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YouTube version.

http://www.youtube.com/watch?v=H8aoUXjSfsI

1 posted on 09/12/2014 7:29:36 PM PDT by servo1969
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To: Borges; DollyCali; Perdogg

ping


2 posted on 09/12/2014 7:34:50 PM PDT by EveningStar
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To: servo1969

I am a film buff who enjoys discussions of “old school” SFX, so thanks for posting this.


3 posted on 09/12/2014 7:35:12 PM PDT by Army Air Corps (Four Fried Chickens and a Coke)
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To: servo1969

Good history lesson. Thank you.


4 posted on 09/12/2014 7:35:32 PM PDT by wally_bert (There are no winners in a game of losers. I'm Tommy Joyce, welcome to the Oriental Lounge.)
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To: servo1969

Green is way more received by the human eye, hence the 2x green in the Bayer mask.


5 posted on 09/12/2014 7:40:58 PM PDT by Paladin2
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To: servo1969

Thanks for posting. I love Filmmaker IQ.


6 posted on 09/12/2014 7:41:28 PM PDT by rabidralph
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To: servo1969

I’ve always been a big fan of “Sunrise” (1927) since I first saw it, thirty years ago. Paid a fortune for a bootleg video copy. I’d forgotten they’d utilized a matte/black-screen effect. Many if not most of the optical tricks in the film involved clever perspectives created via set-design and camerawork, as opposed to “special” effects, as I recall.


7 posted on 09/12/2014 7:42:19 PM PDT by greene66
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To: max americana

Ping.


8 posted on 09/12/2014 7:54:00 PM PDT by Army Air Corps (Four Fried Chickens and a Coke)
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To: servo1969

Another early compositing device for animation was the multiplane camera, created for Disney by his technical genius and friend, Ub Iwerks. Various elements of a animated image were stacked up vertically, like a sandwich on plates of glass. The camera was placed on top of this. That way if the characters moved, but the scenery and other elements were static, only the cels that animated the characters needed to be inked and painted, not the whole scene. Also the focal plane of the camera could be “pulled” through the composite image to create realistic depth-of-field effects. one of the best uses of the camera can be seen in “Dumbo” (1941).

CC


9 posted on 09/12/2014 8:03:32 PM PDT by Celtic Conservative (tease not the dragon for thou art crunchy when roasted and taste good with ketchup)
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To: servo1969

I use green screen when editing my own personal videos. You can easily find green screen images with a simple Google search and use them on the highest track in a video editor like Sony Vegas. You then convert the green to transparent which allows a lower video track to become visable in just the area that was originally green.

Sounds complicated but it is actually quite simple.


11 posted on 09/12/2014 8:31:09 PM PDT by InterceptPoint (Remember Mississippi)
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To: servo1969

Bookmarked. Fascinating stuff...thanks for the post!


12 posted on 09/12/2014 8:39:38 PM PDT by Joe 6-pack (Qui me amat, amat et canem meum.)
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To: servo1969

Great post . . . it proves that at one time Julie Andrews was a babe.


18 posted on 09/13/2014 4:28:13 AM PDT by Oratam
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To: servo1969

“There are cynics today that believe modern film is too reliant on CGI and that we should return to a simpler form of real filmmaking... The undeniable truth about filmmaking is the only thing that matters is what’s on that screen. “

Yeah and when they rely too heavily on CGI....oh never mind....


20 posted on 09/13/2014 6:19:29 AM PDT by TalBlack (Evil doesn't have a day job.)
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