Skip to comments.Light And Dark: The Racial Biases That Remain In Photography
Posted on 04/16/2014 9:44:01 PM PDT by KneelBeforeZod
A lot of [the design of film and motion technology] was conceived with the idea of the best representation of white people. And I don't mean to say that it was a deliberate and exclusionary practice, but [it was] much more of a willful obliviousness, if you will. So color film in its early stages pretty much developed around trying to measure the image against white skin. ...
(Excerpt) Read more at npr.org ...
If there’s racial bias in photography, then why isn’t it called “White and Black Film”? The star always gets the lead billing.
Clearly photography needs to be limited to two levels of illumination.
When I was a kid, there was a black family down the street that was so racist that they sold their black & white tv and bought a colored one...
So, do they today have a TV of color?
Well, sure. That's the best explanation for pretty much everything. Do you know why the telephone company calls their residential phone book the "White Pages"? To make white people feel superior!
And do you know why Teddy Roosevelt's navy was called the "Great White Fleet"? To make white people feel superior!
I could go on and on. It's so easy to use silly garbage to make Americans hate each other.
This is crazy.
Cameras have a white balance because daylight is inherently “white”.
The white balance allows adjustments for proper color rendition under different light sources/temperatures, such as incandescent, fluorescent, etc.
This has to be the worst looking-for-offense scheme I’ve ever seen.
Blame Newton and Goethe!
On and off?
H0lder will have to give up on the Nuance Thing.
Honestly I don’t have an axe to grind on this subject.. I take lots of pictures of my friends.. It is mostly hobby based for a local club. I am just a hobbyist with a 10 gig $100 camera. But no matter what it is nearly impossible to get good pictures of My black friends. The lighting has to be just right, and if they are wearing a hat in the sun its impossible. It is hard to believe this camera can take so many good pictures with no skill needed, and yet fail at this one thing so badly.
You must have bought it from Ku Klux Kamera in Alabama.
I knew it! Ansel Adams was a Wascist!
I had a photography book years ago, probably published by Kodak, that dealt with photographing black people. And what it said was: There is nothing special you need to know about photographing black people. It is exactly the same as photographing white people.
This is why I do IR.
Nobody sees the color until I say they can see the color....;D
Try fill flash which might be called something like “portrait fill” or “outside portrait mode” on your camera.
It might even be a setting for ‘portrait shade’.
It’s on there somewhere, though.
If I can get good pix of coal blue-black Dobes, you can get good pix of your buds.
Well, they’re dark! It’s photography!
What else are they gonna say?
There was so much stupid in that article that it makes my head hurt.
You talkin' 'bout Black Labs?
There is one of those in the fam and she is just about impossible to capture digitally unless you set the camera to capture low level light reflection and let everything else go. I swear her fur is about the most light absorptive material I've ever seen, though she has a fur sheen in strong sunlight that people remark about..
I have seen that digital cams can capture more of the IR spectrum, but one would have to do a filter to take advantage of just the IR and then false color it.
I have volunteered my services at the local animal shelter to try and avert the “black dog syndrome” via *good* photos of their dogs.
The snobby jerks said they have their own photographer.
[an under-educated employee with a pocket camera]
But yeah, Labs tend to be like black holes, sucking in all the light of the room.
You think it’s hard to photograph them, you should try painting one.
The key is disregarding what you *see* and painting instead, what the viewer should see.
Lots and lots of white/washed out blues, blacks and grays with bits of green, brown or red.
It defies explanation.
Black Poodles and Chows are even worse.
The defining highlights tend to just not be there so you gotta get “creative”.
There’s a ton of techniques for photographing other dark subjects so as not to lose shadow or light.
In my photography classes, we were often given “impossible” dark objects which we had to creatively light in order to show all or most of the object while still maintaining the dimensionality of it.
Then again, Kodak was not much of a source for photo techniques beyond really basic stuff.
I have a Fuji forensic IS1 which is set up for IR only and several other older digicams which are *really* sensitive to IR, such as the Oly C2020 [the best] and the Oly 2100.
They were made before the cut filters were placed to stop the “x ray voyeur” syndrome.
[so stupid, I know]
As cool as the Fuji is, the Oly C2020 is the killer for false color IR...handheld exposure, real-time view, no less.
I have a slew of filters that offer insane ranges of false color, which I like better than straight B/W IR.
And then there’s the tons of PS filters to fiddle with endlessly.
I’m also messing with UV and full spectrum but IR is what I like most.
Clearly shifting the lighting values is the only way to be able to see them. The Black Dog seems to have but purple highlights, not unlike Ravens.
I think it can be done digitally if the camera is initially setup to capture small variation in light levels in the dark region.
That's why I'm happy to have the Yellow Lab colored dog, 'cause I can actually see her on a dark night in the back yard. The Black Dog could easily work outside in the night for the CIA as a spook....
Plus, what else were they gonna say?
Vas ist, mein herr?
10 levels of light? Sacre Bleu.
I can take that pic with but 2 levels.
They also said it was widely believed that there were special techniques, different lighting, etc., that were needed. That’s what they were denying.
Most snapshots are just crummy. People of all colors take horrible pictures of people of all colors.
Just watch Gone With the Wind, and you can see why the makeup artists, the cinematographers, the lighting experts, etc., made the big bucks. Everybody of every color looks great.
This NPR story is just pure crap. Looking for racism where there is none.
The real problem is all those racist cell phones that keep recording black youths knocking out white people.
Exactly like ravens!
I have clip-on flashing LEDs for my dogs, if we’re outside for very long at night so I know where they are.
Since they guard silently at night, *not* seeing them is an advantage.
Imagine a burglar’s’ surprise.
When I was young and lived at home, my dad was always yelling about my Dobes “suddenly appearing from nowhere” and goosing him when he came home from 2nd shift at midnight.
Freaked him out every time.
I’m going to have to check this out tomorrow...
I would have delicately suggested some things but that’s just me.
Olympus C2020s go pretty cheap on eBay, despite their reputation as *the* IR digicam.
Less than $50 will net you a decent one.
The expense is buying the old SmartMedia cards and a card reader.
All you really need is a 72 [720nm] filter.
The 25 is really *too* red unless you’re aiming for B/W results.
I do have a clip-on LED capable of flashing for when we get to host the Big Black Dog (BBD).
Best starting point
Does it look purple when off but is really screaming bright red when on?
Has several flash modes, including “epilepsy”?
[I’d hear dad in the driveway every night at 12:20 AM and wait for the “WOOOO!” as they poked him in the butt with their noses. They were just saying “Hey”] ;]
You shouldn't have been stayin' up so late....
Just when you thought N.utty P.rogressive R.acists can't get any more ludicrous...
It was worth it.
The only bias revealed here is in the fact that somehow this article got published without presenting any facts whatsoever, while being written at a 2nd grade level.
5 minutes I’ll never get back.
Obviously Jesse Jackson and Hank Aaron need to get on the case.
The inventors of the camera obscura are *long* dead.
See, NPR is on to it...same reason we drive over black asphalt every day.
Were black inventors prevented from developing film technology to favor advances beneficial to blacks? If not, why the wringing of hands by this writer?
Sure. And that is why that proud black ship, the Titanic, was sunk by that racist, white, iceberg.
Its true. The dark skin just swallows up the light. You see the white faces no prob, but the black faces are just smears. The photographer will have to really work to get some contrast.
It sucks, but I think it is just one of those things you gotta accept. For many black people, incidents like this are a constant reminder of their ‘inferiority’.
It is hard to photograph black stuff.
We have a big black Maine Coon cat. Every photo of him looked like a cutout silhouette. One summer we had a load of dirt delivered to level a few spots in the lawn. The cat decided he liked rolling in this dry dusty dirt and he became gray colored. Photos of him after rolling in the dust were remarkably good and detailed. Two years after this, we bought a new camera. The new camera had a feature that allowed for photos in situations of same color. Mostly it was for taking pictures of snow where everything was white. It allowed us to photograph the cat when he was clean.
This has to be one of the most stupid articles I have ever read. (My bad for even clicking on it, since I saw right away that it was NPR). Todays cameras often get skin color wrong, from ANY skin. It can be lighting, shadowing, haze, and any number of reasons. That’s why any number of free photo processing software tools have color correction. If someone doesn’t like it, they can FIX IT. Crying and whining about racist cameras is unbecomming.
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