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AIN'T IT COOL? A Tale of Two Cultures
American Digest ^ | April 13, 2004 | Gerard Van der Leun

Posted on 04/11/2004 12:36:55 PM PDT by vanderleun

AIN'T IT COOL?: A Tale of Two Cultures

It’s Easter Sunday and we are two and a half years into the war. Good Friday evening was one of those nights when, in Southern California, the weather and the combine to create what are rightly called "balmy conditions." Balm, as in a kind of salve to the soul and the skin. The air is warm but not too warm. The skies are clear and the stars seem closer. My wife and I had just seen some current comic book confection at one of the 20 screen multiplexes that are so numerous in this area that you can see the same movies 15 times within a ten mile radius.

We sat by a large sandstone and marble fountain in the stone circle between the vast theater and the vaster parking lot. It was date night and the beginning of Spring Break for the schools of Orange County. All around us kids from 11 to 18 were whooping and laughing and forming clusters of friends. They were dressed according to the upscale Goth-Surfer/Balkan Refugee dress-code common to the kid culture here on the coast. Most were too young to have tattoos or piercing, but you could see some were already planning where those lifestyle statements would go. They were slim, energetic and heedless of the future. In short, they were just reasonably rich kids in America in 2003.

We are two and a half years into the war, but the war is not and will probably never be these kids' concern. It isn't even something they consider outside of, perhaps, a few classroom exercises of dubious intent or merit. There is no reason they should consider war, nor do I wish that upon them. It isn't, in any real sense, their war. War isn't being asked of us or the affluent kids of Orange County, nor does it seem likely to be. Besides, war isn't what they're into.

They're into creating their own layer on top of our culture of cool. Their variation would be, as these things are these days, a kind of slap-dash cultural collage. It would have a bit of the Beatnik, a Hint of the hippy, a shred of the Skateboarder, an ounce of Outlaw, a portion of Punk, a hunk of Hip-Hop, and, because we were on the California coast, more than a soupcon of Surfer. It would be a melange of the old and outdated that would assert it was unique and brand new. When they were done cooking up their "culture of cool" they would all agree among themselves, "Ain't it cool?"

Their parents, as parents now do, would sigh and pour another drink or drop another Ambien, and hope that their children would get through this phase without a drug arrest, a school suspension, a permanent piercing, or a lethal accident on the highways or in the ocean. It was all they asked of them. We were two and a half years into the war and none of the kids of Orange County would fight in it unless they asked for it. All of the parents in Orange County knew their kids were crazy. After all, they were teenagers in high school. Few thought any of their kids were that crazy.

Less than 20 miles south of where we sat last Friday, there was another kind of youth culture. I saw it for a day last January. You don't see it very often around here because it doesn't hang out at the malls. You can't see it from the freeways because its center is far back in the hills. It has its own malls and towns and sporting and educational complexes. It doesn't deal in "the culture of cool." It deals in the culture of carnage. It's the Camp Pendelton Marine Base.

There are many young people here, some the same age as the kids at the malls to the north, but none of these young people are kids. There's something about daily training with tanks, rifles, heavy machine guns and artillery that puts your childhood as far behind you as the kids at the malls have their childhood still in front of them. Instead of worrying if their dad is going to pay for the new mag-chrome rims for their Escalade, this youth culture worries about the state of readiness of their Apache attack helicopters.

The culture of Camp Pendelton isn't cool in the way political fundraisers today feature hip-hop groups and background music from the golden age of Fleetwood Mac. The culture here despises the culture of cool. The culture here is composed of deeper, abiding and more fundamental things: God, Country and The Corps. There are a lot of people in America and elsewhere that would like nothing better than to deconstruct this culture into oblivion, but, as courageous as they might be in proclaiming this elsewhere, they don't seem to be showing up at the gates or on the grounds of Camp Pendleton to press the issue. They wouldn't because, according to their worldview that arises from spending decades as adolescents, the Marines are just so uncool. Aren't they?

The young men and women that come to this culture do not, we are told, come in the main from the affluent suburbs of America. They come from the ghettos and the working class parts of the country. They come to get a leg up and a ticket out of their origins. They come because they see the Marines as either a career or a means to an education that leads to a career. Most have had little given to them because they come from families with little to give. Some come to prove themselves. Some come because members of their family came before. Some come because the only other path open to them led to a cell. Some even come out of a deep faith and a deeper sense of duty. Not all that come will be accepted, but none come because it is cool. Before they came they too were once kids in America. They got the big and repeated message that the military in America these days is uncool. They knew it was uncool and they came anyway. Some because they had no other choice. Many because they didn't care about being cool if being cool meant being a kid forever.

There aren't many rich Orange County mall rats that come to the Marines out of high school. Rich kids no longer have this calling. Instead they wander on in their extended childhood though college. Then they drift into the arena where all they will have will be a six-figure income and a few "great moments at work." They will learn, if they do not already know, how to play golf and how to drive themselves deep into "middle management." In time, they will form one or two or more families in one or two or more cities or suburbs. Their roots will be shallow, but they will take lots of interesting two-week vacations to comfortable enclaves in Europe or pacified third-world countries. Towards the end, they'll spend a lot on cruise ships where they will be treated 'like royalty.' They'll acquire real estate and hope for "a nice appreciation ride." They will have little to show that they existed but that will be all right. They will use the word 'cool' in conversation and evaluation well into their seventh decade. One of the central social anxieties of their lives will be being discovered being or doing something that their peers will say is "uncool."

In short, they will be such cool Americans that, two and a half years into a war, nothing will be asked of them. That would be, you see, very uncool.

Twenty miles south at Camp Pendelton, everything is being asked of the Americans there. It is asked for in Iraq daily and paid there daily. Our very cool media's job is clear. It is to tell us in hundreds of big and little ways daily of how uncool it is to ask everything of someone. Our media is very cool indeed.

Our media is by default not a "liberal media," but a melange of many businesses and institutions that are staffed by generations of the coolest of the cool in our aging culture of cool. Our media, as every MTV-addled mall rat learns by age 5, is where the really cool jobs are. Rock star or record producer, movie star or director, reporter, anchorman, editor, publisher, video-game designer, web-monkey, DJ, photographer, pundit, columnist -- the positions go on and on and everybody knows, EVERYBODY knows, that the media's where the cool people are.

If you have a job in the media you go to the cool parties. You live in the cool towns driving the cool cars. You eat the cool foods in the cool restaurants where everybody knows your name and you get the cool table next to what passes for this week's cool celebrity du jour. You subscribe to the cool magazines and if you haven't had your picture in one yet, your turn is on the way. You have the cool summer place. Your haircut is cool. Your computer is cool. Your friends are cool. Even your dog is cool. You wear the cool clothes, and you are absolutely up-to-the-nanosecond on what is cool now and what will be cooler tomorrow. And you also know that that which is not of the culture of cool is uncool.

What is uncool today, two and a half years into the war, is, of course, the war. War's been uncool to these eternal cool kids and their kids since about 1962 and, except for a brief six month period after September 11, 2001, war is uncool now. War's uncool because, well, it is "unhealthy for children and other living things" goes the party line in the culture of cool. This war is especially uncool because it is being run by uncool people and the uncoolest President ever. But really, war is uncool because it is one of the big things that threatens to undo all the great parties and smooth lifestyles promised and delivered by the media-made culture of cool. And how does war threaten this? War, real war, actually asks something of the people of a nation as a whole people. It asks them to sacrifice their blood and their treasure and their cool attitudes and their endless summers. It asks, in the parlance of the Marine Corps, that "all give some and that some give all."

The American culture of cool has become a nation apart, an alternate-America that looks to the real America as merely some mechanism set up to deliver the many features and benefits of America to the culture of cool without question, by divine right of media. This culture is not into giving back anything they have taken from the culture at large. The culture of cool is not a giving culture, it is an taking culture. Anything is chooses to have is taken in and used to improve the lot of those within the culture of cool. That which is not cool it seeks to either use or destroy depending on whether or not it advances the culture of cool and the lifestyles of those that exist within it. It sees itself as the real soul and real intelligence of America, even as it actually rides on the broad shoulders of America like some strangling old man of the sea that, once taken up, refuses to get down. It sees itself as the engine responsible for making the culture of America continually new, even as it only recycles one empty cultural container after another through the battered green bins of its rigid internal codes and fashions to pop them out as 'new, improved and even more impossibly hip.'

Regardless of the shiny gift wrap of the cool advertising and marketing agencies that have taken to spotwelding vintage rock and roll and the latest pop or sports sensation's face onto their shabby garage sale goods, we seldom see, hear, or read anything today that is not either a remake, a sequel, or an allusion to the cool things of yesteryear. The same holds true for the politics of cool. This is confirmed in a brief review of the lamentable Democratic primaries of this year. During the months of this excruciating ritual, what was once a proud and progressive party offered up nearly a dozen cardboard candidates. When it was all over, the party chose the one candidate that sounded the most like, looked the most like, and sported the haircut and even the initials of John Fitzgerald Kennedy. Camelot Redux because JFK was, as the culture of cool constantly reminds us, the coolest President ever.

John F. Kerry is, in many ways, the perfect candidate for today's graying culture of cool. He snowboards at sixty. How cool is that? He goes to great parties with hip-hop stars. Too cool. He's got lots of money that he didn't earn. So cool. He can hold opposite positions on difficult issues and lie about it with a straight face. Very cool way of getting out of middle management into upper management. He can fight in a war and throw another man's medals away. Cool career move. He can promise 10 million jobs to the 8 million unemployed. Super cool to make more jobs than workers. If he can tax those jobs that have no workers, he can probably cool out the deficit. He can talk to and cajole the alienated country of France into amour encore. This is extremely cool since it makes renting summer villas in France and trips to Paris acceptable again. Besides France is the coolest country in Europe as every member of the culture of cool will attest. His Africa-born white wife is so cool she calls herself an "African-American." Most of all, Kerry is cool because he thinks the war is uncool and is saying so in a cool kind of way. Even more than that, the members of the culture of cool know that Kerry will never ask anything of them. And the culture of cool is not a giving culture, but a taking one. If Kerry would only learn to play the saxophone he would be cooler than JFK.

Yesterday I saw a photograph fresh from the war in Iraq. There are many photographs from Iraq these days. It's an uncool country in an uncool part of the world where American soldiers are fighting and dying to cool it out. It's uncool to be a soldier there, but it is very cool to be a photographer, so we have a lot of photographers and a lot of photographs. Some taken by being on call to and hanging out with the people who are killing Americans. How cool is that?

The photograph was taken in a hanger at a military base. It shows a group of young, uncool American Marines kneeling in a tight circle on the ground in prayer. Prayer. How totally uncool.

When you look closer at the photograph you notice that extending out from within the circle of kneeling and praying Marines are the legs of a dying or dead comrade in arms. Probably a very young comrade, not too distant in age from the kids laughing and playing in front of the multiplex on a balmy night in Orange County a world away.

How uncool this man was to die for his country and his comrades. How uncool is the effort to liberate a country mired in the morass of the middle ages, when you could just stay home and play video games. How uncool to take the war to an enemy that has sworn to kill Americans wholesale and has done so. How very, very uncool.

Now this Marine will never have a shot at working in the mail room of a movie studio, a record company, or a publishing house. All this Marine has now as he recedes into death are the prayers of those Marines who trained and fought beside him. That and a military funeral and a folded flag given to his family. Prayers. Funerals. Folded flags. These things are very uncool as the media-made captions on these photographs will seek to remind you. Very uncool.

At the same time that this Marine lay dying in Iraq, the current senior spokesman for the Democratic Party, Senator Ted Kennedy (a man whose cool, credibility and courage are equal in measure) was busy condemning the effort that cost this uncool Marine his life by waving the bloody shirt of Vietnam under the nose of the nation. His words and image were duly broadcast across America by all his life-long compatriots in the culture of cool. It's a shirt faded and frayed by many decades of constant handling, wringing and waving, but the bloody shirt of Vietnam has a lot of buttons, patches, fringe, and embroidered flowers on it. It's vintage clothing. Ain't it cool?

Posted by Vanderleun at April 11, 2004 11:11 AM | TrackBack

Gerard Van der Leun

TOPICS: Business/Economy; Crime/Corruption; Culture/Society; Foreign Affairs; Government; News/Current Events; Philosophy; Politics/Elections; US: California; War on Terror
KEYWORDS: cool; easter; hughhewitt; immigrantlist; kennedy; kerry; liberal; marines; media; patriotism; war
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To: Snerfling
I think the author is also confusing a traditional disconnect that has been demonstrated in previous conflicts between those fighting a war and the general attitude of the civilian population with this particular war.

One of the most poignant passages in "All Quiet on the Western Front" is when the protagonist returns to his village after receiving a weekend pass from the front. Life is continuing on in perfectly normal circumstances with absolutely no understanding of what is occuring on the front. This is the basis for his diatribe regarding the villagers' opinion of 'Germany's iron youth'.

Another example is the 6th(?) episode of Band of Brothers. The narrator is explaining that by Feb '45, everyone knew the war was over, yet they still had to push on till the end. The passage that caught my ear was the description of how hometown USA was rapidly taking on a post-war attitude (ie good times are here again) even though Japan still had to be dealt with.

101 posted on 04/12/2004 9:51:24 AM PDT by Snerfling
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To: Snerfling
I thing the aurther is just plain confused.
102 posted on 04/12/2004 10:10:06 AM PDT by Joe Hadenuf (I failed anger management class, they decided to give me a passing grade anyway)
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To: vanderleun
I used the world "if", which I assume you read in a dyslexic fugue state.

As a native of Orange County, who's lived in So Cal my entire life, with parents who came here in the 1920's, I know a bit about the area. I know it was home to not one, but TWO Marine bases for decades, and has produced its share of not only veterans but Medal of Honor winners.

I noticed there was not one mention in your article about the Hispanic subculture here, and the recent immigrants who called Orange County home before going off to fight and die in Iraq. Maybe just a few words about the contrast of poor immigrants who arrive with nothing yet give all, but no, Orange County kids are all white surfer dudes who hang out at the beach spending their parents' money.

I'm sorry, but I think it is the height of poor taste to write an article that basically trashes the entire youth of an area of several million people at the very same time that hundreds of school kids are conducting candlelight vigils for their fallen classmates who've died in Iraq, without at least one throw away sentence for those who've fallen.
103 posted on 04/12/2004 10:58:05 AM PDT by SoCal Pubbie
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To: broadsword
Are you our "big toe"?
104 posted on 04/12/2004 11:00:32 AM PDT by SoCal Pubbie
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To: Joe Hadenuf
"Most in Orange County are from places like Colorada, Michigan, NY, Utah, Indiana, Ohio, very few in Orange County are actually from there."

Joe, I was going to make that very point. Growing up, my next door neighbor was from Arkansas, another neighbor and close friend was from Wisconsin, another's parents were from Mexico. And that was just on my street. My best friend's parents were from Chicago. My own mother was born in Oregon, though she moved to California as a young girl, and grew up in Los Angeles. I am fairly rare in that my father was born in California, and I think his also.
105 posted on 04/12/2004 11:06:30 AM PDT by SoCal Pubbie
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To: SoCal Pubbie
I'm sorry, but I think it is the height of poor taste to write an article that basically trashes the entire youth of an area of several million people at the very same time that hundreds of school kids are conducting candlelight vigils for their fallen classmates who've died in Iraq, without at least one throw away sentence for those who've fallen.

The piece is making a point about a certain irresponsible subculture, not about all the people of a certain place. he could have placed it in just about ANY big city in the USA. He chose Orange County. good as any other place. but, in your hypersensitive CA identity, you missed the whole point.

It's art. It's like poetry. One takes the greater meaning if he is capable. See what happens when children grow up without art?

"Bobby, honey, look at the pretty picture. See all the colors?
"Ahhhh! Ahh, Ahhhhhhh!"
"OMG! What's happening?"
"I'm sorry, ma'am. Your son doesn't seem to have an imagination."
106 posted on 04/12/2004 2:33:02 PM PDT by broadsword (The only thing necessary for evil to triumph is for Democrats to get elected.)
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To: broadsword
It's good that you mentioned art, since I was an art major in college and I've been a professional designer for over twenty years. Now in visual arts, as I'm sure you know, there is something called composition and its two main parts, positive and negative space. How the composition is arranged is vitally important to how it is perceived. Usually the positive space is predominant, but what is left out is often as important. Also, especially in representational art, there are often themes and sub themes, patterns, symbols, and the like.

Written works can be similarly described, using "positive space"- what is written- and "negative space" -what is left out. They are also usually themes and sub themes, and variations in characterizations. The terms "wooden characters" and "cardboard cutouts" are often derisively used to label inferior works that use stereotypes devoid of shading and complexity.

I cannot ascribe content to the author's work where it does not appear. In this case I read only one theme, with no hinting at sub themes or contrast, other than the obvious. I see only broad brushstokes, with no subtelty to shade the characterization of the youth of Orange County as shallow, spoiled, and self centered.

Perhaps if he had used irony, as in a few words to contrast the kids who've died and their grieving families to the carefree youth he uses so many to document, or symbolism with a line about how the scene is repeated in communities around the nation, the connection can be drawn. But no such mechanism is provided, so one is left to judge as the piece is written.

Unless by art you mean finger painting where you can read into it whatever you want.
107 posted on 04/12/2004 3:09:11 PM PDT by SoCal Pubbie
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To: SoCal Pubbie
It's good that you mentioned art, since I was an art major in college and I've been a professional designer for over twenty years.

And you STILL missed the point. How sad. But you must keep in mind that unverifiable claims of authority mean absolutely nothing on the net. Anyone can claim to be anything, and still be just an other chest-thumping keyboard warrior with coke-bottle glasses and a greasy bag of Doritos next to his Beastie Boys mousepad.

That said, I have no reason to doubt your claims of authority, nor to doubt that your special CA sensitivity caused you to miss the guy's greater point.

Liberals and Islam are the enemy of the age, not the article or the author of the article, my friend.

BTW: The liberal morass and flood of illegal aliens is taking CA right out from under your nose. It is ceasing to be CA and will be a third world dump at some point unless something is done. But you knew that already.
108 posted on 04/12/2004 3:18:08 PM PDT by broadsword (The only thing necessary for evil to triumph is for Democrats to get elected.)
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To: broadsword
I may not have inferred the point YOU took from it, but that's the problem with relativism, anybody can take away anything they want. Yes, the culture of cool is shallow and transient, and so was swing dancing in the 1940's, but that didn't stop GI's from heading to the dance hall every chance they got. And portraying the military as wholly unconcerned with pop culture is to say it consists of automatons apart from the rest of the country

The funny thing is, I tend to agree with his "greater" point, but I object to his characterization of Orange County, and nobody seems to get MY point. A far better article would have contrasted the traditions of Tustin Air Station, and the half million Orange County residents who annually viewed the El Toro Air Show for thirty years with the creeping "culture of cool" that now infests places like the Irvine Spectrum, which is located ironically DIRECTLY across the freeway from the empty El Toro Air Station.

I repeat, to ignore the deaths of Orange County's youth in the War on Terror is not an expression of CA sensitivity but a demand that their sacrifices be recognized.
109 posted on 04/12/2004 4:03:05 PM PDT by SoCal Pubbie
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To: HiJinx
Thanks, I throughly enjoyed reading it.
110 posted on 04/13/2004 10:08:47 PM PDT by calawah98
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To: RonDog
Thanks for the ping.
Thanks for the great photo.
Semper fi BUMP
111 posted on 04/14/2004 10:21:49 PM PDT by ppaul
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To: E Rocc
Extremely bad idea, for four reasons.

1) It puts those who resent being there into the military. There's a reason pretty much every military professional in the US prefers an all-volunteer force.

That is a valid point, but maybe put them in for 2 years rather than 4 years. Just my opinion, but I think military service benefits a person no matter what career they eventually choose. If anything it makes them appreciate all the blessings of US citizenship.

2) It will get those currently apathetic kids interested in politics in a very non-constructive manner.

Again, I don't think it hurts them to become more aware of the importance of electing good leaders. Most people in the military see first hand the effects of certian policies.

3) It allows politicians to skimp on military pay, military equipment, and military preparedness in order to pay for welfare or pork barrel projects.

Maybe true in the short run, but one of the reasons politicians have been able to skimp on military pay is because there's no large constituency of military , ex-military and military famlies to raise hell when conditions get bad. When most everyone knows someone in the military you have to believe that politicians will think twice before cutting military pay.

4) It allows politicians to fight half-ast wars of attrition using an endless supply of cannon fodder rather than fighting wars to their conclusion as quickly as possible.

Again, for the same reasons as above, I'm not so sure of this one. As long as we elect amoral leaders they'll throw us into amoral wars. Personally, I don't think Clintoon would have plunged us into the Balkins, Hati or sold out the troops in Somolia if there was a large pro military constituancy. Bubba was if nothing else, a master politician who knew which groups (like the military) he could afford to dump on, and which groups (homosexuals, feminists etc) he dare not offend.

112 posted on 04/18/2004 8:50:41 AM PDT by YankeeReb
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