Posted on 12/20/2018 5:08:23 AM PST by gattaca
Full Title: If Rihanna And Mick Jagger Dont Want Trump Playing Their Tunes, They Need To Take On Copyright Monopolies
Rihanna and Mick Jagger can try and try, but they cant get no satisfaction from the White House. The two singers are irate at President Trumps use of their music at his rallies. Although both parties have asked the president to stop, with Rihannas representatives even sending a cease-and-desist letter to White House counsel, the leader of the free world hasnt seemed to budge, which likely gives him great satisfaction.
While Rihanna appears to believe that she can eventually win the case, Jagger understands that you cant always get what you want, especially from music licensing, because when you appear in America if youre in a public place you can play any music you want. Hes right: anyone who purchases a performance license from ASCAP and BMI, the key-holders to nearly every music copyright in existence, can play anything within the two organizations repertories at almost any time.
Some observers are now advocating that, in the interest of performers, the Department of Justices Antitrust Division, headed by Makan Delrahim, revisit the agreements that make compulsory music licensing mandatory. However, instead of blaming the DOJ for the frustration of artists like Rihanna and Jagger, policymakers should consider revisiting the history of unrestrained corporate greed that brought about these restraints in the first place.
ASCAP and BMI are copyright trolls that capitalize on the intellectual property laws meant for protecting creative content for personal gain. The two entities represent the end-product of music publishers colluding together into two monopolies that control approximately 90 percent of all music performing rights.
It didnt take long for this aggregation of power to bring problems for performers or businesses. As songwriter Matt Fitzgibbons explained, In the early days, these industry behemoths would collude and charge exorbitant sums for the playing rights of music because this is far from a competitive marketplace and there was nothing stopping them from doing so.
After being accused of price-fixing by the U.S. government, ASCAP and BMI signed DOJ consent decrees that created the modern-day blanket licensing system in 1941. In the words of Fitzgibbons, the decrees have created some semblance of a market pricing structure that has protected both songwriters and small businesses from monopolistic abuse.
By getting the cost of music under control, establishments do not have to break the bank just to afford background music, while performers can continue receiving the convenience of ASCAP and BMIs revenue collection and distribution and benefiting from the upward pressure on song compensation that comes with more establishments participating in the system.
Rihanna and Mick Jagger might have some qualms about the current compulsory licensing process, but a system that hinges upon government-created monopolies is never going to be perfect. The Department of Justice made this clear when it concluded its exhaustive two-year review process of the consent decrees in 2016, writing: Although stakeholders on all sides have raised some concerns with the status quo, the Divisions investigation confirmed that the current system has well served music creators and music users for decades and should remain intact.
Nothing has changed over the last two years that should make the federal government reconsider its opinion. As stated in a recent letter from hundreds of small businesses across the country, the termination of the decrees would result in market dysfunction, jeopardizing the licensing system as we know it. Not to mention an accounting and record-keeping nightmare!
So, please, Makan Delrahim and the rest of the Trump Justice Department, follow the guidance of Rihannas lyrics rather than her political advice and dont stop the music.
Same here. I associate the song with the pothead peacniks in my dorm who played it constantly during my freshman year in college.
The thought police now want to tell us that we can’t listen or play music if the artist doesn’t like us, what a country.
“One is music from the stone ages, and the other is just music but not great. Trump can do better.”
LOL
The 70’s is now the stone age? You sound a little wet behind the ears. The stuff being passed off as music today is pure junk. Yes, even the so called country music. Want real country go listen to Willie, Waylon and the boys.
and I will take the 70’s and 80’s over any of the crap beng put out today. Just my preference.
I always took his choice of that song as a deliberate thumb in the eye to the leftists ... they wanted Hillary but they got him.
:: Other current pop music Id fluff without the twang. ::
Whoa, Vaquero! I think you might need an editor for that post!
KEK
Or he could have the Triumphal March from Aida when he walks onto the stage. (On-stage trumpets would be a nice touch.)
ML/NJ
1968 - 1978
The golden age of rock music.
The day the music died? The rise of Glam-Rock.
Its like baking the cake
But you just can't beat a good Rihanna song....
Unless you're Chris Brown!
Pettiness. The president is doing them a service by having their songs played, heard and enjoyed. You don’t want us enjoying your music? Eradicate it, wipe it clean from history, so no one can ever hear it again, except in contraband, which would be a criminal offense. Are we at that point because of the sheer pettiness that a performer can’t control who enjoys their performance, their music? Are they trying to keep themselves relative only to one part of society but not another? What about diversity? It’s music. Most of us just think of it as enjoyable background noise. Get over it celeb/elites.
1968 - 1978
The golden age of rock music.
The day the music died? The rise of Glam-Rock.
Totally agree with you.
All I said is that, Trump has a lot better choices out there.
Totally respect your feelings. Yours is as valid as mine. :)
Lighten up Francis
Why are you calling me “Francis”, Goober?
Yeah. Auto correct.
Still...comedy at the “al baby” level
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