Skip to comments.'The Secret World of Arrietty': Will Japan's Pixar Have Its Big U.S. Hit?
Posted on 02/17/2012 6:55:56 AM PST by C19fan
As the projectors warm up in U.S. theaters today, 1300 of them are being prepped to pass the latest animated release from Japanese animation powerhouse Studio Ghibli through their lenses. While that's fewer than half the number of screens that will host each of this week's other two wide releases (Ghost Rider: Spirit of Vengeance and This Means War), it's a significant number: Disney, the company responsible for distributing Ghibli releases in the United States, has never opened one of the Studio Ghibli's films on nearly as many screens. While past titles like Spirited Away and Princess Mononoke have been blockbusters overseas, they've been modestly successful limited releases here. With The Secret World of Arrietty, Disney appears confident this is the film that will break Studio Ghibli's distinctive style of animation beyond its niche audience.
(Excerpt) Read more at theatlantic.com ...
It’s great visually,but the story a bit slow.
That seems to be the trait of Ghibli movies but more time to take in the gorgeous animation, :).
Good point.The animation is beautiful,but the story may be a little slow for the kiddies.
Animation? that just gets in way of the scenery.
Miyazaki’s movie power died with Princess Mononoke (Mononoke-hime). I wish for the days of Laputa, Nausicca, or any of his oldies. Just not Graveyard of the Fireflies - that movie is pure emotional torture.
I couldn’t watch Howl’s, Ponyo, or any of his new stuff. He’s still bitter that his son stole Earthsea.
I am of the age where, when I saw the preview, my first thought was “Where’s Chim Chim and Spritle?”
I think you mean Pixar. Yes. Wonderful. My favorites are Spirited Away and Howl’s Moving Castle. Princess is a bit too intense for me but maybe that’s because my partner in watching the movies is my granddaughter. She’s 11 now but we started watching these movies when she was two. I also like Ponyo, especially the scenes where the world and its oceans returns to the earlier time period I can’t remember. Ponyo is also sort of a dig at the environmentalist wackos.
What I really appreciate about films of this type is that they replace the real actor with animation. Imagine a world where celebrities who are paid millions to play pretend, and their uninformed ignorant foreign and domestic policy opinions are fewer and fewer. I wouldn’t mind actors if everyone understood they are simply another example of the smelly human.
Sad for you. Maybe you need to watch Spirited Away, Ponyo, and Howl’s Moving Castle with a child. I’ve watched all of these multiple times and each time I see something new to love. I’ve also watch them in Japanese. My granddaughter prefers Ponyo in Japanese with English sub-titles. I want to own Howl’s in Japanese too since i find some of the American voices annoying. Mononoke - some of the voices are annoying too. The graphic violence and stupid politic message keep me from loving it. Nausicca is long and tedious and if its the one I’m thinking of, also pushing a environazi message.
I like Princess Mononoke (I just kind of ignored the envirowhacko message), although I really didn’t understand the ending.
The Japanese are some talented but bizarre storytellers.
The amateur palentologist in me went crazy with that scene. ;)
Looks like the same folks who did Howl’s Moving Castle. Even my wife likes that one.
Well, my wife’s Japanese and we all speak Japanese at home. Spirited Away was just ok and was kind of the decline side of Miyazaki in my opinion. My kids agree with me as they like the real rare oldies that have never been released in the US like Ponpoko.
I saw Mononoke-hime in the theaters in Japan in 1997 or so and it was awesome. Nausicca is long but the non-Disney release is longer and way better. As to enviro-nazi messages, Miyazaki is always pushing them, though I don’t really think the Nausicca is environmental as much as anti-weapons of mass destruction. Watch his first anime though, Future Boy Conan, it’s all environazi.
The Disney release is the long version. There had been a previous release by New World films in the 80s which cut everything fron the story which wasn't death and violence, which created a misleading storyline and a even more misleading poster
Miyazaki was somewhat miffed by this version, and when Disney wanted to release it, he said "No cuts" - every frame had to be retained.
Ironically by this time he had actually abandoned the environazi message of the cut scenes which had so impressed the WWF back in 84, and as the story developed in the manga it turned out the the whole backstory as presented in the anime (blue clad messiah prophesised to lead humanity to a naturally healed Earth) was a lie.
THE END OF NAUSICAA by Marc Hairston WARNING link contains spoilers to the manga)And that's a massive understatement - basically whatever Nausicaa decides to do will result in genocide. "probably shouldn't have said that." < /Hagrid>
Marc: I'll go fast. Rush, rush! Now that you've seen the movie, I want to tell you a bit about how the manga ends. I won't go all the way to the very end, I don't want this to be a complete spoiler, but I want to show you how Miyazaki worked out some of the themes and conflicts. As you know, you've only read the first quarter of the whole story. It took him almost 14 years to write the whole thing. And over the period, the story changed as Miyazaki himself changed. He started out as a leftist as young man (well before he started working on Nausicaa), a Marxist, someone who believed that, with the proper social conditions, humanity could achieve a perfectly peaceful and just society. Some of that idealism was still in him when he started the manga. But his opinions changed overthis time. Ironically, given the current war in Kosovo [remember this lecture was done just after the NATO attack began in March 1999], one of the major influences on him was watching the old Yugoslavian republic, which had supposedly transcended the racial and ethnic hatreds, descend back into sectarian fighting as the country disintegrated. So the story in the manga took on a darker and more morally ambiguous tone.
And it's the view of a imperfect world, with the works of mankind being as natural as "unspoiled nature" that is behind Miyazaki's later works like Mononoke, Spirited Away, & Ponyo.
That said Miyazaki's demand that the original Nausicca be uncut is artistically correct. It's still his masterpiece, with all the features that cahracterize his work present.
Pom Poko was released in English here in the US in August of 2005. We rented and watched it from our local library after the release. BTW: Pom Poko IS Miyazaki’s story, but the actual film was directed by Isao Takahata - which is why some wouldn’t know it was a Miyazaki film (he’s listed as the author of the story and a Producer on the film).
Grave of the Fireflies isn’t a Miyazaki film. Grave of the Fireflies was written by Akiyuki Nosaka, and the film was directed by Isao Takahata. When the movie was first released in Japan it was paired with a Miyazaki film - My neighbor Totoro - so perhaps that’s where the confusion comes from? :)
>>Pom Poko was released in English here in the US in August of 2005. We rented and watched it from our local library after the release. BTW: Pom Poko IS Miyazakis story, but the actual film was directed by Isao Takahata - which is why some wouldnt know it was a Miyazaki film (hes listed as the author of the story and a Producer on the film).
Wow, I had no idea. We showed it to our daughter before it was released in America, so I had no idea they eventually released it here. I wonder what they did with all the tanuki testicles, lol.
I’d encourage y’all to try and find a copy of Future Boy Conan (Mirai Shonen Conan). It’s a 30-40 episode long tv series that is really Miyazaki’s best work. His Lupin III was great too, as was Totoro. Every time I watch Totoro it takes me back to my old place in Arashiyama.
>>Grave of the Fireflies isnt a Miyazaki film.
You’re right, I just assumed that if it’s produced by Miyazaki, it’s his work at least indirectly.
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