Posted on 04/27/2014 11:38:10 PM PDT by Berlin_Freeper
While Avril could have portrayed Japan in a more nuanced, less stereotypical fashion, its not surprising that a song about making out at sleepovers has an inane and clichéd video.
Due to what we can only surmise is a rift in the space-time continuum, a blonde, ageless pop star has just released a Harajuku Girl-inspired music video rife with cultural appropriation. Apparently, Avril Lavigne's eyelids were entirely weighed down with eyeliner throughout the early 2000sthere's no other explanation for "Hello Kitty", Lavigne's new single and accompanying music video, which is essentially a carbon copy of Gwen Stefani's 2005 hit, Hollaback Girl.
Stefani was using Japanese girls as props, making blank faces at the camera, and repeating meaningless consonant and vowel combinations over a synthetic beat when Avril was still stealing her dad's ties and huffing glue in the bathroom of a Tim Hortons. Unfortunately, Stefani never found a way to trademark white girl insensitivity, meaning we all get to watch Harajuku history repeat itself. The critical response to Lavigne's new single has been swift and harshlike its pop precursor, the video was condemned for its "pick and choose" approach to Japanese culture, which reduces an entire nation's vibrant aesthetic to sushi, bangs, and enthusiastic Fujifilm product placement.
(Excerpt) Read more at thedailybeast.com ...
You’re right, the Japanese are obsessed with western culture. From goth lolitas and rockabilly to Malcolm X hats. It’s called celebration, not appropriation.
By people named Amy Zimmerman.
Isn't it racist for white liberals to be the final arbiters on what racial minorities should find offensive?
I can’t believe I watched all of that. It was like a bullet train wreck.
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