Some of the reviews of the IslamoFascist propaganda Mega-Turkey (this summer's big bomb) are hysterical:
"Bloom comes across as a vapid California surfer boy trying to be a serious "artist." This is an over-long, pretentious bore that I felt like I've seen and didn't like before." -- Michelle Alexandria, ECLIPSE MAGAZINE
"As a war hero, Orlando Bloom reminds me of the nickname Truman Capote's father gave him: Little Miss Mouse Fart." -- Tim Appelo, SEATTLE WEEKLY
"A bewildering mishmash of battle scenes and tenuous relationships that calls for heartthrob Orlando Bloom to save the day in a rags-to-riches hurry." -- Jeanne Aufmuth, PALO ALTO WEEKLY
"A confused and confusing compromise at best and a dull obfuscation of history at worst." -- Peter Canavese, GROUCHO REVIEWS
"It's just a bunch of arguing with dirty people who look like they stepped out of a two-bit Renaissance Festival." -- Kevin Carr, 7M PICTURES
"Plain-faced moralizing... It's at once bold and dumbed down." -- Jeffrey Chen, REELTALK MOVIE REVIEWS
"Yawn. Are the Crusades over yet? Wake me when it's time to leave." -- Boo Allen, DENTON RECORD CHRONICLE (TX)
My favorite review:
"Was Ridley Scott trying to make a medieval epic, or was he trying to remake Kevin Smith’s Dogma?"