[Greenperson]

In my opinion, the photos of the model are actually photos of two different women. In some of the photos alleged to be Stanley Ann Dunham, she clearly does NOT have crossed front teeth. Those photos also show the woman with a longer chin and curlier, more closely cropped hair, than seen in the photos that resemble the porn model with the crossed front teeth. Since FMD was “into” this, it’s likely that he used the same stage props for all of his models, meaning: That’s why you see the same shoes, earrings, clothing. They’re props shared by his models.

[Fred Nerks]

I very much doubt FMD ever had any 'models' - if you read the most recent post to his blog by John Ray, you'll see where he once again attempts to explain how he came across the images.

JOHN RAY BLOG LINK.

He maintains they were sent to him by an anonymous person...who thought the model looked like Stanley Ann Dunham. It's long ago been shown the images he posted of that model appeared in exotic magazines in 1958. Lots of them. He started the entire fiasco, and now refuses to accept that posting the images all over the web didn't confirm her identity.

Nothing ties her to Frank Marshall Davis except the vivid imagination of John Ray's anonymous correspondent and subsequently the fraud, Joel Gilbert.

In 1958 when that girl was posing, Frank Marshall Davis was living in Kahili Street with his wife and four children. And Stanley Ann Dunham was still in high school.

The only difference between these images is that one of them is tinted. That's four times the same girl. The photographs were taken in the same room, with the same furniture, and in his attempts to tie the model and Stnaley Ann Dunham together visually, Gilbert shows a composite of the teeth of the model and Stanley Ann Dunham:

You might be able to ignore that her eyes and her crooked little nose are totally different, but you can't ignore the teeth that the model had...which were crooked at the front, and Stanley Ann Dunham's were NOT when she was 16, in the photo supplied by Maxine Box to Getty Images, that Gilbert used.