Hezbollywood? Evidence mounts that Qana collapse and deaths were staged

It was to be a perfect Hollywood ending for Hezbollah. Just as the Israeli bombing of the village of Qana in 1996 brought a premature end to Israel's "Grapes of Wrath operation," so too a sequel of Qana II could change, once and for all, the direction of Israel's current summer blockbuster, "Change of Direction." Ten years ago, world condemnation of an errant Israeli shell that hit a civilian compound forced then-PM Shimon Peres to curtail the offensive against terror bases.

The setting was also perfect: Kana was again being used as a primary site for launching rockets against Israeli cities. The IDF reported that more than 150 rockets had been launched from Qana and its vicinity at Israeli civilians, wreaking destruction in Kiryat Shmona, Maalot, Nahariya and Haifa. It was only a matter of time before the Israeli Air Force would come for a visit, using pinpoint targeting of the sites used to launch rockets, Hezbollah logistical centers and weapon storage facilities.

On the morning of July 30, according to the IDF, the air force came in three waves. In the first, between midnight and one in the morning, there was a strike at or near the building that eventually collapsed. There was a second strike at other targets far from the collapse building several hours later, and a third strike at around 7:30 in the morning. There too the nearest hit was some 460 meters away, according to the IDF. But first reports of a building collapse came only around 8 am.

Thus there was an unexplained 7 to 8 hour gap between the time of the helicopter strike and the building collapse. Brigadier General Amir Eshel, Head of the Air Force Headquarters, in a press briefing, told journalists that "the attack on the structure in the Qana village took place between midnight and one in the morning. The gap between the timing of the collapse of the building and the time of the strike on it is unclear."

Gen. Eshel appeared genuinely mystified by the gap in time. He "I'm saying this very carefully, because at this time I don't have a clue as to what the explanation could be for this gap," he added.

The army's only explanation was that somehow there was unexploded Hezbollah ordnance in the building that only detonated much later.

"It could be that inside the building, things that could eventually cause an explosion were being housed, things that we could not blow up in the attack, and maybe remained there, Brigadier General Eshel said.

Eshel reported that as recently as two days ago, military intelligence reported the building area had been used by the terrorists for storage or firing of weapons. It was a bad place to cram dozens of women and children.

There are other mysteries. The roof of the building was intact. Journalist Ben Wedeman of CNN noted that there was a larger crater next to the building, but observed that the building appeared not to have collapsed as a result of the Israeli strike.

Why would the civilians who had supposedly taken shelter in the basement of the building not leave after the post-midnight attack? They just went back to sleep and had the bad luck to wait for the building to collapse in the morning?

What we do know is that sometime after dawn a call went hour to journalists and rescue workers to come to the scene. And come they did.

While Hezbollah and its apologists have been claiming that civilians could not freely flee the scene due to Israeli destruction of bridges and roads, the journalists and rescue teams from nearby Tyre had no problem getting there.

Lebanese rescue teams did not start evacuating the building until the morning and only after the camera crews came. The absence of a real rescue effort was explained by saying that equipment was lacking. There were no scenes of live or injured people being extracted.

There was little blood, CNN's Wedeman noted: all the victims, he concluded, appeared to have died while as they were sleeping -- sleeping, apparently, through thunderous Israeli air attacks. Rescue workers equipped with cameras were removing the bodies from the same opening in the collapsed structure. Journalists were not allowed near the collapsed building.

Rescue workers filmed as they went carried the victims on the stretchers, occasionally flipping up the blankets so that cameras could show the faces and bodies of the dead.

But Israelis steeled to scenes of carnage from Palestinian suicide bombings and Hezbollah rocket attack could not help but notice that these victims did not look like our victims. Their faces were ashen gray. Their limbs appeared to have stiffened, from rigor mortis. Neither were effects that would have resulted from an Israeli attack hours before. These were bodies that looked like they had been dead for days.

Viewers can judge for themselves. But the accumulating evidence suggests another explanation for what happened at Kana. The scenario would be a setup in which the time between the initial Israeli bombing near the building and morning reports of its collapse would have been used to "plant" bodies killed in previous fighting -- reports in previous days indicated that nearby Tyre was used as a temporary morgue -- place them in the basement, and then engineer a "controlled demolition" to fake another Israeli attack.

The well-documented use by Palestinians of this kind of faked footage -- from the alleged shooting of Mohammed Dura in Gaza, scenes from Jenin of "dead" victims falling off gurneys and then climbing back on -- have merited the creation of a new film genre called "Palliwood."

There is increasing evidence that the Kana sequel is another episode in this genre, a variety which might be called Hezbollywood. The Hezbollah have evidently learned their craft well.

The current suspension of Israeli military air activity is supposedly intended, among other things, to be used for the investigation of what really happened at Qana. It is to be hoped that there are real journalists on the scene, and unbiased medical examiners, who will have the courage and intelligence to sort out the anomalies and contradictions, and get to the buried truth of what happened.

There is no shortage of victims in Lebanon and Israel these days. From this vantage point, at this time, it looks like in the case of Qana, the world's media was duped in a cruel and colossal hoax by a terror organization that knows no moral bounds in its exploitation of suffering and anti-Israel hatred. But, as usual, the only party expected to pay the full price will be Israelis.

Yes, it would be a Hollywood ending for it all to end in Qana, exactly as it did a decade ago. But perfect endings, and perfect crimes, are rarely pulled off in real life.

Israelis will not be able to investigate this claim directly. The question remains whether honest men and women of other nationalities will let this likely lie stand or press for the revelation of the improbable and inconvenient truth.

Mainstream media once again shows how a slanted story, using posed pictures, distorts events. Shouting "fire" in a crowded movie theater effect?

Note: we are AT WAR but have become sissies and vulnerable to media attempts to impose their liberal views. America lost more people in the 9/11 attack on the Twin Towers than we have lost soldiers in yeas of war in Iraq. Yet the liberals, including the Media and people like Ex-Marine John Murtha, are squealing like stuck pigs and demanding we withdraw our forces to prevent more casualties.

For focus, one bombing raid, on one night, on a German town in World War II killed 40,000 civilians - including women and children. Wars were fought to be won. Something the bleeding hearts prevent and the death of some 60 civilians - among whom the Hezbollah hide and operate and thus they the Hezbollah put in harm's way - create an anti-Israeli passion which is undeserved. Place the blame where it belongs - on who started this - yes, the Hezbollah. And who puts the civilians up front and center to be killed, yes, the Hezbollah.

Alan

Monday, July 31, 2006

Milking it?

Certainly, the photographs are distressing, and indeed they are meant to be. As this piece tells us:

Until recent years, images of civilian casualties in wars often took days to appear in newspapers, but now they can be captured and transmitted around the world to newspaper Web sites, where they are posted immediately, adding to the shock value that sketchy words by reporters often cannot capture. This happened again Sunday morning in the case of the Israeli air strike on the Lebanese village of Qana that left dozens dead, reportedly at least half of them children sleeping in their beds overnight.

The photos, taken by The Associated Press, Reuters, and others, showed bodies in the rubble, or being taken away; survivors digging or wailing…

But the photographers, it seems, are not too fussy about how they go about "adding to the shock value". These two sequences illustrate the extent to which photographers on the scene are prepared to ensure that the "shock value" is maximised.

In this first of the two sequences, we see a shot by Reuters and taken by Adnan Hajj, timed at 2:21 pm. It has the caption:

Rescuers pull the body of a toddler victim of an Israeli air raid on Qana that killed more than 60 people, the majority of them women and children, in south Lebanon, July 30, 2006.

Note the "rescue worker" in the foreground, complete with olive green military-style helmet and fluorescent jacket, with what appears to be a flack jacket underneath. His glasses, "designer stubble", blue tee-shirt and jeans make him quite a distinctive figure. Note also, he has a radio in his jacker pocket and he has bare hands, things which becomes relevant later.

The next shot in this sequence is credited to AP's Kevin Frayer. Timed at 4.09 pm, it shows the same "rescue" worker, and has this caption:

Lebanese Red Cross and Civil Defense workers carry the body of a small child covered in dust from the rubble of his home that was hit in an Israeli missile strike in the village of Qana, east of the port city of Tyre, Lebanon, Sunday. Lebanese Red Cross officials said 56 people died in the Israeli assault on the village, including 34 children. Rescuers dug through the debris to remove dozens of bodies.

This is horrific, but a scrutiny of the framing does suggest that the subject is offering the victim to the photographer.

Just in case you missed it, however, we get another view, courtesy of Reuter's Adnan Hajj, with a time given of 4:30 pm - some 20 minutes after the first shot. The caption reads:

A rescuer carries the body of a toddler victim of an Israeli air raid on Qana that killed more than 60 people, the majority of them women and children, in south Lebanon, July 30, 2006.

Interestingly, in this sequence, the pocket radio is missing. And, although the positioning of the child looks the same, the angle of the shot looks to be about ninety degrees from the first, but in each case, the "worker" is facing towards the camera. The shots are clearly posed.

But now, timed at 12:45 pm, an hour and twenty minutes before the child's body is pictured being pulled from the ruins, we get a picture from AP's Kevin Frayer of the same child's body being paraded by our ubiquitous helmeted rescue worker.

Lebanese Red Cross and Civil Defense workers carry the body of a small child covered in dust from the rubble of his home that was hit in an Israeli missile strike in the village of Qana, east of the port city of Tyre, Lebanon, Sunday, July 30, 2006. Lebanese Red Cross officials said 56 people died in the Israeli assault on the village, including 34 children. Rescuers dug through the debris to remove dozens of bodies.

At 12.53 pm, after an interval of eight minutes, Frayer photographs the child's body again, from a different angle. The caption is the same. This time, though, our helmeted worker is showing some distress, which was absent in the previous photograph.

The photographs show the characters moving down the hill, with little distance between the scenes, which suggest that they have been taken sequentially and spontaneously. But they have not. The eight minute interval has allowed a crowd to gather around "green helmet". Furthermore, "orange jacket" has switched from left to right. Note also the tee-shirted man in the centre of the picture.

Then, timed at 1:01 pm, eight minutes on, we get another picture from Frayer. Once again, the caption is the same but this time the child's body is being paraded aloft by our ubiquitous helmeted rescue worker, but the tee-shirted character had moved from centre to right and is taking his turn to displaying his emotion to the camera. The UN soldier in the background has turned away, confirming a time lapse. The scene is clearly staged, as have been those preceding it.

Next, we have the second of the two sequences, the first shot of which, timed at 7.21 am shows a dead girl in an ambulance. Taken by AP, the caption reads:

Among others, the body of a child recovered under the rubble of a demolished building that was struck by Israeli war plane missiles at the village of Qana near the southern Lebanon city of Tyre, is placed in an ambulance Sunday July 30.

In the next frame, we have the same girl, this time apparently being placed in the ambulance. Also taken by AP,this time by Mohammed Zaatari the caption here reads:

A Lebanese rescuer carries the body of a young girl recovered from under the rubble of a demolished building that was struck by Israeli warplane missiles at the village of Qana, near the southern city of Tyre, Lebanon, Sunday, July 30, 2006. Dozens of civilians, including many children, were killed Sunday in an Israeli airstrike that flattened houses in this southern Lebanon village - the deadliest attack in 19 days of fighting.

Intriguingly, though, the dateline given is 10.25 am, three hours after she has already been photographed in the ambulance.

Also from AP's Nasser Nasser, we see the same worker, showing obvious distress, carrying the same girl. But now he is wearing his fluorescent jacket and helmet and has acquired latex gloves. He has also got his radio back. The photograph is timed at 10.44 pm and the caption reads:

A civil defense worker carries the body of Lebanese child recovered from the rubble of a demolished building that was struck by an Israeli airstrike at the village of Qana near the southern Lebanon city of Tyre, Sunday, July 30, 2006. Israeli missiles struck this southern Lebanese village early Sunday, flattening houses on top of sleeping residents. The Lebanese Red Cross said the airstrike, in which at least 34 children were killed, pushed the overall Lebanese death toll to more than 500.

Here we are now, same "worker" and same girl, but this time it is done for the benefit of EPA, the photographer, Mohamed Messara, the worker rushing towards a uniformed Red Cross worker. This caption (without a time) reads:

A rescue worker carries the body of a Lebanese girl after an Israeli air strike on the village of Qana, east of the southern port city of Tyre, on Sunday 30 July 2006. At least 51 people were killed, many of them children, and several others wounded in the raid Sunday, witnesses and rescue workers said.

But now, for the benefit of AFP, the photgraph taken by Nicolas Asfouri, we have the same unfortunate child being handled by another worker, the original worker showing in the background, having passed the casualty on. The timing of the photograph is 7.16 pm and the caption reads:

A rescue worker puts the body of a dead girl on a gurney after Israeli air strikes on the southern Lebanese village of Qana. Israel agreed to temporarily halt air strikes in south Lebanon a day after 52 people were killed, many of them sleeping children, when Israeli warplanes bombarded the Lebanese village of Qana, triggering global outrage and warnings of retribution for alleged "war crimes".

Remember, however, earlier in the sequence, the girl is being carried to the ambulance, by the other worker, sans jacket, helmet and gloves.

Fiunally, in this sequence, we get another shot from AP's Nasser Nasser, again without a timing but with this caption:

A civil defence worker carries a body of a young Lebanese child recovered from the rubble of a demolished building that was struck by Israeli war plane missiles at the village of Qana near the southern Lebanon city of Tyre, Sunday, July 30, 2006.

Whatever else, the event in Qana was a human tragedy. But the photographs do not show it honestly. Rather, they have been staged for effect, exploiting the victims in an unwholesome manner. In so doing, they are no longer news photographs - they are propaganda. And, whoever said the camera cannot lie forgot that photographers can and do. Those lies have spread throughout the world by now and will be in this morning's newspapers, accepted as real by the millions who view them.

The profession of photo-journalism thereby is sadly diminished by them, and the trust in those who took them and in those who carried them is misplaced. Truly, we are dealing with loathesome creatures.

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