Posted on 10/06/2006 11:44:09 AM PDT by dave k
The political satire Man of the Year is watchable, but it might have been so much more.
Robin Williams is a dangerous guy. Or maybe he and the people who make his movies just think hes a dangerous guy. There is an unwillingness to just let him rear back and spritz for the length of a movie as if they fear we, in the audience, will grow tired of his gift, often amounting a form of genius, for surrealistic free-association. They are always giving us, as writer-director Barry Levinson does in Man of the Year, tastes and tidbits of Williams in full cry, the while looking for calming cutaways, subplots and diversions that will permit us respite from his mania. All too often this material is sanctimonious and sentimental, humanistic drivel, and doing it Williams often seems shifty, looking for love in all the wrong places.
Levinson, for whom Williams did a memorable turn in Good Morning, Vietnam almost 20 years ago, does not make that mistake in their new film; Williams is no worse than agreeable when hes not being flat-out funny. In Man of the Year Williams plays a cable show comedian named Tom Dobbssort of a Jon Stewart on speedspouting liberal-minded socio-political criticism. One of his fans proposes that he run for President, and before you know it hes on the ballot in enough battleground states to pose a threat to the establishment candidates. He devastates them in a televised debate and wins the election.
(Excerpt) Read more at time.com ...
This guy jumped the shark after about the first five seconds of the first episode of "Mork and Mindy".
Dave was supposed to be a satire..wasn't it???
Robin Williams will join Sean Penn for stupid actors of the year award.
Yep, and they're even out of the old ones. How many more comic strips and old TV shows can they ransack?
Things could get tough in Tinseltown.
I liked him in "Dead Poets Society" and "Death to Smoochy." "Good Morning, Vietnam" was also good. He can be very funny, or painfully unfunny. It depends on the material, or maybe on a director who knows (or doesn't know) how to get the best performance from him.
IMHO, Williams stopped being funny about halfway through the first season of "Mork and Mindy." I haven't paid any attention to him since then.
Give anyone enough cocaine and they will act like RW. There's nothing worse than someone who "thinks" they're funny.
You're after me arent' you? That wasn't the point and you know it wasn't the point.
And as for 'keeping up', if you mean Jeff would have a tendency to stay on topic more than 15 seconds, well I guess anyone pursuing a thought further than the tip of their lip would be left in the dust by Robin "sixty stupid comments in 16 seconds" Williams.
And Williams seems unable to control himself, also unfunny.
I thought he was good in Mrs. Doubtfire.
OK. Fair enough. Humor, like most forms of entertainment, is entirely subjective. Tomato, tomahto.
I think he's a scream, but like a few others have mentioned, the writing for his movies is just uneven.
The problem is, now that he's cleaned up his act, he's not funny anymore. He's got one character and he's been playing the same guy in every smarmy treacly movie he's done in the past fifteen years. And this'll be more of the same thing.
It might get a little bump because it does have Christopher Walken in it, though. Can any movie with Christopher Walken in it truly be all bad?
}:-)4
That was not clear to me - the speechifying by Dave seemed to be intended quite in earnest by both the character and the screenwriters.
SD
So, could it be extrapolated that Mork and Mindy (and William's rise to stardom) was a a direct by-product of a really bad idea TV show idea??? Just a weird, cosmic (no pun intended!) thought...
Death To Smoochie is my favorite of his movies, but that could just be because of Ed Norton. ;-)
"When my brothers and I played cowboys and Indians, I was always the Chinese railroad worker."
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