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Can Conservatives Be Funny?
New York Magazine ^ | Published May 20, 2014 | Frank Rich

Posted on 05/20/2014 1:07:25 PM PDT by nickcarraway

As the late-night comedy landscapeI> reshuffles, are right-wing comics being unfairly ignored? An investigation.

You would have thought that President Obama had nominated Eric Holder to succeed John Roberts as chief justice, not that Les Moonves had named a successor to David Letterman. When Stephen Colbert was promoted to the Late Show throne last month, Rush Limbaugh called in the dogs: “CBS has just declared war on the heartland of America,” he said, by hiring a partisan who would bring about “a redefinition of what is comedy.” The vitriol on the right became so thick that a couple of less excitable conservative columnists were moved to defend Colbert by observing that he is a churchgoing, Sunday-school-teaching Catholic suburbanite raised as one of 11 children in super-red Charleston, South Carolina. Subtext: Count your blessings that CBS isn’t force-feeding the heartland a neurotic urban Jew with suspect family values.

Those pillorying Colbert didn’t seem to grasp the concept that he would have to retire his parodistic right-wing blowhard comic persona once he moved from Comedy Central’s Colbert Report to a ­broadcast-network franchise that competes with the Jimmys Fallon and Kimmel. Not that it mattered: The outrage at Colbert was really just the latest flare-up of a larger, long-term complaint. It’s an article of faith on the right that conservative comedians, like conservative entertainment-industry workers in general, are either blacklisted by Hollywood’s liberal mafia or are in daily danger of being so, thus giving the left a near monopoly on comedy as practiced in the vast cultural swing district of American television. Only a few weeks before the Colbert kerfuffle, the Times had lent front-page gravity to the Friends of Abe, an association of Hollywood conservatives too fearful to disclose its members’ names lest they face “possible job discrimination.”

The right, like the left, has a habit of overplaying the victim card. Given that there are many out A-list Republicans in Hollywood, from Rupert Murdoch to Clint Eastwood to David Mamet to Adam Sandler, it would seem that all the paranoia about left-wing McCarthyism is unfounded. If anything, the history of networks’ canceling liberal comics, whether the Smothers Brothers in 1969 (CBS) or Bill Maher in 2002 (ABC), is more pronounced. Still, the hysteria of the anti-Colbert claque made me look at the right’s case again.

And at first glance, there is something to it. Conservative comedy is hard to find on television once you get past the most often cited specimen, Dennis Miller. But is this shortfall the fault of a left-wing conspiracy to banish brilliant dissident talent from pop culture’s center stage? As a conservative Christian stand-up, Brad Stine, has argued, people think “the left is funnier than the right” solely because the right hasn’t been “given the same options.” Or are conservative comedians languishing in obscurity because they just don’t have the comic chops to compete with Colbert, Jon Stewart, and their many brethren? What do conservatives find funny, anyway? Is the very notion of a conservative comedian an oxymoron, given that comedy by definition is often the revenge of underdogs against the privileged? If the powerful pick on the less powerful, or worse, the powerless, are the jokes doomed to come off as bratty, if not just plain mean?

As I began wading through conservative grievances about comedy, what I learned first was that some on the right, for all their disdain for mainstream culture, are so eager to be part of it that they will claim showbiz luminaries as fellow travelers when they are not. Jim Downey, the longtime writer behind the cold-open political sketches at Saturday Night Live, is routinely labeled a conservative when, by his own account, his politics are all over the map (as his output attests); he voted for Obama in 2008. Jon Lovitz, the former SNL regular, has been applauded by the right for calling the president a “fucking asshole” after taking exception to some of the president’s populist pronouncements—but Lovitz is a Democrat who also voted for Obama. Another SNL alum, Victoria Jackson, is an outspoken, hard-line tea-partier, but her television career ended long ago.

The most persistent conservative effort to appropriate mainstream humor has been centered on South Park, the now-classic animated series about foulmouthed kids in small-town Colorado. Early on, Trey Parker, who co-created the show with Matt Stone, said, “We avoid extremes, but we hate liberals more than conservatives, and we hate them.” This formulation was enough to give the less-hated conservatives hope that they had found soul mates in the hostile heart of Comedy Central, especially since Parker and Stone ridiculed Al Gore, Rosie O’Donnell, and Michael Moore, who was portrayed as a suicide bomber in their 2004 movie Team America: World Police.

When Andrew Sullivan coined the term “South Park Republicans” and a Manhattan Institute think-tanker wrote a book heralding “South Park conservatives,” the morality-monger William Bennett and the theologian Michael Novak leaped on the potty-mouthed Parker-Stone bandwagon in solidarity with the right’s newfound cachet with Hip Youth. It was an outbreak of reactionary chic to match the late-1960s radical chic lampooned by Tom Wolfe. What they’d neglected to notice was the plague-on-all-your-houses lunacy central to Parker and Stone’s brilliance. Since then, the show has continued to go after liberal targets, including the disastrous Obamacare rollout, but it is unsparing toward the right as well. “Whatever side Glenn Beck is on,” Stone has said, “we’re not on it.” After Obama trounced Romney among young voters by a 60 to 36 percent margin in 2012, the right-wing site the Daily Caller officially pronounced South Park Republicans “extinct.”

It was in 2007, as the pipe dream of a South Park comic alliance faded on the right and Obama began his rise, that no less a Hollywood powerhouse than Joel Surnow, the unapologetically conservative (and decidedly unblacklisted) co-creator of 24, devised a comedy show to fill the vacuum. With a pair of SNL-style news anchors and a set and graphics emulating The Daily Show and The Colbert Report, his effort was titled The 1/2-Hour News Hour and aired by Fox News. “You can turn on any show and see Bush being bashed,” Surnow said. “There really is nothing out there for those who want satire that tilts right.”

The mirthless result was canceled after 15 episodes. (Those who wish to verify its low laugh quotient can find samples of The 1/2-Hour News Hour, like all examples of conservative comedy in this article, online.) It remains the worst-rated program ever at Metacritic, the review-aggregating website. Conservatives piled on, too, with Right Wing News deeming it perhaps “the least edgy show made since Leave It to Beaver.” The tired satirical targets included the ACLU, Dennis Kucinich, and, unaccountably, the environmental activism of the second-tier celebrity Ed Begley Jr. A Hillary Clinton administration was imagined as a potential enclave for “a diverse, multigenerational, multiethnic group of angry lesbians.” A parody Obama magazine was sophomorically titled BO. David Frum, writing for National Review, said The 1/2-Hour News Hour might well be mistaken for “some not very clever left-wing blogger’s mean-spirited parody of a right-of-center comedy show.”

Since then, Fox News has continued to dabble in comedy, a somewhat jarring calling for a news channel. Its two regular cutups are Miller and Greg Gutfeld, hyper­articulate middle-aged white dudes with somewhat similar personas: They’re congenitally pissed off. As someone who found the quick-witted Miller a delight in his early SNL incarnation, I find him less amusing now, but not so much because of his much-discussed and much-exaggerated post-9/11 move rightward. Miller was never a lockstep liberal. In 1995, he told USA Today that on most issues he would choose Newt Gingrich over Bill Clinton “in a second.” Though he portrayed Ronald Reagan as doddering in an HBO stand-up special a year later, he nonetheless compared him favorably to Clinton, whom he loathed for his disingenuousness. Then and now Miller has described himself as libertarian, and he was and is socially progressive. In his 2010 HBO special The Big Speech, he gets the same right-wing Orange County audience that applauds his war-on-terror bellicosity to cheer his unabashed endorsement of gay marriage.

Which is to say Miller is no hypocrite. The real problem—and this is also the case with David Mamet’s right-wing ruminations—is that his tone has become preachy. He too often seems a pundit first and a comic second. The ranting monologues Miller contributes to The O’Reilly Factor are in the same stylistic vein as Lewis Black’s comparable segments for The Daily Show, but they lack the saving comic grace of Black’s implicit self-mockery. Miller takes himself too seriously to levitate into the comically absurd. As he tells his audience early on in The Big Speech, “We’ve got a country to save.” Well, fine, save the country, save the whales, save whatever, but let’s have some jokes. His Nancy Pelosi insults—calling her “Cruella Demented” and “batshit crazy”—are so generic they could be hurled at any despised liberal. Miller’s mix-and-match cultural name-dropping is now untethered. He describes Pelosi at an Obamacare forum as sounding “like Professor Irwin Corey explaining the infield-fly rule in Farsi while under the influence of an amyl-nitrate ampoule.” If only! As was also true of Miller’s liberal former SNL colleague Al Franken in his ill-fated Air America talk-radio phase, a political mission is not necessarily compatible with humor. Miller might serve his cause better by following Franken’s example and getting out of comedy altogether to run for office—as some in conservative California salons have long encouraged him to do.

Unlike Miller, who drops into Fox News for the occasional cameo, Greg Gutfeld is a signature personality on two daily Fox News shows that emulate the now ubiquitous Kaffeeklatsch panel format of The View: The giggly The Five (in late afternoon) and the fiercer Red Eye (scheduled by Roger Ailes in the stunt time slot of 3 a.m.). Gutfeld is more of a wisecrack artist than a comedian and, like Miller and other comics on the right, is careful to label himself a libertarian, so damaged is the conservative brand. But if you listen to Gutfeld on Fox or read his recent best-selling manifesto, Not Cool, he seems much more of a standard-issue conservative and, in keeping with that, older than he actually is (49). His targets are the usual shopworn suspects, some of whom are so far removed from the main arena of 21st-century liberalism that comic complaints about them are deadly on arrival: Rachel Carson, Yoko Ono, Hurricane Carter, Howard Zinn, Mumia Abu-Jamal, Oliver Stone, and even Dan Quayle’s old fictional bête noire, Murphy Brown. In Not Cool, Sean Penn gets 18 references, and even Robert Redford merits nine. Like much of the right, Gutfeld can’t stop fighting battles from the 1960s that are increasingly baffling to post-boomer audiences.

It’s as if the clock stopped with the Vietnam War. Gutfeld claims that in our cool culture—defined by the national preference for Obama over the Vietnam hero John McCain—“we’ve abandoned veterans’ parades for divestment sit-ins.” (Really?) “Forget Lee Marvin,” he writes, lamenting the passing of old-school macho. “It’s now a callow lad in a PETA shirt who makes impressionable women swoon.” (Where are these women? Where are these lads in PETA shirts? And haven’t most Americans except film buffs forgotten Marvin, who died in 1987?) Gutfeld is bothered that The Social Network was a hit and that Twitter is a cooler corporation to young people than oil companies. He posits that “in movies, it’s the crazies who are cool and the decent folk who are demonic.” In an American movie culture where the top-grossing movies are animated fables like Frozen and red-white-and-blue comic-book franchises like Captain America, it would seem the opposite is true.

If there’s one universal rule of comedy, it is, as Gutfeld himself has said, that “it’s hard to be funny without being truthful.” But when he jokes that politically correct Americans are relabeling Fort Hood terrorism “workplace violence” and that they would rather use the term “unlicensed pharmacists” than “drug dealers,” he seems to lack any firsthand knowledge of conversation as practiced on the ground in ­present-day America. His examples of p.c. speech sound instead like the typically outrageous anomalies unearthed by Fox News. He needs to get out of the studio and meet some young people.

One of Gutfeld’s more provocative riffs of relatively recent vintage was his proposal to open an Islam-friendly gay bar (prospectively named JiHunk or Turban Cowboy) next door to the so-called ground-zero mosque; it wasn’t a laugh riot, but his point about liberal double standards of “tolerance” did have a basis in reality. The bit was a twofer because it hit a pair of prime conservative targets at once—elitist liberal hypocrites (Prius drivers, nanny-state bureaucrats, health nazis, climate-change scolds) and Muslims. Islam, routinely conflated with both jihad and Obama, has been the most reliable staple of right-wing comedy since 9/11. “Muslims will want to go to the moon when the Jews set up Israel there” is one of Miller’s better lines on the subject. The stand-up Nick DiPaolo cracked that Obama stuffed the stimulus bill with pork because “he’s trying to prove he’s not a Muslim.”

The gifted ventriloquist Jeff Dunham, as commercially successful a conservative comedian as there is (and one of the most successful touring comedians in the country, period), is best known for Achmed the Dead Terrorist, a puppet given to one-liners like “Where are all the virgins that bin Laden promised me?” Achmed can be funny, not least because he is a goofy, not hectoring, comic creation. And Dunham has a worthy comic nemesis in terrorism, much as Mel Brooks found in Hitler. The trouble with this material is its inevitable shelf life as 9/11 and its ensuing wars keep receding into the rearview mirror of American memory. There’s a reason why the playwright George S. Kaufman long ago said that “satire is what closes on Saturday night.”

Much of Dunham’s other material, typical of conservative comics, is paradoxically both timely and nostalgic: It pushes up against verbal taboos when taking on minority groups. And so Dunham has a puppet named José Jalapeño—almost indistinguishable from José Jiménez, an Ed Sullivan Show ethnic comic stereotype popularized by the comedian Bill Dana in the pre–politically correct early 1960s. (ventriloquist Señor Wences.) Dunham puts similar sentiments in the mouths of a crotchety old-man puppet named Walter and another alter ego called Peanut; they can complain about “Indians,” instead of Native Americans, revive old-time ­Chinese-waiter pidgin English, and lament about how “Merry Christmas!” has devolved into “Happy holidays!”

But it’s telling that while conservative comics pick on undocumented immigrant Hispanics and other minorities who don’t have the standing to fight back, they rarely have the guts to make a direct, as opposed to an encoded, joke about those Jews held guilty of ruining Christmas. When ­African-Americans turn up—mainly the president—the gags are usually tamer than, say, Limbaugh’s tirades about women. What the jokes more often express is bewilderment about—and resistance to—the speed of America’s demographic turnover. In Not Cool, Gutfeld writes that “the haters of the old white male forget that it was a hardy group of old white men who created this country.” What bugs Gutfeld now, as it does Dunham’s grumpy old Walter and many present-day American conservatives, is that this country insists on perpetually re-­creating itself, progressively whittling down old white men’s monopoly on power.

In this sense, a lot of conservative comedy both expresses and panders to today’s Republican base, older white men who see America changing and feel impotent about thwarting it. The title of a CD by the comic Jeff “Big Daddy” Wayne, It’s OK to Be a White Male, kind of says it all. Among the most popular conservative comics are four middle-aged men, most famously Jeff Foxworthy and Larry the Cable Guy, who have toured under the rubric the Blue Collar Comedy Tour. It is not quite right to say that they are to contemporary comedy what country music is to contemporary music—they really are what Grand Ole Opry–generation country-western is to contemporary music. Though Foxworthy endorsed and appeared with Romney in 2012, much of his and his peers’ humor is not political at all, but the stuff of daily domestic life, the foibles of marriage and kids and aging, much as stand-up used to be before Lenny Bruce, George Carlin, and Richard Pryor, among others, upended the form. Like the Kings of Comedy (the band of black comedians that inspired the Blue Collar Comedy Tour) and the long-touring Catskills on Broadway (an earlier revue featuring classic Borscht Belt Jewish comics), these old-timers have a sustaining audience. But it’s a declining regional niche, not a mass market.

Sometimes conservative comics do surface in bigger “liberal” venues. The Blue Collar guys have appeared on Comedy Central, as has Dunham, whose Christmas special set a ratings record for the network. Nick DiPaolo has appeared frequently on Louie, and in season one he and Louis C.K. erupted into name-calling and fisticuffs over their political differences. (They are friends offscreen.) In his act, DiPaolo’s Obama jokes are nothing if not innocuous: “This guy makes Bryant Gumbel look like Flavor Flav.” When he complains to Louis C.K. that the “white guy doesn’t have a voice in this country anymore,” you have to wonder if the real problem is that the voices of white guys like DiPaolo won’t pay the bills. The core audience for conservative humor—like that of Fox News (median age 68)—is not exactly a lucrative demographic for television advertisers, whatever its value in winning red-state elections or cable-news ratings wars. The median age for Stewart and Colbert on Comedy Central is 43 and 42, respectively, and you have to wonder if it might be younger still were they liberated (as Colbert soon will be) from their satirical addiction to the elderly Fox News brand.

This fall, another stand-up, Michael Loftus, is planning to take a fresh shot at a conservative-comedy news show—a syndicated half-hour titled The Flipside. The pilot has been posted online, and in it, as well as in his regular act, Loftus comes off as genial and smart, if not in possession of a rapier wit. (Sample one-liner: “Jay Z complaining about income inequality is like Honey Boo Boo saying television just ain’t what it used to be.”) His interview guest on the pilot is Larry Elder, a black conservative most recently famous for having defended both Donald Sterling and Cliven Bundy. There’s a joke there somewhere, but not one likely to turn up on The Flipside.

No doubt Loftus and his writers have studied the defunct 1/2-Hour News Hour as a primer in what not to do, but they also might look at one bit that actually scored—an Oval Office sketch with Ann Coulter playing vice-president to Limbaugh’s potus. Dreadful as it sounds, Coulter is funny in it—not because she is a practiced performer (she fusses nervously with her hair) but because she mocks one of her own incendiary tirades from the Bush years. If you don’t stay tuned, she warns the viewers, “we’ll invade your countries, kill your leaders, and convert you to Christianity.”

It’s a revealing little victory that reminds you that conservative comics rarely make fun of their own camp as liberals so profitably do. In Colbert’s notorious 2006 monologue at the White House Correspondents’ Dinner, his mockery of the Bush administration was matched by his skewering of the liberal press corps in the room. (Indeed, Colbert parodied me on another occasion.) Liberal comics also routinely invite conservatives to participate in their shtick. Could anyone imagine a comic of the right, like Gutfeld at Fox, mixing it up with liberals as frequently as Stewart and Colbert have with Gingrich, Rand Paul, Mike Huckabee, William Kristol, Jim DeMint, McCain, Bill O’Reilly, and countless others? Colbert went so far as to hold a mock public rally with Herman Cain. Comedy flowers when you stir in surprise and conflict.

The Chris Christie scandal showed the right’s timidity in confronting its own sacred cows. Bridgegate is no joke for conservatives. The best Dennis Miller could do was change the subject to (what else?) Benghazi: “Eventually Hillary Clinton will say the reason that there were no reinforcements at our consulate in Libya is because they were stuck in traffic on the George Washington Bridge.” By contrast, Jon Stewart was relentless in ridiculing a liberal fiasco, the Obamacare launch, and the administration’s hapless defense of it. His interview with Kathleen Sebelius inflicted more damage than any Fox News jeremiad.

The conservative-comic response to Obamacare was revealing in its toothlessness. Larry the Cable Guy came up with a few retro one-liners (“The Bronze Plan is what color your fingers are going to look like after you give yourself a prostate exam”), but his more sophisticated peers were too angry to accept the huge comic gift that this big-government calamity had handed them. Miller’s lazy pro forma insults were typified by the tweet “They just mistook the Obamacare rollout in Florida for yet another sinkhole.” Colbert’s line of attack—a horror-movie parody titled I Tried to Sign Up for Obama­care—was far tougher. Gutfeld not only declined to make jokes about Obamacare but humorlessly attacked the jokes others were making: “It’s only so we avoid the biggest joke of all, an ideology that denies universal truths about the human condition in order to control you.”

Anger is a mighty source of humor, but it takes talent to refine a crude gusher of rage into comic fuel. Eric Golub, a fringe comic so far right he actually glories in the label conservative, has figured this out. “To blame Hollywood liberalism—which does exist—is an excuse,” he told Politico last year. “Maybe some of the conservatives that are trying are just not that talented.” To see Golub’s point, sample the comic stylings of one vocal complainer about Hollywood’s suppression of non-liberal humor, Evan Sayet, a former Maher writer who turned right after 9/11. His stand-up may have killed at the Republican Jewish Coalition banquet in Santa Monica, but it’s not remotely ready for prime time except as a vanity presentation on public-access cable.

If Rupert Murdoch could find right-wing comics who are funny, you’d bet he’d make a home for them on the Fox network or FX, alongside his liberal staples Louie, Family Guy, and Glee, rather than ghettoize them on Fox News. Most liberal moguls would snap them up too. And if wealthy conservatives covet an entertainment platform of their own, they can build it. Glenn Beck, whose own stand-up-­comedy tour was something less than a national sensation, is now starting a film division—symbolically enough, at an Irving, Texas, studio where such iconic liberal movies as Silkwood and JFK were shot. If David Koch can underwrite the New York City Ballet at Lincoln Center, surely he can pony up for a television comedy studio alongside Comedy Central’s ten blocks down Tenth Avenue.

As no less an authority than Matt Stone of South Park has said about the entertainment industry, “They just want to make money, you know? And there’s something kind of beautiful about that.” Anyone who believes in free markets, as American conservatives profess to, should understand that few markets are as ruthless as show business. It is the customers, not some shadowy conspiratorial gatekeepers, who give comedians the hook—or catapult them into the capitalist nirvana of the one percent.


TOPICS: Culture/Society; Extended News; US: New York
KEYWORDS: conservatives; demagogicparty; frankrich; hollywoodblacklist; humor; memebuilding; newyork; newyorkmagazine; partisanmediashill; partisanmediashills; partisanwitchhunt; pinklisted; politics; rightwingwatch

1 posted on 05/20/2014 1:07:25 PM PDT by nickcarraway
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To: nickcarraway

Who cares what Frank Rich thinks?


2 posted on 05/20/2014 1:11:38 PM PDT by griswold3 (I was born heI're in America. I will die here in a third world country. Obama succeeded.)
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To: nickcarraway

Can liberals be heterosexual?


3 posted on 05/20/2014 1:14:40 PM PDT by clintonh8r (#Don't give up! The liberals are buggering and aborting themselves into extinction.)
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To: nickcarraway

Rich studiously avoids mentioning P.J. O’Rourke.


4 posted on 05/20/2014 1:15:12 PM PDT by Mr. Jeeves ([CTRL-GALT-DELETE])
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To: nickcarraway

This article is so full of crap that it would be hard to know where to start to provide a counter argument. I’ll just say this: most humor is not political, and even if the people performing it are politically liberal, that does not make it liberal humor. Many conservatives liked shows like “Frasier” and “Seinfeld” and “Home Improvement” even if they were mostly written and acted by liberals. The notion that conservative humor would somehow have to involve bullying of the little guy is as wrong as it is offensive.


5 posted on 05/20/2014 1:16:25 PM PDT by Steve_Seattle
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To: nickcarraway

Are you kidding me!? Conservatives are the only ones who are actually funny! The lib’s depend of filth, sex, and shock value. NOT funny at all.
A truly funny person can make jokes out of any circumstance and crack you up without all the vomit the leftists attach to it.


6 posted on 05/20/2014 1:20:59 PM PDT by vpintheak (I will not comply!)
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To: nickcarraway
Started to read.

Suspected the author was a moron but gave him a chance.

Had it confirmed with the lines:

"What bugs Gutfeld now, as it does Dunham’s grumpy old Walter and many present-day American conservatives, is that this country insists on perpetually re-­creating itself, progressively whittling down old white men’s monopoly on power.

In this sense, a lot of conservative comedy both expresses and panders to today’s Republican base, older white men who see America changing and feel impotent about thwarting it"

And that's where I stopped wasting my time reading...

Life's to short to waste on drivel.
7 posted on 05/20/2014 1:21:36 PM PDT by chrisser (Senseless legislation does nothing to solve senseless violence.)
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To: nickcarraway
"The Chris Christie scandal showed the right’s timidity in confronting its own sacred cows."

Proof that the writer knows conservatives not at all. The left is absolutely blind to true conservative nature.

As for humor, conservatives like intelligent, adult, witty humor, and appreciate subtle nuance, sarcasm and parody. We don't like potty-mouthed, genitalized, sophomoric outburts so much.

8 posted on 05/20/2014 1:22:19 PM PDT by polymuser
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To: nickcarraway

funnier than libturds.


9 posted on 05/20/2014 1:26:42 PM PDT by bravo whiskey (We should not fear our government. Our government should fear us.)
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To: nickcarraway

“Here in Texas we have the death penalty for murderers. . . and we yoooouzze it!!!” Ron White

Of course conservatives are funny, unless you are a libtard with no sense of humor.


10 posted on 05/20/2014 1:26:48 PM PDT by RatRipper (The political left are utterly evil and corrupt)
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To: nickcarraway

It’s hard to have a sense of humor when communists are pissing on your constitution, raising your taxes, taking your guns and persecuting you because you’re straight and Christian.


11 posted on 05/20/2014 1:30:10 PM PDT by albie
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To: RatRipper

….some states are thinking about stopping the death penalty, here in Texas, we’re thinking of putting in a drive thru winduh…...


12 posted on 05/20/2014 1:30:16 PM PDT by C. Edmund Wright (Do NOT suffer fools gladly…and message boards are full contact arenas)
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To: nickcarraway

PFL


13 posted on 05/20/2014 1:30:25 PM PDT by Alex Murphy ("the defacto Leader of the FR Calvinist Protestant Brigades")
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To: nickcarraway

Some of my stuff is pretty funny….in a way that tortures liberals: like my column “Sam the Sham”
http://www.americanthinker.com/2014/05/michael_sam_the_sham.html

I mean it’s not comedy, but it is political humor.


14 posted on 05/20/2014 1:31:38 PM PDT by C. Edmund Wright (Do NOT suffer fools gladly…and message boards are full contact arenas)
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To: nickcarraway

Some of my stuff is pretty funny….in a way that tortures liberals: like my column “Sam the Sham”
http://www.americanthinker.com/2014/05/michael_sam_the_sham.html

I mean it’s not comedy, but it is political humor.


15 posted on 05/20/2014 1:32:01 PM PDT by C. Edmund Wright (Do NOT suffer fools gladly…and message boards are full contact arenas)
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To: nickcarraway

conservatives are not allowed on TV

period


16 posted on 05/20/2014 1:33:36 PM PDT by GeronL (Vote for Conservatives not for Republicans!)
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To: C. Edmund Wright

bump


17 posted on 05/20/2014 1:36:59 PM PDT by GeronL (Vote for Conservatives not for Republicans!)
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To: chrisser

I started to read it too. Too long for that.

Tried skimming the article. Even that would take too long.

I know the comments will let me know what there is to know.

Thanks. I now don’t need to bother with reading more of the article.


18 posted on 05/20/2014 1:39:30 PM PDT by Responsibility2nd (NO LIBS. This Means Liberals and (L)libertarians! Same Thing. NO LIBS!!)
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To: nickcarraway

How would Frank know?


19 posted on 05/20/2014 1:46:56 PM PDT by RichInOC (No! BAD Rich! (What'd I say?))
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To: Mr. Jeeves

...and Norm Macdonald.


20 posted on 05/20/2014 1:54:39 PM PDT by who_would_fardels_bear
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To: nickcarraway

It’s hard to be funny when you see your world crumbling around you.


21 posted on 05/20/2014 2:04:32 PM PDT by dangerdoc
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To: nickcarraway

Well, that was an enormous pile of crap. Oh, I see, Frank Rich wrote it. I wish I had seen that before diving in.


22 posted on 05/20/2014 2:05:31 PM PDT by cdcdawg (Be seeing you...)
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To: Mears

bfl


23 posted on 05/20/2014 2:09:53 PM PDT by Mears
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To: nickcarraway

Can Liberals Get their Inane, Nasty, Narcissistic Ideas Across In Less Than 3 Pages?

Anyway, I think Rush is Hilarious, just to start.

Plus, we find liberals to be sickeningly easily amused.

We see it when they show clips like in the Bernie Brief, and when we go to the movies at the artsy revival cinema.

Watch the clip of SNL making fun of Jayzee and solange. They are apopleptic. It’s like they’re amazed that people can be so funny. But it’s not funny. It’s a nasty domestic dispute and the spoof is unimaginative and amateurish.


24 posted on 05/20/2014 2:12:30 PM PDT by stanne
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To: nickcarraway
What delusional left-wing jackasses like this Frank Rich character don't realize is that the stereotype of the conservative as a finger-wagging church lady is long outdated. Left-wingers are now the new church ladies - finger-wagging at anything and everything that might fall slightly out-of-bounds or paint one speck of color outside of the lines. Try making a real joke these days - racist! sexist! homophobic! Heck, for that matter, just try saying hello to someone, but don't forget to check your privilege!

Left-wingers constitute the whole of the Hollywood machine these days, including comedy, but only because the rezident political officer allows only left-wingers to be seen. The truth is that left-wing comedians are funny to nobody except other hardcore left-wingers, or those under 18 who laugh uproariously at their scat and sex jokes. Here is the gist of "humor" during the Bush years: "George Bush - what an a**hole, eh?" [crowd of leftwing nutbags goes wild]. "I sure hate that guy, wish he would get AIDS from a gorilla and die!" [crowd of left-wing nutbag goes wild again].

I'm not saying you have to be retarded to laugh at left-wing comedians, but it helps.
25 posted on 05/20/2014 2:15:49 PM PDT by fr_freak
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To: nickcarraway

Oh the liberals DO have an agenda in Hollywood, even if it costs money.

“How I trained your dragon II” (a kids’ animated movie) has a major gay character coming out.

That will kill their market, and they don’t care. They just want people to know.


26 posted on 05/20/2014 2:42:48 PM PDT by Jewbacca (The residents of Iroquois territory may not determine whether Jews may live in Jerusalem)
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To: nickcarraway
Sure Frank, watch this...

A brunette, red head and blond go hunting. They come upon a set of tracks. The brunette says, "deer tracks." The red head says, no "bear tracks."

The blonde gets hit by the train.

5.56mm

27 posted on 05/20/2014 2:50:40 PM PDT by M Kehoe
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To: nickcarraway

Apparently, Frank Rick never saw MadTV’s parody of The View

https://www.youtube.com/watch?v=T8-RGQUAdno#t=16


28 posted on 05/20/2014 3:04:48 PM PDT by Ge0ffrey
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To: AdmSmith; AnonymousConservative; Berosus; bigheadfred; Bockscar; cardinal4; ColdOne; ...

We’re hilarious. Leftist media trash have no sense of humor, and are not funny. They are mean-spirited, offensive pricks. Thanks nickcarraway.


29 posted on 05/20/2014 3:35:35 PM PDT by SunkenCiv (https://secure.freerepublic.com/donate/)
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To: nickcarraway

The most outrageous claim was that liberals are all so self-deprecating and never take themselves too seriously, unlike conservatives.

What planet is Rich living on? He has to be kidding?

Political correctness comes from an aggrieved, over victimized classes and that is the nature of the liberal left. They practice it!

They caterwaul over the tiniest perceived slight - they have been doing it for decades.

He is out of his mind!


30 posted on 05/20/2014 3:54:26 PM PDT by Titus-Maximus (Light from Light)
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To: nickcarraway

Conservatives definitely have the lock on funny conservative pundits. There are no liberal scribblers as funny as Mark Steyn, Ann Coulter, James Lileks, P.J. O’Rourke, or at times Jonah Goldberg. Today’s standup comics are not funny. Invective and foul language is not necessarily humor.


31 posted on 05/20/2014 3:55:55 PM PDT by driftless2 (:-))
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To: fr_freak
Just one example: Did you hear the latest Obama joke?

That's not funny and you're a racist.

Liberals are the thinnest skinned little twerps who ever existed. Oh, they can be funny when they DON'T talk politics.

But if someone DARES to ridicule a liberal "icon", the long knives come out.

32 posted on 05/20/2014 3:56:45 PM PDT by boop (I just wanted a President. But I got a rock.)
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To: nickcarraway
If conservatives thought it was funny liberals wouldn't laugh anyway. Hence, to a liberal, a conservative cannot be funny.

Hence, P.J. O'Roarke was quite the wit, but remains esoteric.

33 posted on 05/20/2014 4:31:30 PM PDT by Carry_Okie (The tree of liberty needs a rope.)
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To: nickcarraway

When you present a false premise everything else you state is
just so much drivel.....

“conservative = privileged ; liberal = underdog”

Frank, if that bullshit were ever true it sure as hell isn’t now and
hasn’t been for a long time.


34 posted on 05/20/2014 8:26:03 PM PDT by Sivad (NorCal red turf)
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To: nickcarraway; GeronL
The right, like the left, has a habit of overplaying the victim card. Given that there are many out A-list Republicans in Hollywood, from Rupert Murdoch to Clint Eastwood to David Mamet to Adam Sandler, it would seem that all the paranoia about left-wing McCarthyism is unfounded.

He lost me by the third paragraph.

The bitchmedia's backlash against the Duck Dynasty show, the HGUAAC-TV home show, and others who "dissent" show that there IS a hard blacklist/pinklist in effect. And it is led by the Left's own version of "Red Channels" called "Right Wing Watch".

Only a dipsh!t libtard would refuse to see the forest for the trees.

35 posted on 05/21/2014 4:29:41 AM PDT by a fool in paradise (The new witchhunt: "Do you NOW, . . . or have you EVER , . . supported traditional marriage?")
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To: a fool in paradise

This person ignores reality on purpose of course


36 posted on 05/21/2014 8:56:45 AM PDT by GeronL (Vote for Conservatives not for Republicans!)
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