[zeestephen]

Thanks for the correction.

I couldn’t find any weekend sales charts for “Curve” at Yahoo, BoxOfficeMoJo, or MSN.com.

I was looking for “Perks of Being a Wallflower,” too, which is Emma Watson’s first feature release since “Harry Potter.”

First week for that, too, and same result - zero chart info.

Do you remember the link you used for “Curve?”

Thanks.

[JediJones]

Deadline.com is the first stop for movie gross reports. Boxofficemojo.com is the last stop. No other stops necessary.

http://www.deadline.com/2012/09/soft-friday-box-office-clint-eastwoods-trouble-with-the-curve-disappoints-but-end-of-watch-strong-even-if-house-1-rebooted-dredd-opens-just-dreadful/

[JediJones]

http://boxofficemojo.com/daily/chart/

[JediJones]

In just four locations in New York and Los Angeles, The Perks of Being a Wallflower debuted to a very respectable $84,900. That translates to a per-theater average of $21,225, and the weekend should ultimately be strong enough to propel this movie in to its upcoming expansion.

http://www.boxofficemojo.com/news/?id=3529&p=.htm

[Blue Ink]

You can get the earliest and most reliable box office returns at Deadline: Hollywood. They start posting early Friday afternoon PST as soon as the first matinee and evening ticket sales are reported.

http://www.deadline.com/hollywood/

[Blue Ink]

Whoops, sorry, didn’t realize JediJones had already answered you.

Boxofficemojo is good, too — but they don’t have the same access Deadline: Hollywood does. Sometimes they won’t be able to get ahold of the film’s budget, or they accept the studio’s official number, which is always lowballed — and unless you know the real budget, of course, it’s impossible to gauge whether it’s making money or not.

Somehow Deadline: Hollywood is able to consistently scare someone at the studios into coughing up the kittens re true budget numbers. They’ve got sources everywhere.