I have called this post, "the director's cut", as that is what it is. The narrative here is of how the combination of Hezbollah's media management and modern photo-journalism has turned the recording of a tragic event into theatre, in the best tradition of Michael Moore. As best we can, we have pieced together the jumble of evidence which surrounded the production of the iconic photographs which were published around the world, and put them in perspective. Many of the photographs have been used before, some are new to this site and others are video "grabs". But it is not...