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Beethoven's Intimate Creations
Wall Street Journal ^ | 6/5/10 | STUART ISACOFF

Posted on 06/05/2010 8:01:56 PM PDT by starczar66

...Beethoven's life was as complex and outsize as his art—a roller-coaster ride of willful strife, earthy humor, crushing loneliness, explosive rage and spiritual triumph. Similarly, his music "takes at times the majestic flight of an eagle, and then creeps in rocky pathways," as an 1810 review in the Parisian Tablettes de Polymnie reported. "He first fills the soul with sweet melancholy, and then shatters it by a mass of barbarous chords. He seems to harbor together doves and crocodiles."

(Excerpt) Read more at online.wsj.com ...


TOPICS: Arts/Photography; Chit/Chat; History; Music/Entertainment
KEYWORDS: beethoven; bloggersandpersonal; chat; classicalmusic; energy; music
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To: Publius

Opus 69, the middle period sonata, is my favorite. But all five are marvelous. To me, they create a perfect glimpse into B’s First, Second, and Late period pieces. His growth as a composer can be easily traced through the five sonatas.


21 posted on 06/06/2010 11:43:07 AM PDT by EggsAckley ( There's an Ethiopian in the fuel supply!)
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To: Pharmboy

One would be Mozart. For a few reasons. The breadth of his catalog, the number of compositions, and the quality (in no particular order). The second movement of his 20th piano concerto is just about my favorite piece of classical music.

Beethoven would have to be included

The last spot in my trio would be awfully hard to fill. Tchaikovsky, Rimsky-Korsakov, Bach. . . . yikes, so hard to choose. Mozart and Beethoven would be easy choices because there is so much to listen to that it would be a long time before you had to listen to a piece over again. I might choose Borodin for the third, but he just didn’t write enough.

So, Mozart for his beauty, Beethoven for his emotion, the third, I’d really have to think about it.


22 posted on 06/06/2010 2:35:20 PM PDT by Andyman (The truth shall make you FReep.)
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To: Pharmboy

So you prefer Haydn to Mozart? The latter was primarily a vocal composer and his instrumental music shows it. His music is also wonderully moody and completely lacking in artifice. I don’t see how any future stuff would have ‘blown away’ his best works. They cannot be improved upon.


23 posted on 06/06/2010 3:00:50 PM PDT by Borges
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To: Publius

Thanks for that...great description.


24 posted on 06/06/2010 10:18:38 PM PDT by Pharmboy (The Stone Age did not end because they ran out of stones...)
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To: Borges

Thirty-seven years since my last music history class. Guess I don’t remember much. :-(


25 posted on 06/07/2010 10:30:32 AM PDT by ItsForTheChildren
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To: Pharmboy; All

I listen to talk radio at home, but when in Spain I keep it tuned to Radio Espana (Classics). Not knowing the language perfect fully doesn’t matter when they are playing that quality of music.

Wonderful driving through the mountains listening to the classics at full volume.


26 posted on 06/07/2010 10:34:35 AM PDT by Robert A Cook PE (I can only donate monthly, but socialists' ABBCNNBCBS continue to lie every day!)
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To: Borges

Well...ya got me. Overall...no. But I do love Papa’s choral music. Mozart was a genius; Haydn was a craftsman. But, taste is still hard to argue. If I were an opera fan, I’m sure Mozart would be Nummer Eins...


27 posted on 06/07/2010 3:17:45 PM PDT by Pharmboy (The Stone Age did not end because they ran out of stones...)
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To: Pharmboy

Haydn was also a genius and a tremendous innovator.


28 posted on 06/07/2010 3:33:04 PM PDT by Borges
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To: Borges
Well, I defer to you...I guess moving from Baroque to Viennese Classical took a bit of genius. Was he the key or were there others that you would tap?

In other words, who were the ones responsible for moving from Bach and Handel to Haydn and Mozart?

29 posted on 06/07/2010 3:43:52 PM PDT by Pharmboy (The Stone Age did not end because they ran out of stones...)
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