Freeper Canteen - Tunes For Our Troops - 23 Nov 13

Our Troops Rock!!!!!!!!!!!!!!!! | Canteen DJ's

[spel_grammer_an_punct_polise]

Connie: ( Have the oxygen tank close by just in case! ;-) Carlos Oliva Y Los Sobrinos Del Juez - Yayabo - Conga Yayabera [ Party Version ]

Welcome to the Salsa Addiction Emergency Room!

We are all in critical condition here!

The music page will open in a new window. There is the option of clicking on individual songs or clicking the Jukebox link. If you choose the Jukebox link then the page can be minimized while you continue surfing:

Saturday Night Salsa for 11-23-2013 for the TROOPS and their supporters everywhere!

Here is a list of the songs in the Jukebox:

Artist/s - Song Names:

Alex D'Gambo - Dulce Virus

Alex D'Gambo - Que Es Lo Que Quiere

Alex D'Gambo - Tu Amor Se Acabo

Angel Canales - Bomba Carambomba

Angel Canales - Dilema De Amor

Angel Canales - Esta Es La Manera De Espresar Mis Sentimientos

Blood, Sweat And Tears - Fire and Rain

Blood, Sweat And Tears - Hi-De-Ho

Blood, Sweat And Tears - I Love You More Than You'll Ever Know

Bobby Valentin - El Muneco De La Ciudad

Bobby Valentin - La Vibora

Bobby Valentin And Cano Estremera - La Gringa

Brenda K Starr - Petalos De Fuego

Brenda K Starr - Que Fue Que Fue

Brenda K Starr - Rabia

Carlos Oliva Y Los Sobrinos Del Juez - C-7 Jam

Carlos Oliva Y Los Sobrinos Del Juez - Con El Bolsillo Pelao'

Carlos Oliva Y Los Sobrinos Del Juez - Yayabo - Conga Yayabera [ Party Version ]

Celeste Mendoza - Mi Rumba Buena

Celeste Mendoza - Yo Soy La Candela

Charlie Cardona - Antes De Ti

Charlie Cruz - Un Chico Malo

Cheo Feliciano - Nabori

Choco Orta - Ese Hombre

Choco Orta - La Nueva Reina Del Sabor

Chocolate Armenteros - Nicolasa

Compay Segundo - Lagrimas Negras

Conjunto Constanza - Vivo Encantado

Daiquiri - Chamo Candela

La Charanga Cubana - Yo Soy La Candela

[Drumbo]

Counting down Drumbo Thunder's 100 Greatest Songs of all time: #48

Oh Well
~ Fleetwood Mac ~

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[Drumbo]

Counting down Drumbo Thunder's 100 Greatest Songs of all time: #47

Back In Black
~ AC/DC ~

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[Drumbo]

Counting down Drumbo Thunder's 100 Greatest Songs of all time: #46

Barracuda
~ Heart ~

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[Drumbo]

Counting down Drumbo Thunder's 100 Greatest Songs of all time: #45

Start Me Up
~ The Rolling Stones ~

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[Drumbo]

Counting down Drumbo Thunder's 100 Greatest Songs of all time: #44

Suite Judy Blue Eyes
~ Crosby, Stills and Nash ~

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[Drumbo]

Counting down Drumbo Thunder's 100 Greatest Songs of all time: #43

The Boxer
~ Simon & Garfunkel ~

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[Drumbo]

Counting down Drumbo Thunder's 100 Greatest Songs of all time: #42

Whipping Post
~ The Allman Brothers Band ~

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[MS.BEHAVIN]

~~Tunes For The Troops~~

Aerosmith~Dream On

Want more information about the artists we play?
Perhaps you'd like to buy concert tickets or their
CDs? Click the links provided at the top of the
thread for more information!

Featuring hits from 1976 through 1978

[Drumbo]

Counting down Drumbo Thunder's 100 Greatest Songs of all time: #41

It's A Beautiful Morning
~ The Rascals ~

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[MS.BEHAVIN]

~~Tunes For The Troops~~

Cliff Richard~Devil Woman

Want more information about the artists we play?
Perhaps you'd like to buy concert tickets or their
CDs? Click the links provided at the top of the
thread for more information!

Featuring hits from 1976 through 1978

[MS.BEHAVIN]

~~Tunes For The Troops~~

Elton John and Kiki Dee~Don't Go Breaking My Heart

Want more information about the artists we play?
Perhaps you'd like to buy concert tickets or their
CDs? Click the links provided at the top of the
thread for more information!

Featuring hits from 1976 through 1978

[Drumbo]

Counting down Drumbo Thunder's 100 Greatest Songs of all time: #40

Money
~ Pink Floyd ~

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[Publius]

By 1816, Beethoven was so absorbed in the custody battle over his nephew Karl that he almost stopped composing. Paul Morrisey directed a film in 1986 titled “Beethoven’s Nephew”, that covers Lou’s inability to form any kind of family bond. His relationship with Karl was full of jealousy and possessiveness, and the film shows Beethoven as a bad guardian and a man with terrible social skills. That is probably accurate. It’s a very dark film, well worth seeing.

It was at this time that Beethoven sent to London to the music publishing firm of Salomen for their high quality Collected Works of George Frederick Handel. Lou was old enough to have heard Handel in the opera house, especially Mozart’s bastardization of Handel’s “Messiah”, which was a staple in the German-speaking world. But Handel’s operas had been displaced by Gluck, Mozart and finally Rossini, so it had been a while for Lou. The books constituted a refresher course in counterpoint and drove Lou to study Bach. Now fugues began popping up like mushrooms in Beethoven’s output.

The Piano Sonata in A, Op. 101, written when Beethoven was 46, marked a new way of composing that was to drive his late period. The emphasis is on the finale, which features a four-part fugue.

The instructions are in both German and Italian. The Italian description is allegretto ma non troppo, meaning “somewhat quickly but not too much”, which is full of qualifications. It’s in 6/8. The second subject is in the unexpected key of F# minor. The entire atmosphere is a bit beyond the simply contemplative; it’s almost otherworldly. This was to be the signature of his late period sonatas. Now almost totally deaf, Lou was free of sounds made by mortal men and their instruments.

The second movement is a dance movement in 4/4 and is marked in Italian vivace alla marcia, which translates to “lively in a march tempo”. It’s in the remote key of F Major until the second theme returns to A. Note the dotted rhythms and the dislocation of the theme to the off-beats. The trio section is in B-flat and keeps the theme hidden by moving it between hands. He recaps the opening without repetitions.

The third movement is simply an introduction to the finale. It’s in A minor, 2/4 time, and is marked adagio non troppo con affetto, which translates to “at rest, not too much, with affection”. It cadences at the end in E Major with a cadenza, leading in a short reprise of the first movement’s first subject, which then leads by a series of trills into...

A finale simply marked allegro in 2/4 time and A Major. The joy just leaps off the page! This is in sonata format with a second subject in E Major. The exposition repeats.
It’s in the development section that Lou unleashes his counterpoint. It turns darkly to A minor, and the fugue begins. And what a fugue! Bach and Handel would have appreciated this.
It recaps in A Major with the second subject in A also. The coda slows down and the fugue almost begins again, but this time it resolves quickly in A. The end is a bit sneaky: you think he is going to end it quietly, but he ends it with a bang.

This is a video of the great Russian pianist Emil Gilels, one of my favorites.

Beethoven: Piano Sonata in A, Op. 101

Here’s a special treat for those who want to delve more deeply into this sonata. It’s Andras Schiff in another master class.

Andras Schiff explains Beethoven’s Opus 101

[MS.BEHAVIN]

~~Tunes For The Troops~~

Fleetwood Mac~Say You Love Me

Want more information about the artists we play?
Perhaps you'd like to buy concert tickets or their
CDs? Click the links provided at the top of the
thread for more information!

Featuring hits from 1976 through 1978

[Publius]

Hey, Ms. B.

(GENTLE HUG & CHASTE SMOOCH)

Good to see ya. Feeling better?

[MS.BEHAVIN]

Hey Prof~
It’s good to see you too!
(GENTLE HUG & CHASTE SMOOCH RETURNED)

I HAVE been feeling better generally.
The past couple of days have been a little rough,
but that happens sometimes.
I see you have been very busy!
Great job!

[Drumbo]

Counting down Drumbo Thunder's 100 Greatest Songs of all time: #39

Tom Sawyer
~ Rush ~

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[Publius]

Aw shucks and garsh.

(MUMBLE MUMBLE BLUSH BLUSH)

How did you like the pictures?

[left that other site]

Hi Publius!

Today was a lovely day driving around to the yard sales.
Classical radio played the complete “Pictures at an Exhibition” along with commentary on the artist and the pictures that inspired the piece.

Then the broadcast “La Traviata” as performed by the Florida Grand Opera Company.

I know every note of both pieces, but, of course, every orchestra sounds different, so it was a delight to listen to the minute variations in the dynamics and temp, and of course “The Mix”.

Lynn-Dah and I enjoyed it immensely!