The 36-member, international “Boomerang” (Balloon Observations of Millimetric Extragalactic Radiation and Geomagnetics) collaboration, led by Andrew Lange of Caltech and Paolo de Bernardis of the University of Rome, confirms that a plot of CMB strength peaks at a multipole value of about 197 (corresponding to CMB patches about one degree in angular spread), very close to what theorists had predicted for a cosmology in which the universe’s overall curvature is zero and the existence of cold dark matter is invoked…
The shape of the observed pattern of temperature variations suggests that a disturbance very like a sound wave moving through air passed through the high- density primordial fluid and that the CMB map can be can be thought of as a sort of sonogram of the infant universe. (de Bernardis et al., Nature, 27 April 2000.)
Big Bang Evidence Found – 5/2/2001
“The early universe is full of sound waves compressing and rarefying matter and light, much like sound waves compress and rarefy air inside a flute or trumpet,” explained Paolo deBernardis of the University of Rome La Sapienza, one of the members of the Balloon Observations of Millimetric Extragalactic Radiation and Geophysics (BOOMERanG) team. “For the first time the new data show clearly the harmonics of these waves.”
Harmonics in the Early Universe – 6/5/2001
The MAXIMA, BOOMERANG, and DASI collaborations, which measure minute variations in the CMB, recently reported new results at the American Physical Society meeting in Washington, D.C. All three agree remarkably about what the “harmonic proportions” of the cosmos imply: not only is the universe flat, but its structure is definitely due to inflation, not to topological defects in the early universe.
The results were presented as plots of slight temperature variations in the CMB that graph sound waves in the dense early universe. These high-resolution “power spectra” show not only a strong primary resonance but are consistent with two additional harmonics, or peaks.
The peaks indicate harmonics in the sound waves that filled the early, dense universe. Until some 300,000 years after the Big Bang, the universe was so hot that matter and radiation were entangled in a kind of soup in which sound waves (pressure waves) could vibrate. The CMB is a relic of the moment when the universe had cooled enough so that photons could "decouple" from electrons, protons, and neutrons; then atoms formed and light went on its way.
By the word of the LORD were the heavens made; and all the host of them by the breath of his mouth. – Psalms 33:6
(AP) Imagine the human genome as music. Unravel DNA's double helix, picture its components lined up like piano keys and assign a note to each. Run your finger along the keys...
French-born composer Richard Krull turned DNA sequences - a snippet of a gene might look like AGCGTATACGAGT - into sheet music. He arbitrarily assigned tones of the eight-note, do-re-mi scale to each letter. Thymine became re, for instance. Guanine is so, adenine la and cytosine do.
Played solo on percussion, classical guitar or the other instruments used on the CD, the sequences would sound cute but rudimentary, the musical equivalent of PacMan in an era of Microsoft Xbox.
So the alphabet soup of bases served as just that, base lines to accompany melodies composed by Krull and his scientific colleague. They say the melodies were influenced, even dictated, by the mood and rhythm of the underlying genetic code.
There is provided a method for determining the musical notes associated with an amino acid sequence, the musical periods of the sequence, the lengths of the notes, and the tone quality of the notes through the retroaction of the whole set of amino acids and using that information to regulate the biosynthesis of the protein. The amino acids that build a protein emit a signal of quantum nature at a certain frequency. Following the properties of this signal, the frequency is transposed into a musical note. This discovery has numerous applications since one can then deduce from the amino acid sequence of a protein a sequence of notes composing the melody that will act to stimulate or inhibit its synthesis inside an organism, wherefrom one can in addition delimit its biological functions.
Just my two cents…