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Movies' "Magic Negro" Saves The Day [use of term in film criticism]
Blackcommentator.com ^ | July 3, 2003 | Rita Kempley

Posted on 05/07/2007 1:49:34 PM PDT by Dajjal

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To: Dajjal

Sorry, but I didn’t see Queen Latifah in BDTH as a Magic Negro. Rather her character was more like “Kitten With A Whip” meets “You’ve Got Mail.”


41 posted on 05/07/2007 7:42:02 PM PDT by scrabblehack
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To: Dajjal

Not to mention Ossie Davis, mentoring Tom Hanks in “Joe and the Volcano.”


42 posted on 05/07/2007 7:46:33 PM PDT by bootless (Never Forget - And Never Again. And Always Act.)
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To: Abathar
They consider Fishburne a demigod in the Matrix films? He got his *ss kicked and had to be saved by Neo. They are digging kind of deep here.

Yeah, I always figured him more patterned along the lines of John the Baptist...

And for every "magic negro" example they can come up with, I suspect we could find several counter-examples. George Burns plays God too. Tommy Lee Jones saves Will Smith's backside in MIB....

Mysticism? Nah, how about they are good actors/actresses, the parts suited them, and their agent was able to come to a deal with the producers? Sheesh, lets not read too much into this...

43 posted on 05/07/2007 7:53:56 PM PDT by CodeMasterPhilzar
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To: Xenalyte

Great site.

On that note, have you seen this?
http://www.fischerfam.net/ftp/bionic/whiteblack.swf

Silly, but fun.

BTW, your “impacted wisdom tooth” characterization of Aaron McGruder is spot-on.


44 posted on 05/07/2007 8:00:22 PM PDT by FreedomPoster (Guns themselves are fairly robust; their chief enemies are rust and politicians) (NRA)
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To: bootless

A recent incarnation is Samuel L. Jackson’s Lazarus in “Black Snake Moan,” who straightens out all of the Christina Ricci character’s problems and weaknesses.


45 posted on 05/07/2007 9:12:42 PM PDT by Dajjal
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To: Dajjal

You can add Morgan Freeman’s character in the overrated “Shawshank Redemption” to the list of “magic Negroes” in cinema.


46 posted on 05/07/2007 10:08:37 PM PDT by montag813
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To: Dajjal
As a literary term, it's a useful description of an archetype, and the author's examples make a strong case that there is actually such an archetype. A similar term is "tragic mulatto."

The rise of the "magic negro" in film was a sort of pendulum swing -- there were decades of movies in which blacks were pretty uniformly portrayed as lazy, untrustworthy, and intent on nothing more in this world than raping white women.

By the time of Gone With the Wind, even though the civil rights movement was barely in its infancy, filmmakers became more concerned with how they portrayed black characters -- the black characters in GWTW reflected patronizing stereotypes rather than threatening ones, more like children than beasts. Few commentators, and fewer politicians, were arguing then that blacks should have full equality with whites; but at least they had awakened enough to be alarmed by lynchings.

47 posted on 05/08/2007 1:09:44 AM PDT by ReignOfError (`)
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To: MrB
Matt & Trey killed off Chef, because he was a Scientologist

Isacc Hayes killed off Chef, when he quit the show over the Tom Cruise/Scientology spoof. Parker and Stone could have just written out the character, but what kind of satirist lets a story like that go? Especially when you're in the middle of it?

48 posted on 05/08/2007 1:13:57 AM PDT by ReignOfError (`)
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To: ReignOfError
the black characters in GWTW reflected patronizing stereotypes rather than threatening ones, more like children ....

Like the group of "all God's children" who sing with the Marx brothers in "A Day At The Races" of that era.

49 posted on 05/08/2007 12:31:04 PM PDT by Dajjal
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