it was explained that Sayid was afraid he would run...it still didn't taste right to me.

Desmond and Flocke had a one-on-one conversation about Widmore, electromagnetism, and his time on the Island. But when Flocke asked if Des knew who he was, and Des answered "John Locke", I couldn't tell if Flocke reaction was happiness, disappointment, or simply confusion. But the key element of this scene may be the fact that as Flocke offered his hand to Desmond to help him up...Desmond accepted it, which Sun and Kate bothe refused to do in earlier episodes. Why did he take it, and what does it mean. Flocke's touch clearly means something, as Jacob's did, so did Desmond just get "affected" by whatever that is, or he exempt from this, too?

As Richard and Jack argued about whether to return to the Black Rock for more dynamite, a key turning point came for Hurley as he told Jack to trust him. Hurley has always been the one who looks to Jack for direction, and now he was taking the leadership role...as Michael pointed out in their first scene together.

So off the the Black Rock they went, and before you can say 'Tricia Tanaka is Dead", the slave ship we've come to know and love since Season 1 exploded at the hands of Hurley, who declared that he did it in an effort to protect everyone. At that point, despite this episode's title, I would say that Richard definitely did NOT love Hugo.

Richard had a drama queen tantrum after the Black Rock explosion (Oh, those 140-year old's can be so moody!), and we learned that Hurley did indeed heeds Michael's advice from the beginning of the episode. When asked why he listened to Michael, Hurley answered with what I feel is the core theme of this episode:

"Dead people are more reliable than live people."

In the FS World, Desmond waited at Mr. Clucks for order #42 (nice touch!), and ran into Hurley, who he recognized from the plane. Did you notice how happy and at peace Desmond was in this scene as he talked to Hurley about his girl troubles? "All women are a little bit crazy, brutha", Des told him with a smile, as he pushed Hurley in the direction of pursuing Libby and looking for answers...
Which led Hurley to Santa Rosa in an effort to find Libby again. And after asking about the "fajita field trip" and not being able to get Dr. Brooks to agree to allowing him in to see her, he resorted to old-school bribery. $100K later we were treated to the familiar images of a game of Connect 4 and a chalkboard that will be analyzed all week, and then Libby came out...

How poignant was it to watch an Off-Island scene with someone trying to explain that they're not crazy...and it wasn't Hurley. This time, he's the one with the sympathetic ear, listening...wanting to believe. And even though he doesn't remember or understand what Libby is trying to tell him about there being "a different life", he still wants to know more. As he asks about this "bizarro alternate universe", he once again echoes what we the viewers are thinking.

And as he asks her on a date, she looks at him and genuinely declares, "I'd love that." Hurley's face lit up again, and I reached for the Kleenex again.

I'm still not prepared to fully analyze the relevance of the Kid in the Jungle that Flocke saw again in this episode. I've heard the theories that it is a young Jacob, or a young Flocke, or Aaron...but I just don't know yet. All I know is that I found it interesting that Desmond was not shocked in the least, even when Flocke became visibly angry, and telling him to "ignore him." That smirk before the kid ran off had to mean something, like he was pleased that Flocke was aggravated.

The scene between Richard and Hurley was relevant because it signalled a peak for Hurley. All throughout the episode, his confidence had been building, in the Island World and in the FS World, and as he came to a standoff with Richard on what to do next, he invoked Jacob's name. As Richard tried to call Hurley's bluff, Hurley told him "I don't have to prove anytthing to you Richard. Come with me or keep trying to blow stuff up. Your call, dude."

So, as is the case in each season of Lost at some point, we saw a splintering of factions, as Richard, Ben, and Miles left for the Barracks to retrieve grenades, and Hurley, Jack, Sun, and Frank proceeded on to look for Flocke and a face-to-face meeting.

And now Sun's obligatory one-line question per episode has been relegated to being written instead of spoken? Tell me again why this she is relevant? Tell me again (as some commenters have done in the past) that Sun and Jin are Season 6's love story...after seeing Des and Penny last week, and Hurley and Libby this week.

Hurley: "How do you break the ice with a Smoke Monster?" Seems like a pretty fair question.

The scene with Jack and Hurley was a turning point for both of them, as Hurley admitted to Jack that while he appeared confident in his standoff with Richard, he was lying about Jacob and had no idea where to go next. Jack reassuringly told him that he did indeed trust him, and went on to give us the most un-Jack-like speech in 6 seasons, as he explained that he can't fix everything, and that Hurley has no idea how hard that is for him. (But we viewers sure do, don't we?)

And then we heard the whispers again, and the next arrival of Michael. It was a scene in which I interpreted Hurley apparently silently forgiving Michael, but more importantly it gave us one of the answers to a long-held mystery: the whispers. Michael explained that he's stuck on the Island, with others, "who can't move on." (Good God, not the Purgatory Theory again!)

That's it?

Don't get me wrong, I'm happy we got the actual answer, which had been suspected for quite some time, but it seemed to just be a toss-aside answer to appease the viewers, like a casual "Jacob had a thing with numbers."

Back the FS World as Libby and Hurley prepared for their date. It was eerily reminiscent of the planned date on the Island, with a picnic on the beach. Libby declared to him how familiar it was, like a date they never had, and when she leaned over to kiss him, it happened...

With that one kiss, Hurley saw the same flashes that Desmond saw last week, and he knew that she wasn't crazy, that it had all actually happened...and now he remembered. I did a major fist-pump at the moment he flashed to the Island.
Then we panned back to see Desmond in his car watching them. And as he smiled and fixed his glasses in a move that would make Horatio Caine proud, all of a sudden, the end of last week episode made sense.

The reason he wanted to get the Oceanic 815 manifest, is to find the passengers and push them towards their own individual triggers that would allow them to see and feel the OTHER world. That's what he meant when he said "I need to show them something."

With only 5 episodes left after this one, I didn't think we were up for much more Island Mythology, but as Flocke explained to Desmond about the well, and the people who dug it, and Widmore's quest for power, I was trying to figure out what it all meant. And even though I saw his imminent fall coming, when Desmond declared "What's the point in being afraid?", I knew that Desmond had it all under control somehow. I don't know how, but I'm confident. This scene reminded me a lot of the end of "The Man Behind the Curtain", where Ben left Locke for dead in the Dharma Mass Grave.

Upon his return to camp, Flocke declared that "we don't have to worry about him anymore." And quicker than Angry Sawyer can say "son of a bitch", Hurley showed up and cut a deal with Flocke to talk and not have any weapons or violence. As Flocke handed over his knife and told Hurley "you have my word", did you believe him?

Then Flocke said "Hello Jack", and with his tone of voice, and Michael Giacchino's score, we're clearly in for something intense next week.

The final scene was an overload for me. I watched Ben act as the protector, and Desmond run down a wheelchair-bound John Locke. It all just seemed so wrong...and as I write this only 2 hours from the end of the show, I still don't know whatit all means in terms of timelines and ramifications, but Desmond is clearly working at something. Help me out in the Comments section and let's figure this out together.

Now, a couple of quick notes. I know that part of the appeal of my posts is that they get posted on the same night due to the fact that I can watch the show 2 hours early here in Canada. Next week, Lost will not be shown at 7 pm here, so my post will be a little later. It should still be up by midnight, but not as early as usual.

The second note that next week’s episode will be on Tuesday night as usual, but then there is a 2-week hiatus until the first of the final 4 episodes airs on May 4th. Also keep in mind that the series finale will be airing on May 23rd, which is a Sunday night. If you live in Canada, that’s the Victoria Day weekend, so you Lost Junkies had better make sure to plan in advance so that you are prepared.


376 posted on 04/15/2010 8:09:54 AM PDT by Lucky9teen (I'll just say the 2nd amendment to the Constitution is there for a reason!)
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To: Lucky9teen

Vozzek rocks. I read Erica and Robz recaps too, but Vozzek cuts through it like no one.


377 posted on 04/15/2010 8:21:16 AM PDT by Edgar3 (Don't THREAD on me!)
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To: Lucky9teen

I know the producers consistently have maintained the island is not “purgatory.” But that is obviously where all this is going. Too bad.


378 posted on 04/15/2010 10:16:29 AM PDT by Dr. Eckleburg ("I don't think they want my respect; I think they want my submission." - Flemming Rose)
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To: Edgar3

Desmond runs over Locke. Goes to hospital. Is healed. Remembers island. Goes to island. Smokey needs dead Locke to use as body. No dead Locke hence can’t be in body. Jacob said “they are coming”.  ”they” are the six from LAX timeline.  Hilarity ensues.


379 posted on 04/15/2010 8:43:49 PM PDT by InvisibleChurch (1 birth, 2 deaths; 2 births, 1 death)
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To: acad1228; Anitius Severinus Boethius; Anti-MSM; babyfreep; BallyBill; big'ol_freeper; ...
Sorry if I left you off the ping list...I had to use my old one (from my profile) as I forgot to ping everyone earlier today (from my work).


~ Click here to be added or taken off the list ~


Season 6, Episode 13 – Aired: 4/20/2010
The Last Recruit


Episode Synopsis:
Alliances are made and broken as the Locke and Jack camps merge.

380 posted on 04/20/2010 7:27:39 PM PDT by Lucky9teen (I'll just say the 2nd amendment to the Constitution is there for a reason!)
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