Not a fan of all that vibrato. Find it quite maudlin. Stern, Perlman and their ilk are pretty much unlistenable for me.
Much prefer baroque violin—in the hands of a Baroque master like Rachel Podger:
If I must listen to that sort of over-the-top, vaudevillian, degraded violin, I’ll take Stephane Grapelli:
Sorry. JMHO. You asked :-)
Vibrato is part of the zeitgeist, considered a necessity in Kreisler’s day. OTOH, Baroque performance required ornamentation that seems like so much squiggly wallpaper to contemporary ears. Oddly enough, the one place we find melismatic ornamentation in music today is R&B singing since at least Whitney Houston.