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Botero's paintings of Abu Ghraib shunned in U.S (a chill wind blows through the art world…)
Reuters ^ | Tue Oct 24, 2006 5:56pm ET

Posted on 10/25/2006 8:09:30 AM PDT by dead

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To: dead
How about some outrage from the libertine art world navel gazers about the real abuse and torture visited upon real Iraqis for 20 years plus?

They only mock those they can mock without risk.

21 posted on 10/25/2006 8:52:58 AM PDT by ecomcon
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To: dead

-"It led me to work 14 months with an obsession," he said.-

Whatever. He can only draw one guy, it seems, so I guess 14 months would be about right.


22 posted on 10/25/2006 9:03:26 AM PDT by AmericanChef
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To: dead
"Here there is total freedom of expression"

I wonder if the artist feels the Iraqis are entitled to the same freedom of expression that he so seems to enjoy here.

23 posted on 10/25/2006 9:14:38 AM PDT by Lekker 1 (("...the world will be...eleven degrees colder by the year 2000" -- K. Watt, Earth Day, 1970)
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To: dead
These look like some homosexual's chubby bondage fanstasy drawings.


24 posted on 10/25/2006 9:29:17 AM PDT by SkyPilot
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To: SkyPilot

Oh sorry, these are the pictures from Santa Claus Training School.


25 posted on 10/25/2006 9:37:37 AM PDT by rdax
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To: SkyPilot

That's odd. These paintings were uncovered a year and a half ago, but are just now starting to stink?
From Moonbat Central:
Tuesday, May 10, 2005
Artist Botero Portrays Abu Ghraib
Prominent Columbian artist Fernando Botero recently unveiled a series of paintings depicting the abuse of terrorist detainees at Abu Ghraib prison. "I, like everyone else, was shocked by the barbarity, especially because the United States is supposed to be this model of compassion," said Botero while explaining why he chose to paint the prison scenes. Botero is known for usually painting still lifes and peaceful scenes featuring highly stylized heavy-set people.

The Abu Ghraib paintings, which grossly exaggerate the treatment of terrorist detainees by U.S. military personnel, are being hailed as masterpieces and compared to Picasso's Guernica by leftist moonbats world-wide.

“`Abu Ghraib,' the numbered 1-50 paintings, will always be about Bush, and not the proverbial `few bad apples' serving as scapegoats," crows Ben Tanasborn in the anti-U.S. Middle East Online.

"We're fortunate to have men like Botero to shine a light on the real machinery of Bush's terror-apparatus. Already, 100,000 Iraqis have died in a gratuitous act of aggression, entire cities have been flattened and 17,000 Iraqis languish in overcrowded gulags waiting for an improbable turn-of-events," writes Mike Whitney in die-hard Stalinist Alexander Cockburn's neocom publication, CounterPunch, reminding the right-minded that they're fortunate to have men like David Horowitz to shine a light on the real machinery of the radical-left's anti-U.S. agenda.

Weighing in on Botero's Abu Ghraib series, leftist "Art for Change" blogger Mark Vallen says, "What Botero has achieved is nothing short of a contemporary equivalent to Pablo Picasso’s Guernica, the masterwork painted in outrage over the aerial bombing of civilians during the Spanish Civil War," in a shining example of typical leftist false equivalence.

Opining that Surrealism is equal to neurosurgery makes about as much sense as comparing Picasso's Guernica, a painting that captures and concisely emotes the horror of the deliberate slaughter of approximately 1,650 Spanish civilians by Franco and the Nazi Luftwaffe, to Botero's Abu Ghraib paintings, which are misleading and highly sensationalized depictions of the nature of the humiliation that a small group of terrorist prisoners experienced at the hands of a miscreant few.

In the future, Mr. Botero and other famous artists might consider the challenge of tackling the subjects of the Taliban, Saddam Hussein, Hussein's mass graves, the brutal torture and murder of prisoners by Che Guevara, Castro's prisons, the North Korean Gulag, the Soviet gulag, the results of a Palestinian suicide bombing, radical Islamists' treatment of women, the murder of Theo Van Gogh, the treatment of Daniel Pearl, Nick Berg, Paul Johnson, Ken Bigley and other unfortunates at the hands of Islamic "freedom fighters," the Cambodian genocide and the murder of 3,000 innocents on September 11, 2001, to name a few, since it is indeed a formidable challenge to create art that exaggerates the horror of that which is in reality already maximally horrific.
We're waiting...
Posted by Rocco DiPippo @ 12:02:00 AM Eastern Time


26 posted on 10/25/2006 9:45:31 AM PDT by tumblindice (The main stream media: is there anything they can't do?)
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To: dead
There was a time when museums were eager to shock people.

Museums rely on the public to donate money. I would cancel my Art Institute of Chicago donations if they had this there, and I've been donating for about 10 years.

27 posted on 10/25/2006 10:20:27 AM PDT by technochick99 ( Firearm of choice: Sig Sauer....)
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To: dead
Yep. They look starved and beaten. Must be all that cooking with lard.

Really, if the artist wanted to portray the horrors of war, why not deal with the prison when the former management was running it?

28 posted on 10/25/2006 10:24:43 AM PDT by Smokin' Joe (How often God must weep at humans' folly.)
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To: Tijeras_Slim

[cue Jet-"Are You Gonna Be My Girl?"]

And then one of the posters on another board I hang out on had an animated-.gif avatar of that guy acting out "I'm A Little Teapot"...

29 posted on 10/25/2006 10:27:22 AM PDT by RichInOC (No! BAD Rich!)
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To: dead
What US Troops did in that prison was a cake walk compared what's taking place now by the Iraqis. The dems demanded that this prison be put back in the hands of Iraq...they got what they wanted yet NO one is reporting the abuse taking place there now. Except for one little article out of the UK...

Of course, the traitors living in NY needed to help the dems in this election cycle so they allowed this...what a whole bunch of crapola.

30 posted on 10/25/2006 10:33:14 AM PDT by shield (A wise man's heart is at his RIGHT hand; but a fool's heart at his LEFT. Ecc 10:2)
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