Posted on 04/06/2012 9:20:15 AM PDT by Mighty_Quinn
Today we celebrate the crucifixion of Jesus. In places around the world, images of the Christ crucified will be contemplated and venerated. Indeed, the image of the cross is quite familiar to us. It is part and parcel of Christian iconography.
Perhaps, it is too familiar.
Put frankly, the cross has in many ways been sanitized. To some extent, Mel Gibson’s The Passion of the Christ (2004) helped bring attention to the actual violence associated with this form of ancient execution. Indeed, the attempt to re-dramatize the violence caused deep controversy.
Some have even claimed that the film exaggerated the violence of Jesus’ death. For example, some complained that the scene of the scourging, a vicious punishment carried out prior to crucifixion, was unrealistic.
Such complaints reveal just how “safe” Christian art has made Jesus’ suffering. As New Testament scholar Mark Goodacre explains, a quick look at ancient sources reveals Gibson actually showed some restraint. Describing the scourging of another first century man named Jesus—Jesus ben Ananias—Josephus, a first century Jewish historian, relates how his bones were “laid bare” (B.J. 6.304)(cf. Goodacre's piece defending the film here).
Ancient Accounts of Crucifixion
The reality is, crucifixion was ghastly. Here I can only offer a brief treatment of the evidence. The fullest study is written by Martin Hengel.1 I’d also recommend Joe Zias’ fine overview here. In addition, be sure to check out Mark Goodacre's fine podcast on the topic.
Josephus describes crucifixion as “the most wretched of deaths” (B.J. 7.203). The first century writer Origen calls it the “utterly vile death” (Commentary on Matthew 27:22). Cicero was horrified that any Roman citizen should crucified—in fact, he wrote that even the mention of the cross was too offensive to be mentioned:
But the executioner, the veiling of the head and the very word ̳cross‘ should be far removed not only from the person of a Roman citizen but from his thoughts, his eyes and his ears. For it is not only the actual occurrence of these things or the endurance of them, but liability to them, the expectation, indeed the very mention of them, that is unworthy of a Roman citizen and a free man. (Pro Rabirio 16)Seneca pointed to crucifixion to make the case for suicide. He made the case that no one would fault a person facing such a death for choosing to take their own life in order to avoid having to endure such a death.
Can anyone be found who would prefer wasting away in pain dying limb by limb, or letting out his life drop by drop, rather than expiring once for all? Can any man be found willing to be fastened to the accursed tree, long sickly, already deformed, swelling with ugly weals on shoulders and chest, and drawing the breath of life amid long drawn-out agony? He would have many excuses for dying even before mounting the cross.” (Seneca, Epistle 101 to Lucilius).(Note the implicit reference here to the effects of the scourging prior to crucifixion—the body is “already deformed” when fastened to the tree.) In short, crucifixion was ghastly. It was horrific. And it was supposed to be.
The Cross: An Instrument of Terror
Crucifixion was a way of terrorizing the population. It was meant as a deterrent. Oppose the might of Rome and this is what you’ve got coming.
Thus, crucifixion was employed against Rome’s political enemies. It was meant to shame them. Joel Marcus describes crucifixion as “parodic exaltation”—i.e., it parodied the supposed exalted status claimed by Rome’s enemies.2
Moreover, mass crucifixions were not unheard of. In 71 BC, six thousand followers of Spartacus were crucified on the Appian as part of a Roman victory celebration al ong in 71 BCE – appear in the literature (Appian, Bella Civilia 1.120). After two-thousand survived the siege of Tyre, Alexander had them crucified next to the Mediterranean Sea (Curtius Rufus, Hist. Alex. 4.4.17).
In particular, crucifixion was the punishment of the despised—runaway slaves and criminals. The cross was so closely associated with criminals, Plutarch writes, “each criminal condemned to death bears his cross on his back” (Plutarch, Mor. 554).
Specifically, then, crucifixion was often used to punish rebels. It is no wonder that Jesus is linked with Barabbas--a revolutionary (cf. Mark 15:7). Indeed, Jesus' crucifixion coheres well with the Gospel accounts describing him as a "Messianic" figure. It is no coincidence Jesus was executed as "King of the Jews" by crucifixion. Such was the fate of those who appeared to challenge Caesar's political authority.
Archaeological Evidence
There is little hard archaeological evidence regarding ancient crucifixion. The most significant find dates back to the first century. In 1968 archaeologists uncovered the bones of one “Yohanan Ben Ha’galgol” (or “Yohanan the son of Ha’galgol”), who apparently was the victim of crucifixion. He was somewhere between 24–28 years old when he died.
His legs had been broken. Even more striking, there was still a nail in the heel bone. Since iron was expensive, it seems Romans would typically remove these from the body. However, this nail was curved on the end. Apparently, after going through the foot, it encountered some resistance (perhaps a knot in the wood).
Based on the image scholars have come up with reconstructions of how Yohanan died.3 Though it should be pointed out that not all victims were hung from the cross in the same way. Josephus describes the way the Romans crucified figures in different positions (cf. B.J. 5.449–451).
Of course, one last image of crucifixion could be mentioned. Below is some graffiti that depicts a man crucified with the head of a donkey. It includes the words, "Alexamenos worships [his] god." While nothing about it makes it explicitly anti-Christian, we do know that Christians were mocked with similar images according to Tertullian (Ad nationes 1:11, 14).
Given all of this, it is no surprise that Christians were hesitant at first to even depict Christ crucified. In fact, the two earliest surviving Christian depictions of Jesus' crucifixion are found relatively late. The first is located on the fifth century bronze door at Santa Sabina in Rome (the Roman headquarters of the Dominican order). It depicts Christ crucified with the two other thieves. The other is the Maskell Ivories, a casket, also dating to the 5th century.
Cursed Be One Who Hangs Upon A Tree
In the Judaism of Jesus’ day, crucifixion was associated with curse. Deuteronomy 21:22–23 states that anyone executed by being “hung on a tree” is cursed. This was applied to crucifixion in the Dead Sea Scrolls (4QpNah 3–4.1.7–8; 11QTemple 64:6–13) and by Philo (Spec. Leg. 3.152; Post C. 61; Somn. 2.213).
Not surprisingly, Paul had difficulty preaching the “Crucified One”: “we preach Christ crucified, a stumbling block to Jews and folly to Gentiles” (1 Cor 1:23).
In the Gospels, Jesus’ crucifixion is ironic. While crucifixion is meant as a kind of mock exaltation, the reader of the Gospel knows the truth—Jesus is the true King. In fact, it is precisely Jesus’ willingness to undergo this humiliation which triggers his exaltation. He exemplifies the righteous one whom God will reward for not refusing to lay down his life:
“If any man would come after me, let him deny himself and take up his cross and follow me. 25 For whoever would save his life will lose it, and whoever loses his life for my sake will find it. 26 For what will it profit a man, if he gains the whole world and forfeits his life? Or what shall a man give in return for his life? 27 For the Son of man is to come with his angels in the glory of his Father, and then he will repay every man for what he has done. (Matt 16:24–27)Why Did Jesus Die This Way?
In his Summa Theologica, St. Thomas surveys the New Testament and gives the following five reasons for why the Crucifixion of Jesus was the most suitable way for our redemption (III. Q.46, Art. 3). They are worth pondering during this Holy Week:
1. Man knows thereby how much God loves him, and is thereby stirred to love Him in return, and herein lies the perfection of human salvation; hence the Apostle says (Romans 5:8): "God commendeth His charity towards us; for when as yet we were sinners . . . Christ died for us."
2. Because thereby He set us an example of obedience, humility, constancy, justice, and the other virtues displayed in the Passion, which are requisite for man's salvation. Hence it is written (1 Peter 2:21): "Christ also suffered for us, leaving you an example that you should follow in His steps."
3. Because Christ by His Passion not only delivered man from sin, but also merited justifying grace for him and the glory of bliss.
4. Because by this man is all the more bound to refrain from sin, according to 1 Corinthians 6:20: "You are bought with a great price: glorify and bear God in your body."
5. Because it redounded to man's greater dignity, that as man was overcome and deceived by the devil, so also it should be a man that should overthrow the devil; and as man deserved death, so a man by dying should vanquish death. Hence it is written (1 Corinthians 15:57): "Thanks be to God who hath given us the victory through our Lord Jesus Christ." It was accordingly more fitting that we should be delivered by Christ's Passion than simply by God's good-will.
Thomas cites Augustine: "There was no other more suitable way of healing our misery" than by the Passion of Christ" (De Trin. xiii).
Death is by suffocation, isn’t it ?
Yes, if the hands are raised above the head. No, if not.
Jesus spoke seven last words from the Cross. Each time he did it, he had to push down on his feet and raise his body to fill his lungs with air so he could speak.
I’m sitting here with a broken foot, I can only imagine the terrible pain he endured. Indeed our corpus Christis have been too mild — in no way do they show the actual number of wounds that Christ sustained for our sins.
Bless Anne Catherine Emmerich has some good information on this from revelations to her, and I believe Mel Givson used them.
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***Death is by suffocation, isn’t it ?
Yes, if the hands are raised above the head. No, if not.****
It gives new meaning to why the two thieves had their legs broken.
It was not so they “would not run away” as some said. It is so their weight would sag causing a quick death from suffocation.
The Dolorous Passion has been inspiring thousands since it first appeared in 1833–being based on the detailed visions of Our Lord's Passion and Death as seen by Venerable Anne Catherine Emmerich (1774-1824), a German Augustinian nun, and recorded by Clemens Brentano, a prominent literary figure of the day. A saintly person from her youth and a great mystic and victim soul, Sister Emmerich was privileged by God during almost a lifetime of ecstatic visions to see all the events of Our Lord's suffering and death, which visions we can now understand in hindsight were a great gift from God to the world. Her account of the Passion and Death of Our Lord Jesus Christ, while faithful to the Bible, is heart-rending, edifying and surprising–and filled with intimate detail. The Dolorous Passion recounts with incredible precision the horrendous sufferings undergone by our Saviour in His superhumanly heroic act of Redemption. Also illuminating is its description of Mary's participation in the sufferings of her Son, so that this book gives the reader a poignant understanding of why Our Lady is often called our "CoRedemptrix" and "Queen of Martyrs." The Dolorous Passion is a singular book that conveys a lasting impression of the terrible Agony of Our Lord, of His infinite love for us that motivated His Agony, and how His Passion and Death were brought on by each person's sins. Here is a book that gives one a holy feeling just to read it. Here is a book that will melt a heart of stone!
"He who desires to go on advancing from virtue to virtue, from grace to grace, should meditate continually on the Passion of Jesus . . . . There is no practice more profitable for the entire sanctification of the soul than the frequent meditation on the sufferings of Jesus Christ.”
Venerable Anne Catherine Emmerich (1774-1824) was a German Augustinian nun, a mystic, stigmatist and victim soul, whose visions were copied down by Clemens Brentano (1778-1842), a poet and prominent literary figure of that time. He had paid her a visit in 1818 out of curiosity, and he remained at her beside till she died in 1824, recording in notebooks her many, remarkable visions of the past, present and future. From 1802 until her death, she bore the wounds of the Crown of Thorns, and from 1812 the full stigmata of Our Lord, including a cross over her heart and the wound from the lance. During the last 12 years of her life, she could eat no food except Holy Communion, nor take any drink save water. She remained bed-ridden during her last 12 years, during which time she actually experienced the sufferings of Our Lord on Good Fridays and saw in vision many of the events in Biblical history. It is from these transcribed visions that Clemens Brentano himself compiled The Dolorous Passion, a book that has been in print almost continually since it first appeared in 1833. From his association with Sister Emmerich, Brentano returned whole-heartedly to the Catholic Faith, along with his entire family. A man of extensive learning and experience, he could nonetheless say of Anne Catherine Emmerich, "All that I have ever beheld in art or in life representative of piety, peace and innocence, sinks into insignificance compared with her." (Life, Vol. I, p. 397). Brentano's fascinating 54-page sketch of her life is included in The Dolorous Passion. The cause for her beatification is in process as of 3/12/01.
Published by Saint Benedict Press through TAN Books
What an unfortunate choice of words!
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