Posted on 08/21/2006 1:42:06 PM PDT by rface
Anyone remember the photograph of the bombed "financial center" in Lebanon with uncut sheets of US $100 bills?
any country debasing another's currency should be taken as a declaration of war and thus should be bombed mercilessly, not given $230 million more like President Bush is going to do.
Treasury Designates Islamic Extremist, Two Companies Supporting Hizballah in Tri-Border Area:
http://www.treas.gov/press/releases/js1720.htm
That's a photo that I'd like to hear some comment from our Governemnt on -
Common sense would say you don't distribute bogus $100 bills in such a public way and posing for photo-ops and all. But with Muzzy fanatics never say never
Reply to post #3
I agree we should bomb them to a level that it would be 100 years before they were able to try it again>
I got the chance to view a counterfit $100 and $20 bill up close the other day. I'll be damned if I could tell they weren't real.
Seems like I remember one of the Arab nations holding one of our intalia presses for some time.
Good reminder.
Well, I'll be.
but It'd be good PR for us to show that the $$ they got from the Hesbos' is phoney -
Back in the 1970s, long before the revolution that would eventually topple him from power, the Shah of Iran was one of America's best friends (he was a dictator who brutally repressed his people, but he was anti-communist, and that made him OK in our book). Wanting to help out a good friend, the United States government agreed to sell Iran the very same intaglio presses used to print American currency so that the Shah could print his own high quality money for his country. Soon enough, the Shah was the proud owner of some of the best money printing machines in the world, and beautiful Iranian Rials proceeded to flow off the presses.
All things must come to an end, and the Shah was forced to flee Iran in 1979 when the Ayatollah Khomeini's rebellion brought theocratic rule to Iran. Everyone reading this undoubtedly knows the terrible events that followed: students took American embassy workers hostage for over a year as Iran declared America to be the "Great Satan," while evidence of US complicity in the Shah's oppression of his people became obvious, leading to a break in relations between the two countries that continues to worsen to this day.
During the early 90s, counterfeit $100 bills began to flood the Mideast, eventually spreading around the world. Known as "superbills" or "superdollars" by the US Treasury due to the astounding quality of the forgeries, these $100 bills became a tremendous headache not only for the US and its economy, but also for people all over the world that depend on the surety of American money. Several culprits have been suggested as responsible for the superbills, including North Korea and Syria, but many observers think the real culprit is the most obvious suspect: an Iranian government deeply hostile to the United States ... and even worse, an Iranian government possessing the very same printing presses used to create American money.
If you've ever wondered just why American currency was redesigned in the 1990s, now you know. In the 1970s, the US rewarded an ally with a special machine; in the 1990s, the US had to change its money because that ally was no longer an ally, and that special machine was now a weapon used to attack the US's money supply, where it really hurts. As an example of the law of unintended consequences, it's powerful, and it illustrates one of the main results of that law: that those unintended consequences can really bite back when you least expect them.
http://64.233.187.104/search?q=cache:SEG29LBxpmsJ:www.securityfocus.com/print/columnists/293+shah+intaglio+presses+currency&hl=en&gl=us&ct=clnk&cd=4
He's just trying to compassionately compensate for the counterfeit money.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.