Free Republic
Browse · Search
News/Activism
Topics · Post Article

To: muawiyah
No, that's not what I believe. I'm simply telling you how human beings use prosthetics to control transition from one sector to another. Our eyes simply don't provide us with that information. In fact, we adapt our vision so that we recognize a color across a broad expanse irrespective of the incidence or strength of the light illuminating it.

Earlier, you said "The way you get detail like that is to use a pinhole lens," and "If you prefer that sort of thing, fine. Just don't call it 'art'". What exactly were you trying to say? What about the painting in post #134 makes it "not art"?

155 posted on 10/20/2006 5:24:26 PM PDT by supercat (Sony delenda est.)
[ Post Reply | Private Reply | To 138 | View Replies ]


To: supercat; muawiyah

I've seen enough good artists at work to realize that projectors and tracings are not necessary to achieve what is commonly referred to as "realism." It's true that many artists do use them, but there are many who also do not. A good draftsman is actually slowed down by the use of "optical" aids.

As for detail, the general theory before the advent of so called photo realism has been that that the eye sees too much, that most of the seen detail should be left out of the work. Only the relevant and desired details are put in - they suggest the others if the artist knows what he is about.


156 posted on 10/20/2006 6:27:13 PM PDT by Sam Cree (Don't mix alcopops and ufo's)
[ Post Reply | Private Reply | To 155 | View Replies ]

Free Republic
Browse · Search
News/Activism
Topics · Post Article


FreeRepublic, LLC, PO BOX 9771, FRESNO, CA 93794
FreeRepublic.com is powered by software copyright 2000-2008 John Robinson