Free Republic
Browse · Search
News/Activism
Topics · Post Article

Skip to comments.

Camus and the Neo-Cons: More in Common Than They Might Suspect
NY Times ^ | Feb 7, 2004 | EDWARD ROTHSTEIN

Posted on 02/07/2004 5:50:59 PM PST by Pharmboy

It was a heady moment. Liberation was at hand. The world's most powerful totalitarian state had been defeated. World-historical struggles had come to an end.

Such was the situation after the Soviet Union collapsed. And the sense of triumph was palpable. In an essay reprinted in "The Norman Podhoretz Reader" (Free Press), Mr. Podhoretz wrote a "Eulogy" for neo-conservatism — the political and cultural movement with which he and the magazine he edited, Commentary, had been so closely identified. It was a eulogy that proclaimed satisfaction and closure. For two decades, Commentary had advocated unrelenting challenges to Soviet power, and while the downfall had never been seen as imminent, it had always been hoped for.

In his introduction to this new collection — which samples Mr. Podhoretz's argumentative power and rhetorical range over nearly 50 years — Paul Johnson notes that the Soviet collapse also brought to its end an era in American intellectual life in which Mr. Podhoretz had been a major player.

But as central as Soviet Communism was to neo-conservativism, the eulogy, of course, was premature. History did not come to end. Free-market economies ran into trouble. Genocidal massacres took place. Terrorism erupted. Old conflicts were metastasizing, emerging in new configurations. So neo-conservativism continues, now even taking center stage, named as the ideology behind President Bush's foreign policy.

In neo-conservatism's continued evolution, though, how are lessons learned from the past to be applied to a transformed world? An example from the past may show how vexed such questions can be.

Consider the period just after the Second World War, when another tyranny had just collapsed. It seemed as if the Allies had, through their trials, learned something about totalitarianism and democracy. Could those concepts be used to understand the Soviet Union, the West's erstwhile partner? Was it something very different (a humanitarian revolutionary state gone awry) or something very similar (a fascistic state beyond saving)?

Such issues affected the impassioned arguments between the two most important writers in postwar France, Albert Camus and Jean-Paul Sartre. In his new book, "Camus and Sartre: The Story of a Friendship and the Quarrel That Ended It" (University of Chicago), Ronald Aronson, who teaches at Wayne State University, traces the nuances of their friendship, their mutual influences and hostilities, and the themes that still haunt contemporary debates.

Their schism over Communism was not academic. At the time of France's liberation, buoyed by its Resistance role, the Communist Party had 400,000 members; that figure almost doubled by 1946, and the party joined a coalition government. In addition, according to Mr. Aronson, the party dominated the largest trade union, published dozens of newspapers including the country's two largest, and had a payroll of more than 14,000. The Communist Party was part of the mainstream in a way it never was in the United States.

But its allegiances were just as open to question: it slavishly followed Soviet leadership; fellow travelers idealized the Soviet Union, despite readily available accounts of horrors. André Gide, who visited Russia in the 1930's, said he doubted whether anywhere, even in Hitler's Germany, the "mind and spirit are less free, more bowed down."

Camus had joined the party in Algeria in 1935 and left two years later in dismay. Mr. Aronson even implies that Camus' views on absurdity and freedom grew out of that experience.

Then, in France, during the German occupation, Camus did heroic work as editor of a Resistance newspaper, Combat. Sartre, in their developing friendship, called Camus an "outstanding example" of a life lived in "engagement." After the war, both men saw an opportunity to remake the world, redressing social ills. Both also wanted to steer the French left away from the Communists while distancing themselves from the growing cold war.

But by 1948, Sartre had become a fellow traveler, even giving the party the right to censor one of his plays. He called freedom under capitalism a "hoax" and France a "society of oppression." He refused to denounce Soviet labor camps or the show trials. And he justified revolutionary violence, praising the African revolutionary Franz Fanon.

Meanwhile, Camus found himself ever more repulsed by Communism, which he called "the modern madness." He saw Communism as a desperate attempt to create meaning and certainty. He wrote, "Those who pretend to know everything and settle everything finish by killing everything." If there were a choice between justice and freedom, meaning a choice between the ideal Communist state and the flawed Western state, he wrote: "I choose freedom. For even if justice is not realized, freedom maintains the power of protest against injustice and keeps communication open."

After Sartre's journal, Les Temps Modernes, panned Camus's influential counter-revolutionary book "The Rebel" in 1952, the friends never spoke again. Sartre's influence was so strong that Camus' French reputation was not repaired even after winning the Nobel Prize in 1957.

But Mr. Aronson does not want the reader taking sides. He insists that we have to "free ourselves from the dualistic thinking of the cold war," and not take the "currently fashionable" view praising Camus. Mr. Aronson argues, in fact, that "like many another anti-Communist, Camus wrecked his own moral and political coherence by avoiding talking about his own society" while Sartre correctly "confronted the violence of the democratic capitalist system" and the evils of colonialism. But in this, Mr. Aronson is simply taking Sartre's side without attending to its minefields.

Camus, in his concreteness and human sensitivities, is more perceptive, and in his compassion, more trustworthy. He had a major influence on later French writers like André Glucksmann, Bernard-Henri Lévy and Pascal Bruckner — the neo-cons of the French left. And in Camus's rejection of utopianism and his acceptance of sad compromise there remain hints of what might form some sort of realistic political ideal.


TOPICS: Constitution/Conservatism; Culture/Society; Editorial; Foreign Affairs; Government; News/Current Events; Philosophy
KEYWORDS: camus; communism; freedom; neocons; podhoretz; sartre

"I choose freedom. For even if justice is not realized, freedom maintains the power of protest against injustice and keeps communication open."

Yep.

1 posted on 02/07/2004 5:51:01 PM PST by Pharmboy
[ Post Reply | Private Reply | View Replies]

To: bdeaner
Ping
2 posted on 02/07/2004 5:57:19 PM PST by Pharmboy (History's greatest agent for freedom: The US Armed Forces)
[ Post Reply | Private Reply | To 1 | View Replies]

To: Pharmboy
As a fan of existentialism, I like Camus a lot, though I hate Satre with a passion. I've always seen him as an overly contrived imposter. He doesn't deserve to be mentioned along side Camus.

Of course Kafka was the best, and in a class of his own.
3 posted on 02/07/2004 5:58:39 PM PST by counterpunch (click my name to check out my 'toons!)
[ Post Reply | Private Reply | To 1 | View Replies]

To: counterpunch
I think Rothstein agrees with you...he does not have any praise for Sartre and reminds us that Sartre accepted censorship from the commissars.
4 posted on 02/07/2004 6:03:48 PM PST by Pharmboy (History's greatest agent for freedom: The US Armed Forces)
[ Post Reply | Private Reply | To 3 | View Replies]

To: counterpunch
One of the greatest opening lines in all of literature:

"As Gregor Samsa awoke one morning from disturbing dreams, he found himself transformed in his bed into a monstrous vermin."
5 posted on 02/07/2004 6:31:34 PM PST by Chi-townChief
[ Post Reply | Private Reply | To 3 | View Replies]

To: Pharmboy
Mr. Aronson argues, in fact, that "like many another anti-Communist, Camus wrecked his own moral and political coherence by avoiding talking about his own society" while Sartre correctly "confronted the violence of the democratic capitalist system" and the evils of colonialism. But in this, Mr. Aronson is simply taking Sartre's side without attending to its minefields.

I dunno, I'm not the most litererate guy around, but I've read The Stranger and The Plague, and it seemed to me Camus was critical of his own society. I did read a couple of Satre's works a few years ago, but he didn't make much of an impression on me. I seem to remember reading somewhere that Faulkner predicted Camus would be would still be read long after Sartre was forgotten. It looks like Rothsteinn has this Aronson guy pegged.
6 posted on 02/07/2004 6:38:49 PM PST by Welsh Rabbit
[ Post Reply | Private Reply | To 1 | View Replies]

To: counterpunch
Of course Kafka was the best, and in a class of his own.

He's the only writer I know of who goes PAST existentialism.
His collected short stories are bottomless wells.
7 posted on 02/07/2004 9:11:07 PM PST by gcruse (http://gcruse.typepad.com/)
[ Post Reply | Private Reply | To 3 | View Replies]

To: Pharmboy
Camus, not the Beats, is the true archetype of cool.
8 posted on 02/07/2004 9:13:50 PM PST by beckett
[ Post Reply | Private Reply | To 1 | View Replies]

To: Chi-townChief
My favorite closing line --

" No one pushes his way through here, certainly not someone with a message from a dead man.  But you sit at your window and dream of that message when evening comes."
9 posted on 02/07/2004 9:14:50 PM PST by gcruse (http://gcruse.typepad.com/)
[ Post Reply | Private Reply | To 5 | View Replies]

To: Pharmboy
No mention of Kerry Thornley. Hmmmmmmmmmmmmmmmmm....

With left-brained socialism on the march in the U.S., the paradigm shift from alienated Cartesian dualism will have to wait a while.

10 posted on 02/07/2004 10:05:00 PM PST by HowlinglyMind-BendingAbsurdity
[ Post Reply | Private Reply | To 1 | View Replies]

To: Pharmboy
Sartre was a fraud driven by communism and self-indulgence. His best work was Being and Nothingness, which was largely written during the war, when he had some vitality. But he later denounced his own work because its central insight into the philosophical basis for human freedom was inconsistent with leftist collectivism and the French anti-individualism trend.

Camus is a great writer. One summer in college, I discovered him and eagerly read everything I could find of his. It was a tragedy that he died so young in a car accident while Sartre lived to be an old man, repeatedly infecting his country's successive generations of intellectuals.

11 posted on 02/07/2004 10:26:37 PM PST by ontos-on
[ Post Reply | Private Reply | To 4 | View Replies]

To: Welsh Rabbit
Read "The Rebel" and some of his notebooks which have been published.

BTW it is S-A-R-T-R-E

12 posted on 02/07/2004 10:29:46 PM PST by ontos-on
[ Post Reply | Private Reply | To 6 | View Replies]

To: gcruse
I loved "The Country Doctor" by Kafka. The great thing was that it was a story we focused on when I was learning to read German. It was great to go line by line over that story. It is deep in psychological meaning and insight.
13 posted on 02/07/2004 10:32:37 PM PST by ontos-on
[ Post Reply | Private Reply | To 7 | View Replies]

To: Pharmboy; rmlew; nutmeg; firebrand; Clemenza; PARodrig
One of my professors in graduate school was Irving Kristol. In one course having to do with the rise and influence of critics and intellectuals in the 20th century, we spent almost the entire semester breaking down Camus' "L'Homme Rebel".

Camus is sorely not read as widely as he should be. He has lessons for the left, which they refuse to learn.

14 posted on 02/07/2004 10:58:35 PM PST by Cacique
[ Post Reply | Private Reply | To 1 | View Replies]

To: Pharmboy
"Those who pretend to know everything and settle everything finish by killing everything."

Wow. He summed it up pretty well, didn't he?

15 posted on 02/08/2004 6:28:12 AM PST by wizardoz ("Crikey! I've lost my mojo!")
[ Post Reply | Private Reply | To 1 | View Replies]

To: wizardoz
When I read that line, all I could think of was Shrillary!
16 posted on 02/08/2004 6:33:05 AM PST by Pharmboy (History's greatest agent for freedom: The US Armed Forces)
[ Post Reply | Private Reply | To 15 | View Replies]

To: ontos-on
The Country Doctor is one of my favorites, too, but it's so hard to choose.  This from another short story, from memory --

"...the sound of applause that was really steam hammers....and wept without knowing it..."  So much visualization, so little time.

This was written with Kafka looking over my shoulder.   What do you think?
17 posted on 02/08/2004 8:49:46 AM PST by gcruse (http://gcruse.typepad.com/)
[ Post Reply | Private Reply | To 13 | View Replies]

Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.

Free Republic
Browse · Search
News/Activism
Topics · Post Article

FreeRepublic, LLC, PO BOX 9771, FRESNO, CA 93794
FreeRepublic.com is powered by software copyright 2000-2008 John Robinson