Posted on 09/11/2020 3:09:38 PM PDT by nickcarraway
In Take Five, hear one sterling track for each decade of Sonnys monumental career.
What that means, of course, is that were spotlighting a total of seven tracks, spanning 55 years. They range from broadly celebrated to borderline obscure, but without any of the most obvious picks. (You already know where to find those.) And along with the music, enjoy a handful of photographs of recent-vintage Rollins by WBGOs own Jonathan Chimene.
Happy 90th birthday, Sonny! Heres to all the beauty youve given us, and the sterling example you continue to set.
Bird Medley (1956)
An embarrassment of riches: thats one way to describe Sonnys recorded legacy of the 1950s, which includes classic studio albums like Saxophone Colossus and Way Out West as well as landmark live recordings like A Night at the Village Vanguard. Given that were in the midst of centennial tributes to Charlie Parker, it feels right to turn to a less heralded entry: Rollins Plays For Bird, which was recorded for Prestige in 1956, with a band featuring Kenny Dorham on trumpet and Max Roach on drums. The opening cut is a fond, discursive medley of familiar themes: I Remember You / My Melancholy Baby / Old Folks / They Can't Take That Away From Me / Just Friends / My Little Suede Shoes / Star Eyes. Get all that?
Doxy (1962)
Sonny Rollins never made a secret of his admiration for Ornette Coleman, whose open approach to improvising turned the jazz world on its ear at the dawn of the 1960s. For a good stretch of 62 and 63, Sonny enlisted cornetist Don Cherry and drummer Billy Higgins fresh off their tenure in the Ornette Coleman Quartet in a band anchored by Bob Cranshaw, his mainstay bassist. Theres an abundance of bootleg evidence of this band; among the sanctioned material is an album called Our Man in Jazz, which includes this loose-limbed Doxy. (Listen to how enthusiastically Rollins responds to Cherrys solo, especially from 1:15 to 1:30.)
Skylark (1972)
Sonny Rollins Next Album, which broke a six-year recording sabbatical in 1972, should be recognized as one of Sonnys finest efforts a relaxed but deeply focused program of standards and originals, with sensitive contributions from the likes of pianist George Cables and drummer Jack DeJohnette. And its high point may be this version of Hoagy Carmichaels Skylark, which includes a gentle double-time section for the solos and, after a restatement of the theme, a magnificent three-minute tenor cadenza. (If you must, skip to just before 7:00.)
Dancing in the Dark (1987)
The title track of Sonny Rollins 1987 album Dancing in the Dark not to be confused with the Bruce Springsteen anthem released just a few years prior is a songbook standard introduced on Broadway in 1931. Opening with a tenor prelude that leads into a brightly swinging tempo, its a near-perfect distillation of Sonnys effervescent brio during this era, in the studio as onstage. Hes expertly met by his working band, with Clifton Anderson on trombone, Mark Soskin on piano, Jerome Harris on electric bass and Marvin Smitty Smith on drums.
Biji (1995)
The definitive Rollins document of the mid-90s Sonny Rollins +3, released on Milestone introduces what might be his catchiest tune of the era, a theme that toggles between cruising swing and a form of disco-funk. The band here includes pianist Tommy Flanagan, drummer Al Foster and bassist Bob Cranshaw and the tune, Biji, is such a durable vehicle that it would fast become a staple of Rollins tours. (Perhaps you know it from the version featured on Road Shows Vol. 3.)
Youre Mine You (2001)
The saga of Sonnys evacuation from his Lower Manhattan apartment after Sept. 11, 2001 and the glorious resilience of his subsequent concert in Boston dont need retelling here. So lets just note that Without a Song: The 9/11 Concert was released with a few unfortunate omissions. Among them: this standard, once famously recorded by Sarah Vaughan; Sonnys brilliant version finally surfaced on the recent compilation Holding the Stage: Road Shows Vol. 4.
Dont Stop the Carnival / Tenor Madness (2011)
Finally, it would be a crime not to include some concert footage and what better theme to spotlight than Dont Stop the Carnival, Sonnys customary signoff? Here he is at Jazz à Vienne in 2011, accompanied by Cranshaw, guitarist Peter Bernstein, percussionist Sammy Figueroa and drummer Kobie Watkins. The video captures some of the roving exuberance of this moment in a Rollins concert, and his tenor solo is a robust delight. The crowd is so enchanted that Sonny adds Tenor Madness as an encore, swinging his way to the finish line. Adieu et bonne vitesse!
Bkmrk
Rollins’ solo on the Rolling Stones’ Waiting on a Friend is awesome.
“I had a lot of trepidation about working with Sonny Rollins. This guy’s a giant of the saxophone. Charlie said, ‘He’s never going to want to play on a Rolling Stones record!’ I said, ‘Yes he is going to want to.’ And he did and he was wonderful. I said, ‘Would you like me to stay out there in the studio?’ He said, ‘Yeah, you tell me where you want me to play and DANCE the part out.’ So I did that. And that’s very important: communication in hand, dance, whatever. You don’t have to do a whole ballet, but sometimes that movement of the shoulder tells the guy to kick in on the beat.” -M. Jagger
Rediscovering Sonny! It will be a great evening!
Sonny Rollins is THE nicest person I EVER met.
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