Paglia is capable of making sense in short bursts, but then her utter lack of perspective jumps up and smack you in the face...
The first line was posed by the author and then slapped around by Camile.
I wasn't really referring to the question, but to the twelve paragraphs that follow of Camille obsessing, yet again, about the importance of being Madonna and her true place in the greater scheme of things.
It's a bit difficult to take this sort of stuff seriously.