Posted on 09/19/2014 6:01:06 PM PDT by AZamericonnie
It’s coming....the leaves are turning and falling big time. The lawn if a blanket of golden leaves.
Triple-time rarely occurs in rock unless its 6/8 slow dance time. Who would have had the courage to write a waltz in 1967? Almers lyrics are mind-bending, haunting and unforgettable. Some 47 years later, I can still recite the words to this song.
Tandyn Almer took a job at Herb Alperts and Jerry Moss A&M Records as a songwriter and arranger. Herb and Jerry teamed him with Larry Marks, one of the more creative producers in-house. Marks, who would later write L.A. Break Down and Take Me In, was a producer who liked multiple layers in a recording just like Almer.
The lead singer was Ruthanne Friedman, who wrote Windy for the Association the same year. Under Friedmans vocal line, it sounds like there are twenty musical lines going on at the same time. There is an air of both menace and an implacable sadness; it sounds like something that would have fit the soundtrack of an independent cult film like Carnival of Souls. Catch the out-of-tune piano and calliope in the arrangement. If I had to name a masterpiece to sit alongside Along Comes Mary, this would be it. Its unique and a personal favorite.
Kind of a demented waltz.
I like demented waltzes. They are Spooky...like Valse Triste and the waltz from Masquerade, two of my all-time favorites..
Very apt description. It sounds like an acid trip set to music.
Interesting how a waltz can be serene, romantic, sensual, glorious...
or DEMENTED! LOL!
Ravel’s “La Valse” is another great example.
EVEN my uncle notice about Fairbanks Ak they getting rain last week it warm up a little bit back to rain he notice that leaves are turning Winter is coming to Alaska very soon
This song highlights the problems with Almers voice its awfully weak and a better vocalist could have put this across. The song starts well but doesnt quite follow through.
Yeah... I agree.
The obvious influence here is Bob Dylan and Subterranean Homesick Blues in particular. (Dylans song also influenced Eddie Rabbitt.) Its a stream-of-consciousness commentary, and Almers voice isnt great. This was his debut single, released by A&M in 1969. It went nowhere, not even on FM Progressive Rock. It was supposed to introduce his debut album, but that album didnt see the light of day until 2013 after Almers death. He is kind of cute, though.
Here is a list of the songs in the Jukebox:
Artist/s - Song Names:
Electric Light Orchestra - Strange Magic
Emerson, Lake And Palmer - Lucky Man
Enoch Light And The Command All-Stars - My Heart Belongs To Daddy
Floyd Cramer - Last Date
Fourplay - Fortune Teller
George Duke - I Want You For Myself
German Villareal And The Mambo Big Band - Cuando Te Vea
Glenn Miller - Moonlight Serenade
Gregg Karukas - London Underground
Harry James And His Musicmakers - Sugar Foot Stomp
Herbie Hancock And Joni Mitchell - The Man I Love
JamesTaylor And Carly Simon - Mockingbird
Jeff Golub - Cold Duck Time
Jefferson Airplane - Somebody To Love
Jethro Tull - Aqualung
Jimi Hendrix - Foxy Lady
Mana ( With A Tilde On the N ) - Azucare
Mana ( With An Accent On The 2nd A ) - El Rey Tiburon
Manteca - Gozando El Timbal
Marc Anthony - Dimelo ( I Need To Know )
Mario E Ortiz - A Fuego Lento
Marisela Verena - Nosotros Los Cubanos
Mercadonegro - Tributo A Eddie Palmieri
Michael Stuart - Yo Te Quiero Dulce
Mulenze - Tu Voz Concierto
Olga Tanon - Amores Extranos
Pedro Jesus - Amar Es Algo Mas
Pete 'El Conde' Rodriguez - Tumbakutun
Pete Escovedo - Solo Tu
Poncho Sanchez - Icon
I’m sure we both will. :)
It was time for Almers two swan songs in L.A.
In his years at A&M, Almer rubbed shoulders with a lot of musicians, but the one relationship that worked out was with Brian Wilson of the Beach Boys. It didnt start well, though. The two got into an argument in the A&M parking lot which escalated into a fistfight; the police had to break it up. Despite that, Almer collaborated with Brian Wilson for his last two successes.
The song is about a hooker, but the bands manager played with the lyrics to keep it open to potential release as a single.
Purely in terms of having a hit, Almer had his one shot with the Association in 1966, and now he would have his second and last hit collaborating with Brian Wilson. This sold well in 1974 and marked the end of Almers decade in L.A. The lyrics are typical Almer with that stream-of-consciousness touch.
Almer had paralyzing stage fright, and he preferred staying out of the spotlight. By 1974, he had run out his string in Los Angeles, so he packed his bags and took Amtrak to Washington, DC. In the Eighties and Nineties, he wrote songs for Hexagon, a local musical review. He rented a basement room from a saxophone teacher at Northern Virginia Community College and used their practice rooms. Sometimes he would bury himself in a practice room playing piano for four days at a clip without sleep. The tapes from these sessions are still being cataloged. He may have written nearly 300 songs in his Washington years.
He joined Mensa, had a few girlfriends and lived a happy life on the royalties from his songs and the Slave Master bong; there was no bitterness about his years in the music business. Occasionally he would drive a taxi or build computer circuit boards, but his money usually went for a new keyboard or a used car. He continued to live a largely anonymous life in a basement apartment in McLean, Virginia.
His health finally failed him his chain smoking took a toll and he died last year at age 70. His debut album from 1969 was finally released last year and is gathering attention.
Thats it for tonight. Next week its September 1969. Cue the Rockumentary theme!
Great Rockumentary tonight, Mr. P! :)
Almer had some interesting tunes.
I had hesitated to do Almer’s songbook with the other great songwriters because his work was so obscure. Even those of us who prefer “geezer rock” to current music barely remember what he did. Upon his death last year, I did some research and came to the conclusion that he deserved an evening. There was definitely talent there. He just had bad luck getting it across. With a good producer like George Martin, he might have been a success.
Sounds like he hung in there though, and didn’t give up trying. :)
At least till crazy rock and (ugh) hip-hop took the place of the good stuff. LOL!
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