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To: Beelzebubba
OK, ignore my previous post about misidentification. I checked on the Smithsonian's site where the painting is normally kept and apparently, described it as "Alma Thomas, the first African-American woman to have a solo show at the Whitney Museum, was linked to the color-field school that had developed in Washington, D.C. in the 1960s. In Watusi, Thomas is trying to mix together different styles such as Henri Matisse’s cutouts. “She was also interested in the idea that color could generate musical correspondence,” Brougher says. “It was more than creating an abstract painting but trying to create music out of painting.”

Basically, it was an admitted study of Matisse.

Probably not as big if a deal as is what first appears. Read more: http://www.smithsonianmag.com/arts-culture/Decorating-the-White-House-with-Smithsonian-Art.html?c=y&page=9#ixzz0TNLungOn

120 posted on 10/08/2009 12:50:50 PM PDT by mnehring
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To: mnehring
Basically, it was an admitted study of Matisse

study=copy

129 posted on 10/08/2009 12:56:06 PM PDT by kabar
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To: mnehring

I don’t believe it was a “study” of Matisse. More like a rip-off.


136 posted on 10/08/2009 1:02:02 PM PDT by Drango (A liberal's compassion is limited only by the size of someone else's wallet.)
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To: mnehring

Actually, having read this entire thread, I’m beginning to think that the real story here is about the Obamas:

Apparently, this artist has a unique style, and I liked the other piece shown here from her. But when the Obamas went to choose a piece to honor this African-American artist, the picture they chose was:

A copy of some white guy’s art.


173 posted on 10/08/2009 2:27:23 PM PDT by CharlesWayneCT
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