Replies

I learned who funded this garbage and why, what their beliefs are and whence they came,...

Those of us, such as you and I, are familiar with the leftist utopia of Santa Cruz.

Being much enlightened, unlike most of the oblivious others in the Bermuda Triangle of Lost Sanity (S.F. Bay, Monterey Bay, San Jose), we actually witnessed the madness first hand and saw it for what it is.

_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-

...it led to pretty serious depression.

That is the whole objective - - to emotionally subjugate the population through depression and despair...

The fantastic is, of course, most closely related to the imagination (Phantasien), but the imagination is related in it’s turn to feeling, understanding, and will, so that a person’s feelings, understanding and will may be fantastic. Fantasy is, in general the medium of infinitization...
The fantastic is generally speaking what carries a person into the infinite in such a way that it only leads him away from himself and thus prevents him from coming back to himself. (Kierkegaard, p 60-61)
Kierkegaard, Søren. The Sickness Unto Death. Trans. Alastair Hannay. New York : Penguin, 1989.
_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-
Part III. Of a Christian Commonwealth.
Chap. xxxviii. Of Eternal Life, Hell, Salvation, and Redemption.
[12] And first, for the tormentors, we have their nature and properties exactly and properly delivered by the names of the Enemy (or Satan), the Accuser (or Diabolus), the Destroyer (or Abaddon). Which significant names (Satan, Devil, Abaddon) set not forth to us any individual person, as proper names do, but only an office or quality,...
Part IV. Of the Kingdom of Darkness
Chap. xlv. Of Demonology and other Relics of the Religion of the Gentiles.
[10] Another relic of Gentilism is the worship of images,... it was the general religion of the Gentiles to worship for gods those appearances that remain in the brain from the impression of external bodies upon the organs of their senses, which are commonly called ideas, idols, phantasms, conceits, as being representations of those external bodies which cause them, and have nothing in them of reality, no more than there is in the things that seem to stand before us in a dream.
[14] An image, in the most strict signification of the word, is the resemblance of something visible: in which sense the fantastical forms, apparitions, or seemings of visible bodies to the sight, are only images; such as are the show of a man... these are the images which are originally and most properly called ideas and idols, and derived from the language of the Grecians, with whom the word eido signifieth to see. They are also called phantasms, which is in the same language, apparitions. And from these images it is that one of the faculties of man's nature is called the imagination...
[16] And whereas a man can fancy shapes he never saw, making up a figure out of the parts of divers creatures, as the poets make their centaurs, chimeras and other monsters never seen, so can he also give matter to those shapes, and make them in wood, clay or metal. And these are also called images, not for the resemblance of any corporeal thing, but for the resemblance of some phantastical inhabitants of the brain of the maker.
Part IV. Of the Kingdom of Darkness
Chap. xlvii. Of the Benefit that proceedeth from such Darkness
[1] ...For seeing Beelzebub is prince of phantasms, inhabitants of his dominion of air and darkness, the children of darkness, and these demons, phantasms, or spirits of illusion, signify allegorically the same thing. This considered, the kingdom of darkness, as it is set forth in these and other places of the Scripture, is nothing else but a confederacy of deceivers that, to obtain dominion over men in this present world, endeavour, by dark and erroneous doctrines, to extinguish in them the light, both of nature and of the gospel; and so to disprepare them for the kingdom of God to come.
Hobbes, Thomas. Leviathan: with selected variants from the Latin edition of 1668. Ed. Edwin Curley. Indianapolis: Hackett, 1994. http://oregonstate.edu/instruct/phl302/texts/hobbes/leviathan-contents.html

Ah, the magical, mystical fairyland of Santa Cruz...

New Age induces a benevolent relaxation that may be disabling in the face of aggression. In a world of terrorism, New Agers can only take to the hills and leave their scriptures in jars at Esalen.
Camille Paglia, Cults and Cosmic Consciousness: Religious Vision in the American 1960s
_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-
When dominated by the Spectre, the self becomes a hermaphroditic Selfhood, whom Blake calls Satan or Death...
...Incestuous self-insemination: the grappling duo is a new Khepera, the masturbatory Egyptian cosmos-maker. Actors and audience are a sexual octopus of many legs and eyes.
The contest between male Spectre and female Emanation is archaic ritual combat. I find homosexual overtones in the betrayal of the self into a queasy spectral world ruled by dark, deceiving male figures. Note the elegance with which Blake’s Spectre theory fits Shakespeare’s Othello. A conspiratorial Spectre, Iago, is homoerotically obsessed with splitting Othello, through jealous fears, from his Emanation, Desdemona. (Jealousy and fear are the Spectres’ regular weapons.) Othello, cleaving to his Spectre instead of casting him off, destroys himself. He ends by not killing his Spectre but his Emanation. (Paglia, p. 287-289)
Paglia, Camille. Sexual Personae: art and decadence from Nefertiti to Emily Dickinson, New Haven: Yale University Press, 1990. Rpr. First Vintage Books Edition, September 1991, New York.