Posted on 12/04/2007 1:52:05 PM PST by NYer
ROME (CNS) -- Catholics, Anglicans and Methodists filled Rome's Basilica of St. Paul Outside the Walls with some of the most famous hymns written by Charles Wesley at a service marking the 300th anniversary of the Methodist reformer's birth.
The songs, featured in hymnals across denominational lines, were the focal point of the Dec. 3 ecumenical evening prayer service in the Catholic basilica.
The Rev. John Barrett, president of the World Methodist Council said, "It was mind-blowing really" to celebrate Wesley and sing his hymns "in Rome with an ecumenical gathering."
"I think Charles Wesley would be thrilled. He did not write these hymns just for Methodist people, but because they expressed Christian truths," Rev. Barrett said.
Cardinal Walter Kasper, president of the Pontifical Council for Promoting Christian Unity, presided over the prayer service and told the congregation it was appropriate to celebrate the anniversary of Wesley's birth with his songs because it is "through these hymns that Roman Catholics have come to know and appreciate" him.
Charles Wesley and his older brother, John, were Anglican ministers who began the reform movement that eventually became the Methodist church. While John's break with the Church of England was almost total, Charles continued to serve as an Anglican minister until his death.
The younger Wesley wrote some 6,000 hymns, including "Hark! The Herald Angels Sing," "Christ the Lord Is Risen Today" and "Love Divine, All Love Excelling."
Cardinal Kasper said the "eloquent language and theological depth" of Wesley's hymns address the basic truths of Christian faith that Catholics and Methodists hold in common.
They speak of "God's universal love made known in Jesus Christ, the call to scriptural holiness and renewal of life, the sacramental life of the church, Christian hope and the presence of the Holy Spirit," the cardinal said.
Rev. Barrett told the congregation, "Methodism was born in song." But, unfortunately today even in Methodist congregations his hymns are increasingly replaced by "praise hymns long on emotion but short on theology," he said.
He said young people seem to find it difficult to sing traditional hymns, and they seem to have difficulty articulating what they believe. "I think the two are related," he added.
In an interview after the service, he said he thought too many Christians of all denominations are turning to "easy, undemanding worship songs."
"It is a great pity if you do not sing hymns with a theological content; you will not learn to articulate theological truths," he said.
Anglican Bishop John Flack, the archbishop of Canterbury's representative in Rome, also participated in the service, which featured a quartet from the Church of England parish in Rome, an Italian Methodist choir and a Gospel choir from an African Methodist Episcopal Zion parish in Decatur, Ga.
Bishop Flack read a message from Anglican Archbishop Rowan Williams of Canterbury, who said Wesley "made his theology so brilliantly accessible through his hymns, which taught generations of Anglicans and Methodists, and an increasingly large number of others, how to inhabit the world of scriptural and traditional imagery with grace and fervor and intelligence."
The Rev. George Freeman, general secretary of the World Methodist Council, said Wesley's hymns have been used in the official Catholic-Methodist dialogue to demonstrate how many essentials of faith and doctrine the two hold in common.
"We have found a resonance that, like a tuning fork, strikes a responsive chord within us both," he said. "We are encouraged that our dialogue partners see the hymns of Charles Wesley as gifts to be received and as a theological source, which can assist us in working toward full communion in faith, mission and sacramental life."
You know Cedar Bluff?
My gggg grandfather is buried in the cemetery there.
Charles Wesley wrote some wonderful hymns. Better than Marty Haugen, to be sure!
I’m jealous that you get to sing Renaissance polyphony in your choir. We sing some pretty decent hymns for a Catholic church (red Worship hymnal) and the anthems are OK, but I would love a Byrd, Tallis or Palestrina, even if just once a month!
A couple of standards that anybody ought to be able to sing are the Byrd Ave Verum Corpus or the Tallis If Ye Love Me or Verily, Verily I Say Unto You. The Verily has a funny cross relation between the tenor and alto lines somewhere towards the end of the first section, but if the altos just shut their ears and bull ahead it will all be over in two beats!
I just got a copy of the 1991 edition a couple of months ago, and they have re-set the words at 350 to "Nativity" which does not appear elsewhere in the 1991 edition (OR in the 1971 or 1911) but is a VERY old hymn tune, 1812, and I know it from somewhere else.
We sang Faure’s Requiem a few years ago on All Souls’ Day. The soprano we had who did the Pie Jesu solo sang it beautifully - no vibrato. We still talk about it occasionally. At the time we also had an amazing priest musician as our choir director.
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