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Hollywood’s History of Faking It - The Evolution of Greenscreen Compositing (video)
filmmakeriq.com ^ | Jul 16, 2013 | Filmmaker IQ

Posted on 09/12/2014 7:29:36 PM PDT by servo1969

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YouTube version.

http://www.youtube.com/watch?v=H8aoUXjSfsI

1 posted on 09/12/2014 7:29:36 PM PDT by servo1969
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To: Borges; DollyCali; Perdogg

ping


2 posted on 09/12/2014 7:34:50 PM PDT by EveningStar
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To: servo1969

I am a film buff who enjoys discussions of “old school” SFX, so thanks for posting this.


3 posted on 09/12/2014 7:35:12 PM PDT by Army Air Corps (Four Fried Chickens and a Coke)
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To: servo1969

Good history lesson. Thank you.


4 posted on 09/12/2014 7:35:32 PM PDT by wally_bert (There are no winners in a game of losers. I'm Tommy Joyce, welcome to the Oriental Lounge.)
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To: servo1969

Green is way more received by the human eye, hence the 2x green in the Bayer mask.


5 posted on 09/12/2014 7:40:58 PM PDT by Paladin2
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To: servo1969

Thanks for posting. I love Filmmaker IQ.


6 posted on 09/12/2014 7:41:28 PM PDT by rabidralph
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To: servo1969

I’ve always been a big fan of “Sunrise” (1927) since I first saw it, thirty years ago. Paid a fortune for a bootleg video copy. I’d forgotten they’d utilized a matte/black-screen effect. Many if not most of the optical tricks in the film involved clever perspectives created via set-design and camerawork, as opposed to “special” effects, as I recall.


7 posted on 09/12/2014 7:42:19 PM PDT by greene66
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To: max americana

Ping.


8 posted on 09/12/2014 7:54:00 PM PDT by Army Air Corps (Four Fried Chickens and a Coke)
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To: servo1969

Another early compositing device for animation was the multiplane camera, created for Disney by his technical genius and friend, Ub Iwerks. Various elements of a animated image were stacked up vertically, like a sandwich on plates of glass. The camera was placed on top of this. That way if the characters moved, but the scenery and other elements were static, only the cels that animated the characters needed to be inked and painted, not the whole scene. Also the focal plane of the camera could be “pulled” through the composite image to create realistic depth-of-field effects. one of the best uses of the camera can be seen in “Dumbo” (1941).

CC


9 posted on 09/12/2014 8:03:32 PM PDT by Celtic Conservative (tease not the dragon for thou art crunchy when roasted and taste good with ketchup)
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To: EveningStar

Here is a cool video. Lots of green screen in tv shows that you would never guess.

Stargate Studios Virtual Backlot Reel 2009
https://www.youtube.com/watch?v=clnozSXyF4k


10 posted on 09/12/2014 8:27:30 PM PDT by minnesota_bound
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To: servo1969

I use green screen when editing my own personal videos. You can easily find green screen images with a simple Google search and use them on the highest track in a video editor like Sony Vegas. You then convert the green to transparent which allows a lower video track to become visable in just the area that was originally green.

Sounds complicated but it is actually quite simple.


11 posted on 09/12/2014 8:31:09 PM PDT by InterceptPoint (Remember Mississippi)
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To: servo1969

Bookmarked. Fascinating stuff...thanks for the post!


12 posted on 09/12/2014 8:39:38 PM PDT by Joe 6-pack (Qui me amat, amat et canem meum.)
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To: InterceptPoint

I use Vegas Pro as well.


13 posted on 09/12/2014 8:40:11 PM PDT by Army Air Corps (Four Fried Chickens and a Coke)
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To: Army Air Corps

I am using Vegas Pro 13. I had 8 and then 9 before that. Way back when I think I started with Version 2 or 3. Vegas is much better than Premier Pro or Final Cut Pro IMHO.


14 posted on 09/12/2014 8:46:24 PM PDT by InterceptPoint (Remember Mississippi)
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To: InterceptPoint

I started using it back in version 8 and currently use version 11. I like it. I also occasionally use Adobe Illustrator and Photoshop to make titles for use with Vegas Pro.


15 posted on 09/12/2014 8:54:38 PM PDT by Army Air Corps (Four Fried Chickens and a Coke)
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To: InterceptPoint

That is very interesting. I use Sony Vegas for my YT videos. No real need for the technique for what we are doing now but it is intriguing. Thinking about doing something new.


16 posted on 09/12/2014 9:41:19 PM PDT by Chuckster (The longer I live the less I care about what you think.)
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To: minnesota_bound

That is absolutely amazing. You would never think some of those scenes would use special effects


17 posted on 09/12/2014 11:03:00 PM PDT by GeronL (Vote for Conservatives not for Republicans)
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To: servo1969

Great post . . . it proves that at one time Julie Andrews was a babe.


18 posted on 09/13/2014 4:28:13 AM PDT by Oratam
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To: Army Air Corps

Another Vegas/Vegas Pro user here, dating back to Vegas 4. Skipped a couple of versions out of financial considerations, and haven’t upgraded to 13 because it’s doubtful that I’ll ever produce another product of the type that made ‘keeping up’ with the latest version cost-effective. VP 12 works well for my needs at this time.

Sad that it has to be a $ decision, but there’s only so much to go around and a lot of competition for its use. I love Vegas, the first editor to emphasize a format-agnostic approach to the timeline...


19 posted on 09/13/2014 5:58:55 AM PDT by DJ Frisat (Proudly providing the NSA with provocative textual content since 1995!)
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To: servo1969

“There are cynics today that believe modern film is too reliant on CGI and that we should return to a simpler form of real filmmaking... The undeniable truth about filmmaking is the only thing that matters is what’s on that screen. “

Yeah and when they rely too heavily on CGI....oh never mind....


20 posted on 09/13/2014 6:19:29 AM PDT by TalBlack (Evil doesn't have a day job.)
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