Skip to comments.The Band's Levon Helm Dead at 71 After Cancer Battle
Posted on 04/19/2012 1:11:49 PM PDT by Lazlo in PA
Levon Helm carried "The Weight" for The Band, and for the Woodstock generation.
The musician died Thursday, two days after his family announced he was losing a fight to cancer.
He was 71.
"Levon Helm passed peacefully this afternoon," his family said in a statement. "He was surrounded by family, friends and bandmates and will be remembered by all he touched as a brilliant musician and a beautiful soul."
Among those final bedside visitors was longtime Band cohort, and frequent sparring partner, Robbie Robertson. Just last weekend, Robertson wished his ailing mate well at last weekend's 2012 Rock Hall induction cerermony.
"On Sunday I went to New York and visited him in the hospital. I sat with Levon for a good while..., and thought of the incredible and beautiful times we had together," Roberston recounted on his Facebook page.
"Levon is one of the most extraordinary talented people I've ever known and very much like an older brother to me. I am so grateful I got to see him one last time and will miss him and love him forever."
(Excerpt) Read more at eonline.com ...
My personal favorite The Band tune.
RIP, Mr. Helm. I hope he is given ample credit in the next world for the pleasure his music has given so many of us in this one.
“The Weight” and “Night They Drove Old Dixie Down” ... two of the best songs of all time. Sail on, Levon :-(
I loved them (the Band), listen to them all the time.
Hope he, Levon, was believer in our Lord Jesus Christ.
It would be great to sit down with him in paradise
Hope is Jesus Christ’s return, not the goofy
vagabond mulatto stealing from others to
gratify himself and his adopted tribe.
RIP Levon Helm, a great musician who gave us some great memories. Bob Dylan and The Band...sigh.
I like this one, the night they drove ol Dixie down...
A drunkard’s dream if I ever did see one
what a great ‘Band’
Hear the sound, Willie Boy,
The Flyin’ Dutchman's on the reef.
It's my belief
We've used up all our time,
This hill's to steep to climb,
And the days that remain ain't worth a dime.
Yes, and even some of his more recent solo work was quite good. He won a few Grammys with his recent stuff, including an album called “Electric Dirt.” I liked one of the singles, called “Growing Trade.”
It was Americana, so it didn’t get a lot of FM radio play. Too busy with Justin Bieber, I guess.
Ashes of Laughter, the ghost is clear, why do the best things always disappear.
One of the few late rock and roll greats, no question1
Hope is Jesus Christs return, not the goofy
vagabond mulatto stealing from others to
gratify himself and his adopted tribe.
Really? You feel the need to turn Levon’s passing into a political statement?
He was also very good in Coal Miner’s Daughter.
Yep!n Weird bunch though. Especially Garth (The Keyboardist) He is cosmically attuned to other worlds.
I'll miss Levon, he was a great Drummer and Vocalist and an excellent Actor too.
omg I had no idea. This is a terrible loss. Rock On Levon!
Always and always.
Levon is dead, pray for the living.
We are stuck with that bag of crap in Washington.
And yes Levon was a special talent.
Of any and every era, and I really don't think I'm exaggerating.
Early in the morning
When the church bells toll
The choir’s gonna sing
And the hearse will roll
On down to the graveyard
Where it’s cold and gray
And then the sun’s gonna shine
Through the shadows
When I go away
Don’t want no sorrow
For this old orphan boy
I don’t want no crying
Only tears of joy
I’m gonna see my mother
Gonna see my father
And I’ll be bound for glory
In the morning
When I go away
LEVON HELM - WHEN I GO AWAY LYRICS http://www.metrolyrics.com/when-i-go-away-lyrics-levon-helm.html#ixzz1sWIIDhnJ
Copied from MetroLyrics.com
Certainly the best band not named The Beatles.
Music from Big Pink and The Band (The Brown Album) are masterpieces and true desert Island Discs.
Levon Helm - When I Go Away
Rag Mama rag:
He saw the birth of rock and roll and though hes too much of a gentleman to say it, his role in helping to keep that rebellious child healthy is more than just instrumental.
On May 26, 1940, Mark Lavon Helm was the second of four children born to Nell and Diamond Helm in Elaine, Arkansas. Diamond was a cotton farmer who entertained occasionally as a musician. The Helms loved music and often sang together. They listened to The Grand Ole Opry and Sonny Boy Williamson and his King Biscuit Entertainers regularly on the radio. A favorite family pastime was attending traveling music shows in the area. According to his 1993 autobiography, This Wheels On Fire, Levon recalls seeing his first live show, Bill Monroe and his Blue Grass Boys, at six years old. His description: This really tattooed my brain. Ive never forgotten it.
Hearing performers like Monroe and Williamson on the radio was one thing, seeing them live made a huge impression.
Levons father bought him his first guitar at age nine. At ten and eleven, whenever he wasn't in school or at work on the farm, the boy could be found at KFFAs broadcasting studio in Helena, Arkansas, watching Sonny Boy Williamson do his radio show, King Biscuit Time.
Helm made his younger sister Linda a string bass out of a washtub when he was twelve years old. She would play the bass while her brother slapped his thighs and played harmonica and guitar. They would sing songs learned at home and popular hits of the day, and billed themselves as Lavon and Linda. Because of their fresh faced good looks, obvious musical talent and Levons natural ability to win an audience with sheer personality and infectious rhythms, the pair consistently won talent contests along the Arkansas 4-H Club circuit.
In 1954, Levon was fourteen years old when he saw Johnny Cash and Carl Perkins do a show at Helena. Also performing was a young Elvis Presley with Scotty Moore on guitar, and Bill Black on stand-up bass. They did not have a drummer. The music was early jazz-fueled rockabilly, and the audience went wild. In 55 he saw Elvis once more, before Presleys star exploded. This time Presley had D.J. Fontana with him on drums and Bill Black was playing electric bass. Helm couldnt get over the difference and thought it was the best band hed seen. The added instruments gave the music solidity and depth. People jumped out of their seats dancing to the thunderous, heart-pumping, rhythms. The melting pot that was the Mississippi Delta had boiled over and evolved. Its magnificently rich blues was uniting with all the powerful, new, spicy-hot sounds and textures that became rock and roll.
Natural progression led Levon to form his own rock band as a high school junior, called The Jungle Bush Beaters. While Little Richard and Jerry Lee Lewis were making teens everywhere crazed, Levon would practice, play, watch and learn. After seeing Jerry Lees drummer Jimmy Van Eaton, he seriously began thinking of playing the drums himself. Around this same time, the seventeen year old musician was invited by Conway Twitty to share the stage with Twitty and his Rock Housers. He had met Twitty when "Lavon and Linda" opened for him at a previous show. Helm was a personable, polite teen who took his music seriously, so Twitty allowed him to sit in whenever the opportunity arose.
Ronnie Hawkins came into Levon Helms life in 1957. A charismatic entertainer and front-man, Hawkins was gathering musicians to tour Canada where the shows and money were steady. Ronnie had a sharp eye for talent. He needed a drummer and Levon fit the bill. Fulfilling a promise to Nell and Diamond to finish high school, Levon joined Ronnie and his Hawks on the road. The young Arkansas farm boy, once a tractor driving champion, found himself driving Hawkins' Cadillac to gigs, happily aware that all the unknown adventures of rock and roll would be his destiny.
In 59 Ronnie got The Hawks signed to Roulette Records. They had two hits, Forty Days and Mary Lou, sold 750,000 copies and appeared on Dick Clarks American Bandstand.
Hawkins and Helm recruited four more talented Canadian musicians in the early sixties, Richard Manuel, Rick Danko, Robbie Robertson and Garth Hudson. Under Ronnies tutelage they would often perform until midnight and rehearse until four in the morning. Other bands began emulating their style, now they were the ones to watch and learn from.
Eventually, the students surpassed their teacher. Weary of Ronnies strict regulations, and eager to expand their own musical interests, the five decided to break from Hawkins. They called themselves Levon and the Hawks.
About 1965, Bob Dylan decided to change his sound. He was ready to go electric and wanted Levon and The Hawks to help him fire it up. The boys signed on to tour with Dylan but unfortunately Dylans die-hard folk fans resisted. Night after night of constant booing left Levon without the pleasure of seeing his audience enjoy themselves. He calls his drummers stool the best seat in the house, because he can see his fellow musicians and his audience simultaneously. What pleases him most, then and now, is that his audience is having a good time. He left the group temporarily and headed to Arkansas. Dylan and the rest of the band took up residence in Woodstock, N.Y. They rented a large, pink house where they wrote and rehearsed new material. Danko called for Helm to join them when Capitol Records gave them a recording contract.
Woodstock residents called them the band, so they kept the moniker. The name The Band fit. The sound was no frills rock and roll but far from simplistic. They fused every musical influence they were exposed to over the years as individuals and as a unit. The result was brilliant. Their development as musicians was perfected by years of playing. Living together at Big Pink allowed complete collaboration of their artistic expression. Americana and folklore themes, heart-wrenching ballads filled with naked emotion, majestic harmonies, hard driving rhythms, and exquisite instrumentation made critics, peers and fans realize that this music was unlike any heard before. Their first album, Music from Big Pink, released in July of 1968, made them household names and as a result they were invited to appear on the Ed Sullivan Show in autumn of 69. Following Big Pinks success the next album, called simply The Band, is considered by some as their masterpiece. They made seven albums total, including one live recording in 1972, Rock of Ages. Many of their hits such as The Weight, W.S. Walcotts Medicine Show, and The Night They Drove Old Dixie Down, were spawned from stories of Levons beloved south.
Helm was working in Los Angeles in 74, at a Sunset Blvd. hotel when he spotted a beautiful young brunette taking a dip in the pool. Her name was Sandra Dodd and when she looked up at him smiling, she didnt recognize him at first. The charming musician offered to take the lovely lady for sushi and never looked back. They were married on September 7, 1981 in Woodstock and today remain at each others side.
The barn and studio Helm built in Woodstock, which became his permanent home, was just about complete in 1975. He invited Muddy Waters to his new studio and they recorded Muddy Waters in Woodstock. To the delight of everyone involved, it won a Grammy.
The Band held a farewell concert at Winterland in San Francisco on Thanksgiving 1976. It was a bittersweet time for many who felt the groups demise was too soon. They called it The Last Waltz which included Ronnie Hawkins, Dr. John, Muddy Waters, Ringo Starr, Bob Dylan, Eric Clapton and an all-star guest list of peers and friends that read like the "Whos Who" of rock and roll. The event eventually sold as a triple album and was also filmed, becoming a historical rockumentary.
Group members went on to individual pursuits. Levon cut his debut album The RCO All-Stars, in 1977. His next effort was the self-titled Levon Helm, followed by American Son, released in 1980. That same year was pivotal as Helm turned his attention to acting. He played Loretta Lynns father in Coal Miners Daughter, winning great reviews for his first film appearance. He did another self-titled album and Hollywood again came knocking in 83 giving Helm a role in The Right Stuff. The authenticity he brings to his characters has brought him numerous movie roles from 1980 to date. Levon gave a sensitive, convincing portrayal of a destitute blind man in the 2005 Tommy Lee Jones' vehicle, The Three Burials of Melquiades Estrada. In 2007 he filmed Shooter with Mark Wahlberg. Helm recently portrayed Confederate General John Bell Hood in a movie called In the Electric Mist, again with his friend Tommy Lee Jones.
Rick Danko and Levon reunited to play music after Danko had been living in California. Rick moved back to Woodstock and the friends did an acoustic tour in early 83. In San Jose the following year, they received excellent reviews when Hudson and Manuel joined them for their first U.S. appearance as The Band since 1976. They continued playing together until the tragic death of their dear friend and comrade, the forty-two year old Manuel.
During the 90s three more Band albums were recorded. Jericho, High on the Hog, ending with Jubilation. In 1998, Levon was diagnosed with throat cancer and the famous voice with the rich southern nuances was silenced to a whisper. He still played the drums, mandolin and harmonica, often performing with his daughter, Amy Helm, also a vocalist and instrumentalist. A great emotional support to her father during this time, Amy continues to appear with him regularly at Levon Helm Studios. In 1999, Helm endured another tragic loss when Rick Danko passed away nineteen days before his fifty sixth birthday. His death marked the end of an era.
Today, Levon is singing again. His imagination and vision conceived The Midnight Ramble Sessions, a series of live performances at Levon Helm Studios in Woodstock. Named for the traveling minstrel shows of his youth, the first Midnight Ramble was held in January, 2004. It featured one of the last performances by great blues pianist, Johnnie Johnson. Friends old and new have joined Levon on his stage including: Emmylou Harris, Dr. John, John Sebastian, Allan Toussaint, Elvis Costello, Phil Lesh, Jimmy Vivino, Hubert Sumlin, Little Sammy Davis, Billy Bob Thornton and The Boxmasters, The Muddy Waters Band, The Swell Season, Donald Fagen, Steve Jordon, Hot Tuna, Kris Kristofferson, The Black Crows, The Nitty Gritty Dirt Band, Norah Jones, The Bacon Brothers, Robbie Dupree, My Morning Jacket, Shemekia Copeland, The Wood Brothers, Steve Earle, Jackie Greene, Sam Bush, Brewer & Shipley, Carolyn Wonderland, Ollabelle, and The Alexis P. Suter Band. The monthly Rambles at "The Barn," have been so successful they are usually sold out in advance.
New releases produced by Levon Helm Studios are Volume I and II of The Midnight Ramble Sessions, plus a live RCO All-Stars performance from New Years Eve 1977, at the Palladium which came from Helms personal vault. The vitality and magnetism of these recordings speak for themselves. In September of 2007, Dirt Farmer Music and Vanguard Records released Dirt Farmer, Levon's first solo, studio album in twenty-five years. A project particularly close to his heart, the CD contains music reminiscent of his past, and songs handed down from his parents. Dirt Farmer was awarded a Grammy for Best Traditional Folk Album in February 2008 and landed Levon a spot in Rolling Stones
The 100 Greatest Singers of All Time. That same year he was also recognized by the Recording Academy with a lifetime achievement award as an original member of The Band and was given the Artist of the Year Award by the Americana Music Association. In 2009, Levon released Electric Dirt which marked his highest debut in Soundscan era at #36 and spent six consecutive weeks at #1 on the Americana Radio Chart. He won a second Grammy for Electric Dirt in the inaugural category of Best Americana Album in 2010. In September 2008, Levon took The Midnight Ramble on the road to Nashville's historic Ryman Auditorium. Buddy Miller, John Hiatt, Sheryl Crow, George Receli, Sam Bush and Billy Bob Thornton helped The Levon Helm Band create an evening of unforgettable musical joy. Ramble at the Ryman - Live CD and DVD, (sold individually), won him his third consecutive Grammy, again as Best Album in the Americana category, in February 2012.
The intimacy of the shows performed at Levons hearth offer a hospitality and warmth found in no other venue, not to mention the excellence of the performances themselves, hosted by a man whose gifts are legendary. Though always an enthusiastic and passionate performer, today with sheer joy and gratitude, he effortlessly captivates his audience young and old, with a rhythmic power all his own. During a career that has spanned over five decades, Levon Helm has nurtured a tradition of professionalism with a deep respect for his craft and remains refreshingly genuine in a world that often compromises integrity. He is a master storyteller who weaves his tales with the magic thread of universality that ties us all. He beckons us to come in, sit awhile and enjoy. We see ourselves in his stories and we are home.
--Dawn LoBue for Levon Helm Studios, Inc.
Copyright © 2006 ~ 2012 Levon Helm Studios, Inc. All Rights Reserved.
"Only Halfway Home" "Dirt Farmer" video 20:57 (2008) .... Himself
In the Electric Mist.... General John Bell Hood (2008)
Shooter (2007)......Mr. Rate
The Life and Hard Times of Guy Terrifico (2005) .... Himself
John Young all American Astronaut (2005) narated by Levon Helm for NASA TV
Three Burials of Melquiades Estrada, The (2005) ... Man with the radio.
Lightning in a Bottle (2004) .... Himself
T-20 Years and Counting (2003) (V) .... Narrator
22nd Annual W.C. Handy Blues Awards (2001) (TV) .... Himself
Adventures of Sebastian Cole, The (1998) .... Juvie Bob
Legends: The Who (1997) .... Narrator
The Band (1997) ...Himself
Fire Down Below (1997) .... Reverend Bob Goodall
Feeling Minnesota (1996) .... Bible Salesman
Great Drives (1996) TV Series .... Host (volume 1: Highway 61)
The History of Rock 'N' Roll, Vol. 6 (1995) (TV) .... Himself
The Band: The Authorized Biography (1995) .... Himself
The Road TV-Series 1994-1995 .... Himself
Woodstock Diary (1994) (TV) (as The Band) .... Himself
Wall: Live in Berlin, The (1990) (TV) (as The Band)
Staying Together (1989) .... Denny Stockton
End of the Line (1988) .... Leo Pickett
Elvis '56 (1987) (TV) .... Himself/Narrator
Man Outside (1986) .... Sheriff Leland Laughlin
Smooth Talk (1985) .... Harry
Dollmaker, The (1984) (TV) .... Clovis
Right Stuff, The (1983) .... Capt. Jack Ridley/Narrator
Best Revenge (1982) .... Bo
Coal Miner's Daughter (1980) Nominated, New York Film Critics Circle
The Last Waltz (1978) .... Himself
That’s a great portrait to remember him by.
Yesterday was good weather, so I rode up to Levon’s place in Woodstock. Was quiet there, I guess they’d taken him to a hospital (Kingston, perhaps?) so he may not have gotten to spend his last hours at the home by the swamp.
And decided to have a last look at the Big Pink house, too, a couple of miles away just off Stoll Road. It’s still there, and still pink.
Had music from The Band and Levon on for the whole trip.
So long, Levon. You had a great life and did things your way. God bless!
RIP Levon... http://www.youtube.com/watch?v=QoRq73Hnwrg
Great story! Thanks for posting it here. Levon will be missed by many in our age group. He seems to have left a trail of smiles, songs, laughter and kindness in his wake.
Breaks my heart...cannot lie
Like me...proud of his accent
Knew this was coming
Oh geeze, you know I sure wish I could yodel, Oh
He was one of the good guys.
Don’t miss “Shooter”. He lends (lent) so much to the tone of that good flick.
Levon was a friend to some friends with whom he played drums.
Love and prayers.
The Last Waltz. Up on Cripple Creek.
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