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Art as Propaganda for Evolution
CEH ^ | April 10, 2009

Posted on 04/11/2009 9:21:02 AM PDT by GodGunsGuts

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To: count-your-change

I’m just trying to figure out what the difference between an artist’s rendering of a dinosaur and one of something like Noah’s Ark that make’s one “deceptive propaganda” and the other not. Your explanation is about as clear as mud.


61 posted on 04/13/2009 6:48:11 PM PDT by tacticalogic ("Oh bother!" said Pooh, as he chambered his last round.)
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To: tacticalogic

I hope you can work it out but my hopes aren’t high when if you seriously believe this;

“One man’s “illustration” is another man’s “propaganda”.

Cheers.


62 posted on 04/13/2009 7:43:05 PM PDT by count-your-change (You don't have be brilliant, not being stupid is enough.)
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To: count-your-change
I hope you can work it out but my hopes aren’t high when if you seriously believe this;

I seriously believe that. The alternative is to believe that people are perfectly objective, and I know better than that.

63 posted on 04/13/2009 7:45:10 PM PDT by tacticalogic ("Oh bother!" said Pooh, as he chambered his last round.)
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To: tacticalogic
Perhaps I can offer an another alternative to having to choose either illustration or propaganda by looking not at the object but at the mind set of the creator of the thing.

Yes, I will explain.

If you go to a large museum you'll see statues from ancient Rome and Greece, many of them nudes. Michaelangelo's David comes to mind as well as other heroic characters.

Obviously the nudity is not reality nor is eroticism. It is a propaganda tool to portray the individual in heroic physical perfection. The nudity was not nakedness in the intent of the sculptor. Nor was the nudity the message.

The underlying message was the virtual worship of human bodily perfection and the hero was supposed to have it.

That similar devices were and are used in art and advertising makes them propaganda first and any illustrative value is accidental if it exists at all.

Looking at the depictions of so-called “cavemen” as naked, grunting brutes, it takes not too much intellectual vigor to understand the propaganda behind them.
The same could be said of the

Dinosaur or ark, it can either be illustration or propaganda depending upon the context and purposes of the artist.

“For instance, “the very notion of beauty was something Darwin wanted to explain: the beauty of orchids actually masked a complex contrivance for getting pollen onto insects; the beauty of an Argus pheasant’s feathers was the result of sexual selection.”

If Zimmer is correct in his assessment of Darwin then even beauty is little more than a propaganda tool.

64 posted on 04/13/2009 9:56:02 PM PDT by count-your-change (You don't have be brilliant, not being stupid is enough.)
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To: count-your-change
Perhaps I can offer an another alternative to having to choose either illustration or propaganda by looking not at the object but at the mind set of the creator of the thing.

Yes, I will explain.

Dinosaur or ark, it can either be illustration or propaganda depending upon the context and purposes of the artist.

OK. What "other alternative" do you offer? You explanation still still comes down to the image, having to be either propaganda or illustration.

65 posted on 04/14/2009 5:11:26 AM PDT by tacticalogic ("Oh bother!" said Pooh, as he chambered his last round.)
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To: tacticalogic

Not so. I’m sorry you can’t get past the superficial image. I really don’t see how I can make it more simple.
Maybe one of the other posters can do better.


66 posted on 04/14/2009 8:02:38 AM PDT by count-your-change (You don't have be brilliant, not being stupid is enough.)
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To: count-your-change
Not so. I’m sorry you can’t get past the superficial image. I really don’t see how I can make it more simple. Maybe one of the other posters can do better.

Maybe, but it seemed simple enough. It still comes down to declaring it to be either illustation or propaganda.

The only thing your explanation does is remove any responsibily for making that determination from the viewer. Whatever they decide it's illustation or propaganda must be because that's how the artist intended it.

67 posted on 04/14/2009 8:10:40 AM PDT by tacticalogic ("Oh bother!" said Pooh, as he chambered his last round.)
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To: tacticalogic
Does the viewer then determine what an image or other visual expression is by virtue of their own interpretation apart from the artificer or must an attempt be made by the viewer to investigate the purpose and intents, the context and circumstance of the making of a work to form an interpretation?

If the former can a generalized interpretation be predicted so that an artist could choose certain imagery with the hope of producing that interpretation effectively?

If the latter, can we, in the absence of a clearly stated objective by an artist, discern his motive, message, etc., apart from just examining the image, by examining the artist and the circumstances of his work?

As a corollary, If all interpretation is apart from the mind of the artist then can propaganda actually exist except in the mind of the artist? It seems the artist could not know how to make his message broad enough to reach a necessary majority of the viewers to actually produce propaganda or project some opinion if the probabilities of interpretation were infinite on the part of the viewer.

I realize this is a vast oversimplification but if it works why not?
If specific examples are needed the two greatest sources of propaganda that are easily shown in the visual, is art and advertising, even allowing for the overlap between the two.

I would suggest some study of those two as it can be easily and inexpensively done.

68 posted on 04/14/2009 9:12:54 AM PDT by count-your-change (You don't have be brilliant, not being stupid is enough.)
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To: count-your-change

How did you determine, from looking at an artist’s rendering of a feathered dinosaur, that the artist intended to convey to you that this drawing was a accurate representation of what that animal looked like, right down to the placement and color of each feather, and not simply a illustration of what one might have looked like?


69 posted on 04/14/2009 9:31:59 AM PDT by tacticalogic ("Oh bother!" said Pooh, as he chambered his last round.)
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To: tacticalogic
I didn't, as would be clear from the questions I asked of you in my last post.

An artist's imaginative rendering, imaginative since what dinosaurs looked like in detail is unknown, is an attempt to give visual imagery to what is purely speculative. If the writer says this is just what is the possible appearance of a feathered dinosaur, the artist has provided something concrete and in lifelike detail.

The question of actual vs. possible is of far less importance than the detailed drawing that conveys the message that not only is this possible but here it is.
And I would further suggest that the illustrations of what something looks like that accompany text have a far greater impact on what the viewer thinks the text is saying than the words of the text its self.

I don't think the sharp distinction in your question exists when talking about how something looked physically.

70 posted on 04/14/2009 2:12:24 PM PDT by count-your-change (You don't have be brilliant, not being stupid is enough.)
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To: count-your-change
I didn't, as would be clear from the questions I asked of you in my last post.

Then perhaps I misinterpreted this statement from earlier in the exchange, although it seemed to be unambiguous at that time:

When a feathered dinosaur is shown in a drawing it is the possession and placement of the feathers on a particular animal that is being touted as fact by means of the illustration.

71 posted on 04/14/2009 2:50:19 PM PDT by tacticalogic ("Oh bother!" said Pooh, as he chambered his last round.)
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To: tacticalogic

You asked:
“How did you determine, from looking at an artist’s rendering of a feathered dinosaur....”

It wasn’t from just “looking at an artist’s rendfering” as I think I’ve explained in several ways.


72 posted on 04/14/2009 3:14:23 PM PDT by count-your-change (You don't have be brilliant, not being stupid is enough.)
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To: count-your-change
How are the details of what dinosaurs looked like any more speculative that the details of what Noah's Ark looked like?

What makes one "deceptive propaganda" and the other "merely an illustration"?

73 posted on 04/14/2009 3:45:52 PM PDT by tacticalogic ("Oh bother!" said Pooh, as he chambered his last round.)
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To: tacticalogic

In one form or another you’re asking the same question over and again. And I think you’re getting basically the same answers even if they’re not satisfactory to you. Sorry.

“What makes one “deceptive propaganda” and the other “merely an illustration”?”

I’ve given the best answer I can already.

“How are the details of what dinosaurs looked like any more speculative that the details of what Noah’s Ark looked like?”

Wouldn’t the answer depend upon the particular example?


74 posted on 04/14/2009 4:38:28 PM PDT by count-your-change (You don't have be brilliant, not being stupid is enough.)
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To: count-your-change
Wouldn’t the answer depend upon the particular example?

From what you're telling me, the answer is no. It would depend on the the intent of the artist.

I've seen photographs of very detailed, life-sized, and very life-like models of dinosaurs they have at the Creation Museum. I'm going to go out on a limb here, and say that those are going to deemed to be "merely illustrative".

Other models or drawings of dinosaurs that are of comparable detail removed from the context of presenting and supporting the biblical account of Creation will be "deceptive propaganda".

75 posted on 04/14/2009 5:21:01 PM PDT by tacticalogic ("Oh bother!" said Pooh, as he chambered his last round.)
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To: tacticalogic

I have nothing to do with the Creation Museum and have no idea of what they have other than what the name suggests.

Not much I can say about them and their models, etc.


76 posted on 04/14/2009 6:55:06 PM PDT by count-your-change (You don't have be brilliant, not being stupid is enough.)
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To: count-your-change
Not much I can say about them and their models, etc.

Not even if they have feathers?

77 posted on 04/14/2009 7:22:14 PM PDT by tacticalogic ("Oh bother!" said Pooh, as he chambered his last round.)
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To: tacticalogic

I have nothing to do with the Creation Museum and have no idea of what they have other than what the name suggests so not much I can say about them and their models, etc.


78 posted on 04/14/2009 7:31:31 PM PDT by count-your-change (You don't have be brilliant, not being stupid is enough.)
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To: count-your-change

I’d think you’d be more interested in them if they’re presenting life-like depictions of dinosaurs.


79 posted on 04/14/2009 7:40:17 PM PDT by tacticalogic ("Oh bother!" said Pooh, as he chambered his last round.)
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To: tacticalogic
I believe the correct term is “proto or primitive feathers” or “feather-like structures”. Of course “collagen fibers” fits even better according to comments in an article in National Geographic News about “Feathered” Dinosaur Was Bald, Not Bird Ancestor, Controversial Study Says.”

“Not even if they have feathers?” They have any?

80 posted on 04/14/2009 7:45:06 PM PDT by count-your-change (You don't have be brilliant, not being stupid is enough.)
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