No Mass today.....just a Good Friday Service and then the beginning of the Chaplet of Divine Mercy Novena.
From: Isaiah 52:13-53:12
Fourth Song of the Servant of the Lord
[1] Who has believed what we have heard?
And to whom has the arm of the Lord been revealed?
[2] For he grew up before him like a young plant,
and like a root out of dry ground;
he had no form or comeliness that we should look at him,
and no beauty that we should desire him.
[3] He was despised and rejected by men;
a man of sorrows, and acquainted with grief;
and as one from whom men hide their faces
he was despised, and we esteemed him not.
[4] Surely he has borne our griefs
and carried our sorrows;
yet we esteemed him stricken,
smitten by God, and afflicted.
[5] But he was wounded for our transgressions,
he was bruised for our iniquities;
upon him was the chastisement that made us whole,
and with his stripes we are healed.
[6] All we like sheep have gone astray;
we have turned every one to his own way;
and the LORD has laid on him
the iniquity of us all.
[7] He was oppressed, and he was afflicted,
yet he opened not his mouth;
like a lamb that is led to the slaughter,
and like a sheep that before its shearers is dumb,
so he opened not his mouth.
[8] By oppression and judgment he was taken away;
and as for his generation, who considered
that he was cut off out of the land of the living,
stricken for the transgression of my people?
[9] And they made his grave with the wicked
and with a rich man in his death,
although he had done no violence,
and there was no deceit in his mouth.
[10] Yet it was the will of the Lord to bruise him;
he has put him to grief;
when he makes himself an offering for sin,
he shall see his offspring, he shall prolong his days;
the will of the Lord shall prosper in his hand;
[11] he shall see the fruit of the travail of his soul and be satisfied;
by his knowledge shall the righteous one, my servant,
make many to be accounted righteous;
and be shall bear their iniquities.
[12] Therefore I will divide him a portion with the great,
and he shall divide the spoil with the strong;
because he poured out his soul to death,
and was numbered with the transgressors;
yet he bore the sin of many,
and made intercession for the transgressors.
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Commentary:
52:13-53:12. This fourth Song of the Servant is one of the most commented on
passages in the Bible, as regards both its literary structure and its content. From
the point of view of structure, it interrupts the hymn-style of chapter 52 (which is
taken up again in chapter 54); the style here is more reflective; the theme, the va-
lue of suffering. In terms of content, the song is unusual in that it shows the ser-
vant triumphing through his humiliation and suffering. Even more than that — he
makes the pains and sins of others his own, in order to heal them and set them
free. Prior to this, the idea of “vicarious expiation” was unknown in the Bible. The
passage is original even in its vocabulary: it contains forty words that are not to
be found elsewhere in the Bible.
The poem, which is very carefully composed, divides into three stanzas: the first
(52:13-15) is put on the Lord’s lips and it acts as a kind of overture to what follows
—taking in the themes of the triumph of the servant (v. 13), his humiliation and
suffering (v. 14), and the stunning effect that this has on his own people and on
strangers.
The second stanza (53:1-11a) celebrates the servant’s trials, and the good ef-
fects they produce. This is spoken in the first person plural, standing for the peo-
ple and the prophet: both feel solidarity with the servant of the Lord. This stanza
has four stages to it: first (53:1-3) it describes the servant’s noble origins (he grew
up before the Lord like a young plant: cf. v. 2) and the low esteem in which he is
held as a “man of sorrows”. Then we learn that all this suffering is atonement for
the sins of others (53:4-6). Traditionally, suffering was interpreted as being a pu-
nishment for sins, but here it is borne on behalf of others. This is the first lesson
to be learned by those who see him “stricken, smitten by God, and afflicted”,
and it marks the climax of the poem. Thirdly (53:7-9), the point is made, again
that he has freely accepted suffering and meekly, offers himself as a sacrifice of
atonement (he is like a lamb, like a sheep). His death is as ignominious as the
suffering that precedes it. Finally (vv. 10-11a) we are told how fruitful all this suf-
fering is: like the patriarchs of old (the text seems to imply) the servant will have
many offspring and a long life and be a man of great wisdom.
In the third stanza (53:11b-12) the Lord speaks again, finally acknowledging that
his servant’s sacrifice is truly efficacious: he will cause many to be accounted
“righteous”, that is, he will win their salvation (v. 11) and will share in the Lord’s
spoils (v. 12).
The fourth song of the servant of the Lord was from very early on interpreted as
having a current application. When the Jews of Alexandria made the Greek trans-
lation of the Old Testament (the Septuagint) around the second century BC, they
tinkered a little with the text to indicate that the servant in the poem stood for the
people of Israel in the diaspora. Those Jews, who encountered huge obstacles in
their effort to maintain their identity in that Hellenistic and polytheistic environ-
ment, found comfort in the hope that they would emerge enhanced, just like the
servant.
Jews of Palestine identified the victorious servant with the Messiah, but they re-
interpreted the sufferings described here to apply them to the pagan nations. The
Dead Sea Scrolls interpret this song in the light of the ignominy experienced by
the Teacher of Righteousness, the probable founder of the group that established
itself at Qumran.
Jesus revealed his redemptive mission to be that of the suffering servant prophe-
sied by Isaiah here. He referred to him on a number of occasions — in his reply
to the request made by the sons of Zebedee (”the Son of man came not to be
served but to serve, and to give his life as a ransom for many”: Mt 20:28 and par.);
at the Last Supper, when he announced his ignominious death among transgres-
sors, quoting 53:12 (Lk 22:37); in some passages in the fourth Gospel (Jn 12:32,
37-38); etc. He also seems to refer to it in his conversation with the disciples of
Emmaus (Lk 24:25ff) to explain his passion and death. Therefore, the first Chris-
tians interpreted Jesus’ death and resurrection in terms of this poem; evidence
of this is the expression “in accordance with the scriptures” in 1 Corinthians 15:
3; the words “for our trespasses” (Rom 4:25; 1 Cor 15:3-5); the Christological
hymn in the Letter to the Philippians (Phil 2:6-11); and expressions used in the
First Letter of Peter (1 Pet 2:22-25) and in other New Testament passages (Mt
8:17; 27:29; Acts 8:26-40; Rom 10:16; etc.).
Patristic tradition reads the song as a prophecy that found fulfillment in Christ
(cf. St Clement of Rome, “Ad Corinthios”, 16:1-14; St Ignatius Martyr, “Epistula
ad Polycarpum”, 1, 3; the so-called “Letter of Barnabas”, 5, 2 and “Epistula ad
Diognetuin”, 9, 2; etc.). The Church uses it in the Good Friday liturgy.
52:14. “Beyond human semblance”: this phrase sums up the description given in
53:2-3 and shows the intense pain reflected in the servant’s face: the description
is so graphic that Christian ascetical writing, with good reason, reads it as antici-
pating the passion of our Lord: “The prophet, who has rightly been called ‘the Fifth
Evangelist’, presents in this Song an image of the sufferings of the Servant with a
realism as acute as if he were seeing them with his own eyes: the eyes of the bo-
dy and of the spirit. [...] The Song of the Suffering Servant contains a description
in which it is possible, in a certain sense, to identify the stages of Christ’s Pas-
sion in their various details: the arrest, the humiliation, the blows, the spitting,
the contempt for the prisoner, the unjust sentence, and then the scourging, the
crowning with thorns and the mocking, the carrying of the Cross, the crucifixion
and the agony” (Bl. John Paul II, “Salvifici Doloris”, 17; cf. idem, “Dives in Misere
cordia”, 7).
53:1. St Paul cites this verse to prove the need for preaching (Rom 10:16). The
verse also underlines the extraordinary degree of undeserved suffering endured
by the Servant. It is sometimes interpreted as a further sign of the humility of
Christ, who, being divine, took on the form of a servant: “Christ is a man of hum-
ble thought and feeling, unlike those who attack his flock. The heart of God’s ma-
jesty, the Lord Jesus Christ, did not come with loud cries of arrogance and pride;
he came in humility, as the Holy Spirit said of him: “Who has believed what we
have heard?” (St Clement of Rome, “Ad Corinthios”, 16, 1-3).
53:4-5. “He has borne our griefs [or pains]”: the servant’s sufferings are not due
to his own personal sins; they are atonement for the sins of others. “The suffe-
rings of our Savior are our cure” (Theodoret of Cyrus, “De Incarnatione Domini”,
28). He suffered on account of the sins of the entire people, even though he was
not guilty of them. By bearing the penalty for those sins, he expiated the guilt in-
volved. St Matthew, after recounting some miraculous cures and the casting out
of devils, sees the words of v. 4a fulfilled in Christ (Mt 8:17). He interprets Jesus
Christ as being the servant foretold by the prophet, who will cure the physical suf-
fering of people as a sign that he is curing the root cause of all types of evil, that
is, sin, iniquity (v. 5). The miracles worked by Jesus for the sick are therefore a
sign of Redemption: “Christ’s whole life is a mystery of ‘redemption’. Redemp-
tion comes to us above all through the blood of his cross (cf. Eph 1:7; Col 1:13-
14; 1 Pet 1:18-19), but this mystery is at work throughout Christ’s entire life”
(”Catechism of the Catholic Church”, 517).
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Source: “The Navarre Bible: Text and Commentaries”. Biblical text from the
Revised Standard Version and New Vulgate. Commentaries by members of
the Faculty of Theology, University of Navarre, Spain.
Published by Four Courts Press, Kill Lane, Blackrock, Co. Dublin, Ireland, and
by Scepter Publishers in the United States.