True that. A problem with Southern Gospel, as well as much modern music is the talent and skill required for its rendition. The old Singing Masters, who invented and promoted shape note, had the belief that ALL could be taught to sing.
If one looks at the songs in this old tradition, among other thing, one notices that the tonal range is seldom more that an octave and a half. And the keynote is set for the convenience of the class. Not too high for the trebles nor too low for the basses.
Exactly. It is written to be sung, not just listened to.
It can be wondetfully complex music.
And it is a fun way to blow the fuzz, crackle and gravel out of your voice.