1757–1827, English poet and artist, born in London. Although he exerted a great influence on English romanticism, Blake defies characterization by school, movement, or even period. At the same time no poet has been more sensitive or responsive to the realities of the human condition and of his time.

Early Life and Work

Blake’s father, a prosperous hosier, encouraged young Blake’s artistic tastes and sent him to drawing school. At 14 he was apprenticed to James Basire, an engraver, with whom he stayed until 1778. After attending the Royal Academy, where he rebelled against the school’s stifling atmosphere, he set up as an engraver. In 1782 he married Catherine Boucher, whom he taught to read, write, and draw. She became his inseparable companion, assisting him in nearly all his work.

Work in the Visual Arts

Blake’s paintings and engravings, notably his illustrations of his own works, works by Milton, and of the Book of Job, are painstakingly realistic in their representation of human anatomy and other natural forms. They are also radiantly imaginative, often depicting fanciful creatures in exacting detail. Nearly unknown during his life, Blake was generally dismissed as an eccentric or worse long thereafter. His following has gradually increased, and today he is widely appreciated as a visual artist and as a poet.

Poetry

In Songs of Innocence (1789) and Songs of Experience (1794) the world is seen from a child’s point of view, directly and simply but without sentimentality. In the first group, which includes such poems as “The Lamb,” “Infant Joy,” and “Laughing Songs,” both the beauty and the pain of life are captured. The latter group, which includes “The Tyger,” “Infant Sorrow,” “The Sick Rose,” and “London,” reveal a consciousness of cruelty and injustice in the world, for which people, not fate, are responsible. As parables of adult life the Songs are rich in meaning and implication. Blake’s Prophetic Books combine poetry, vision, prophecy, and exhortation. They include The Book of Thel (1789), The Marriage of Heaven and Hell (c.1790), The French Revolution (1791), America (1793), Europe (1794), The Book of Urizon (1794), The Book of Los (1795), Milton (1804–8), and Jerusalem (1804–20). These comprise no less than a vision of the whole of human life, in which energy and imagination struggle with the forces of oppression both physical and mental. Blake exalted love and pure liberty, and abhorred the reductive, rationalist philosophy that served to justify the political and economic inequities attendant upon the Industrial Revolution.