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European Copyrights Expiring on Recordings From 1950's
The New York Times ^
| 1/2/2003
| Anthony Tommasini
Posted on 01/02/2003 12:05:29 PM PST by GeneD
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I'm of three minds here:
The recording industry now views free trade as piracy. Wonderful.
Most of the European public-domain albums in question stink.
Michael, you're a great jazz producer, but could it be all that marvelous remastering of Bix from metal parts will go for nought when you insist on charging $30 a disc while others charge $3 for essentially the same music? Just wondering.
One other thing: Isn't Marcal a brand of, uh, bathroom tissue?
1
posted on
01/02/2003 12:05:30 PM PST
by
GeneD
To: GeneD
What a bunch of drooling, greedy maggots. 50 years isn't enough? 95 years won't be enough either. Perpetuity won't be long enough when there's something that somebody can control and sell. , you parasites.
2
posted on
01/02/2003 12:24:37 PM PST
by
agitator
To: GeneD
Remasterers have to cover their costs. Finding rare 78s in good condition, getting expensive turntables, styluses, cartridges, and preamps to play them on, and all the digital-domain storage and software costs money. Then there is the high skill level of master remasterers like Ward Marston and Mark Obert-Thorn, which comes from years of study and experience.
All this to produce CDs that often sell less than 1000 copies.
Surely they should be allowed to copyright their remasterings.
To: GeneD
If musicians want to make money they can always play concerts.
4
posted on
01/02/2003 12:32:21 PM PST
by
1Old Pro
To: GeneD
"Piratical?" Is that really a word?
5
posted on
01/02/2003 12:42:00 PM PST
by
sam_paine
To: GeneD
It took them 50 years to start realizing this?
To: GeneD
Already reeling from a stagnant economy and the illegal but widespread downloading of copyrighted music from the Internet No. Their problem is that their products are overpriced. I can afford to buy lots of music CDs, but the past three years I've bought only one (and that was to replace a thoroughly worn-out favorite LP).
Ironically, this works against them in another way. As my music collection is now pretty static, I listen less. And that reduces the desire to go out and buy more CDs -- much less even to stop by the music section of the local bookstore(s) to see what's new.
7
posted on
01/02/2003 12:54:51 PM PST
by
Eala
To: sam_paine
"Piratical?" Is that really a word? pirate n. 3. to publish or reproduce without authorization, esp. in violation of a copyright.
piratical, piratic, adj
To: agitator
If you read the background on how the "Sonny Bono Copyright Extension Act" was passed, you will realize very quickly that big media wants things to be protected by copyright forever. Michael Eisner even paid a visit to the Senate to make sure that this stupid law was a done deal. It was cheap for him, too - only $300,000 in campaign contibutions to the various politicians involved.
The copyright outrage that no one is really talking about yet is the GATT/TRIPS treaty provisions passed in the 1994 lame-duck session which actually took works out of the public domain and placed them under copyright protection - a totally unconstitutional ex-post-facto law.
To: proxy_user
They are, in fact, allowed to copyright the re-masterings. The real issue is that the original works are still under copyright through the various re-writings of the statute by congress at the behest of giant media outfits like EMI, Disney, etc.
To: GeneD
95 year copyright is loopy
11
posted on
01/02/2003 1:24:41 PM PST
by
JmyBryan
To: GeneD
I simply cannot understand why copyright protection should extend so much longer than patent protection. It is all "intellectual property" -- why make any distinction as to type? My gut level feeling is that patents are too short and copyrights are too long. Something along the lines of 20-25 years for both seems to me to strike a better balance.
To: GeneD
Already reeling from a stagnant economy and the illegal but widespread downloading of copyrighted music from the Internet...Funny how I was reading in the WSJ today that the Movie Industry had an 11% increase in ticket sales last year.
How is that possible with all the illegal and widespread DVD copying and downloading on the internet? Oh...the movie industry didn't produce a steady stream of horse droppings the whole year.
Maybe the music industry should contact the movie industry on how not to suck like whores.
To: RightWhale
pirate n. 3. to publish or reproduce without authorization, esp. in violation of a copyright. piratical, piratic, adjGood2know, RW. I'll keep that in mind next time I do a piratic deed.
To: Desdemona
ping
To: Psycho_Bunny
Oh...the movie industry didn't produce a steady stream of horse droppings the whole year.It didn't?
To: GeneD
The inevitable truth of the situation regardless of the law is that if legitamate providers do not meet the demand of the market in price or quality, the gap will be filled by the black market. In the end the consumer will get the goods. This is not condemnation nor condonation, merely a fact.
Probably be more ideal for the recording industry to alter their position. Otherwise, as so aptly stated by another Freeper of the industry: "Nice buggy whip!"
To: GeneD; SamAdams76
Callas for $3.99 and I will buy again.
Way back when you had to hand crank your CD player, I paid $35 for Callas, but no more.
I won't even pay $15 for Brassed Off which I would like to own.
To: nickcarraway
I don't think so. There were several movies I felt were good.
As opposed to the music of 2002: I can't think of ONE song, written in 2002, that was any good. Not one. I actually can't even think of one I'm able to remember.
To: nickcarraway
Kind of sad, but understandable. Especially the Callas collection. There aren't that many great voices available.
Well, there are. But just try getting a job.
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