NO. Not the survivor. The survivor's daughter.
Correct, it was her daughter. But, when I saw the film, I too thought that the vivid contrast between the dingy prison and a multi-million dollar Park Ave. apartment was curious. The survivor's daughter couldn't have been living in Queens or a suburb of Cincinnati, for that matter? No. I think they were intentionally painting survivors and their offspring as people who have done remarkably well since the end of the war. It begs the question, why?
Last, I too agree that Winslet's character was painted in a sympathetic light and gave great deference to her argument, both implicit and explicit, that she was an "uneducated" victim of her own circumstance. Ridiculous. She was an active participant in a an attempt to exterminate and entire race.
But, what do I know? I'm just a mid-west raised Catholic who went to school to be an economist, not a filmmaker. The significant population of Jewish-Americans that make up the Academy of Motion Picture's Art and Sciences saw it differently.