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Picasso 'stole the work of African artists'
UK Telegraph ^ | 3/12/06 | Stephen Bevan

Posted on 03/12/2006 10:02:22 AM PST by wagglebee

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To: wagglebee
His letter has prompted a furious response, with one correspondent comparing his attitude to the "black fascists who were critical of Paul Simon when he collaborated with Ladysmith Black Mambazo". Simon worked with the group on his Gracelands album in 1986 and was accused of exploiting them for commercial ends. Picasso and Simon are not the only artists to have been accused of appropriating African art without giving full credit.

Huh? Paul Simon certainly *did* give full credit to Ladysmith Black Mambazo for the Graceland work. He also featured them on his tour. They got wide and heavy publicity, and they became stars overnight. Who's exploiting who?

21 posted on 03/12/2006 10:35:49 AM PST by Ramius (Buy blades for war fighters: freeper.the-hobbit-hole.net --> 1100 knives and counting!)
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To: wagglebee

This will inhibit other pretigious exhibits from being brought to SA. Then Memela will whine that Africans are now being slighted and discriminated against.

Perhaps he can be mollified by sending an art exhibition that vividly depicts events in African history.

Suggested themes might include, "Africans selling their people to Dutch slavers," "Sudanese slavery today," "Screaming girl being clitorectomized," "Rape and massacre of the Christians," "Raped infant with AIDS," "Burning tire man in agony," "Murder and robbery of the white farmers" and "Night of the Hutu machete."


22 posted on 03/12/2006 10:37:13 AM PST by Bonaparte
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To: wagglebee

Of course. Everyone knows Africans invented painting. And music. And mathematics. And modern chemistry and physics. And astronomy. And the Space Shuttle. And the iPod. And they all were stolen by European and Jewish thieves. I am the walrus! Koo-Koo Kachoo!


23 posted on 03/12/2006 10:47:50 AM PST by pabianice
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To: Popman
Every original thought and concept first came out of Africa. Didn't you get the memo?

Was that memo tucked in with the check from the Vast Right Wing Conspiracy? Because mine hasn't arrived in the mail yet, durn it.
24 posted on 03/12/2006 10:53:46 AM PST by kingu (Liberalism: The art of sticking your fingers in your ears and going NANANANA..)
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To: wagglebee
He added: "There were four artists - Picasso, Braque, Matisse and Derain - who put tribal art on the map. It was regarded as of no cultural importance but then they started buying it at junk shops and they elevated it to the same importance as Renaissance art."

That's the irony of this whole discussion. Had it not been for Picasso, Braque, Matisse and Derain - that primitive art would still be of no cultural importance in civilized countries.
As it remains for me, as does Picasso's most famous works.

I would love to have some of Picasso's earlier works, before he became famous and rich, and African.

25 posted on 03/12/2006 10:56:54 AM PST by Publius6961 (Multiculturalism is the white flag of a dying country)
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To: wagglebee

Lest we forget, blacks also built the pyramids, and black people could fly until the cruel white devils pulled their wings off. So sez calypso louie.


26 posted on 03/12/2006 10:57:44 AM PST by ozzymandus
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To: Brett66
Does that include slavery and mass genocide?

Certainly.

27 posted on 03/12/2006 10:58:42 AM PST by Publius6961 (Multiculturalism is the white flag of a dying country)
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To: wagglebee

I don't see the controversy here...African art is terrific. Picasso is great. If he incorporated some of the stylistic aspects of African art into his works, then he did so because they moved him. What's the big deal?


28 posted on 03/12/2006 11:01:09 AM PST by durasell (!)
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To: ozzymandus

I thought it was a black person that invented white people, or was it "ice" people?


29 posted on 03/12/2006 11:01:58 AM PST by Calvin Locke
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To: wagglebee

The African styles in some of Picasso's work have been known since they first appeared. Picasso was capable of highly realistic portrait drawings, as well as having the idea of incorporating time into static pieces. The various styles used to express his aesthetics are mere instruments.


30 posted on 03/12/2006 11:03:59 AM PST by RightWhale (pas de lieu, Rhone que nous)
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To: durasell
I saw a tv segment on Picasso years ago. They showed a doll-sized sculpture that incorporated a matchbox or
hotwheels car as the head or part of the head, of the effigy.

The big deal is that the inferiority complex of some people really messes up reality.

Did you know that Picasso's "Dove of Peace" was really a pigeon (pigeons, I guess are "rock doves" nesting on
buildings instead of cliff walls...)

And I believe he was shaken down for a contribution to some communist protest, and offered up the pigeon painting.

31 posted on 03/12/2006 11:12:59 AM PST by Calvin Locke
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To: Calvin Locke

I'm a big fan of African art (and yes, I've put a great deal of money where my mouth is). The thing that is one of the most fascinating is there is a very clear stylistic line between pre-colonial and post-colonial objects.

I'd suggest that the guys who are actually making the stuff -- whether they're Picasso or some unknown shaman from the 1800s -- could care less about influences and controversy. They were doing what they did for their own reasons.


32 posted on 03/12/2006 11:22:07 AM PST by durasell (!)
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To: wagglebee
Hmmm...I don't see the African influence.


33 posted on 03/12/2006 11:25:06 AM PST by Pharmboy (The stone age didn't end because they ran out of stones.)
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To: Calvin Locke

...on the other hand, a story like this and controversy increases my "investment." So I say, let'er rip!


34 posted on 03/12/2006 11:25:23 AM PST by durasell (!)
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To: Pharmboy

Look at Guernica


35 posted on 03/12/2006 11:27:02 AM PST by durasell (!)
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To: RightWhale
>The African styles in some of Picasso's work have been known since they first appeared. Picasso was capable of highly realistic portrait drawings, as well as having the idea of incorporating time into static pieces. The various styles used to express his aesthetics are mere instruments

One legend is, if
a random artist approached
Picasso with art

and asked if the piece
was really by Picasso,
Picasso would just

judge if he liked it
and, if he did, he'd sign it.
Picasso was just

a brilliant craftsman
with a sharp sense of humor --
a proto-Kaufman!

36 posted on 03/12/2006 11:30:59 AM PST by theFIRMbss
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To: theFIRMbss

I'd disagree. You don't get that good by not taking the work seriously. Picasso, I think, was likely to goof on the commerce of art, but not the stuff itself.


37 posted on 03/12/2006 11:36:55 AM PST by durasell (!)
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To: Popman
"Every original thought and concept first came out of Africa. Didn't you get the memo?"

That could explain the ignorance, poverty, backward, disease ridden, immoral and uncivilized state in most of Africa today....

The "original thought" or "original genius" was expended and never recovered....

Semper Fi

38 posted on 03/12/2006 12:07:05 PM PST by river rat (You may turn the other cheek, but I prefer to look into my enemy's vacant dead eyes.)
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To: wagglebee

Absolutely. Take a look at English literature and fiction since the time of Shakespeare. Much of it is inspired by his plots, including the current season of "The Sopranos" where it's predicted that we'll see a Soprano family meltdown much like the familial meltdown that befell King Lear. Now we should all go out and accuse the "Sopranos" writers of stealing "King Lear" from Shakespeare.


39 posted on 03/12/2006 12:20:40 PM PST by libstripper
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To: libstripper

Mario Puzo and Francis Ford Coppola openly admitted that "Godfather Part 3" was based on "King Lear."


40 posted on 03/12/2006 12:23:50 PM PST by wagglebee ("We are ready for the greatest achievements in the history of freedom." -- President Bush, 1/20/05)
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