without custard on his chin
Posted on 03/14/2024 10:39:54 PM PDT by nickcarraway
12 Iconic Rock Songs That Are Horribly Misogynistic (or Worse!)
Times change, and social mores change with them. When that happens, a lot of things that used to seem perfectly normal – such as classic rock songs with less-than-evolved views – become objectionable, and excusing it by saying “boys will be boys” just doesn’t do the trick.
What follows are twelve iconic rock songs that have remained popular for decades but have lyrics that no record producer in 2024 would green-light. If we’ve inadvertently ruined your enjoyment of some of these songs by making you aware of the lyrics, we apologize.
1. ‘Under My Thumb’ by The Rolling Stones (1966)
The Rolling Stones could be a category unto themselves when it comes to misogynistic lyrics. One of their most famously objectionable songs is “Under My Thumb” from 1966, and despite being within striking distance of its 60th birthday the lyrics still have the power to offend audiences today. While it’s hard to pick the single most offensive couplet from this song, we’re going to cite, “Under my thumb is a Siamese cat of a girl… she’s the sweetest pet in the world.”
2. ‘One in a Million’ by Guns N’ Roses (1988)
Guns N’ Roses were never the most politically correct band in the world, but many people agree that their 1988 song “One in a Million” didn’t just cross a line, but pole-vaulted over it. The lyrics are so rancid in their homophobia, racism, and xenophobia that we can’t even repeat them here, so you’ll just have to take our word for it. But on the plus side, the song is so busy impugning Black people, immigrants, and gay people that it never gets around to being misogynist.
3. ‘Brown Sugar’ by The Rolling Stones (1971)
This one is painful because the music to this Rolling Stones song is great, and between the riffs and the beat, it’s pretty irresistible. But those lyrics! They depict slavery in the United States as a risqué bit of mischief resulting in many naughty trysts between chattel slaves and the people who enslaved them. The band finally removed the song from their set list during their 2021 tour, a full 50 years after the song’s release.
4. ‘Run for Your Life’ by The Beatles (1965)
Between songs like “All You Need Is Love” and “Octopus’ Garden,” the Beatles developed a reputation as songsmiths so inoffensive you could play their music for your toddler to no ill effect. Still, there are a few problematic nuggets in their catalog, such as “Run For Your Life” from 1965, in which John Lennon expresses some alarmingly stalker-ish sentiments, such as, “I’d rather see you dead, little girl, than to be with another man.” For Lennon to refer to his significant other as “little girl” is not exactly peak feminism either.
5. ‘Fat Bottomed Girls’ by Queen (1978)
On the one hand, you can see Queen’s 1978 masterpiece “Fat Bottomed Girls” as a celebration of the plus-size body type. However, it’s easy to see why some people would be offended by such lyrics as, “Left alone with big fat Fanny, she was such a naughty nanny, heap big woman, you made a bad boy out of me.” At the same time, the lyrics credit the amply proportioned woman with the earth’s rotation when Freddie Mercury sings, “Fat bottomed girls you make the rockin’ world go round,” so on a misogyny scale of one to ten, we’re only giving this one a four.
6. ‘My Sharona’ by The Knack (1979)
The first time a lot of people heard “My Sharona” in 1979, its herky-jerky, robotic guitar riff made it an instant classic. Unfortunately, the lyrics are pretty openly pervy, as demonstrated by the chorus snippet that goes, “I always get it up for the touch of the younger kind,” which brings to mind an outlook that someone like R. Kelly might share. Songwriter Doug Feiger said that he wrote it at age 25 about a real girl named Sharona who was 17 at the time, but he wrote it from the perspective of a 14-year-old boy, a claim automatically refuted by the song’s lyrics.
7. ‘Every Breath You Take’ by The Police (1983)
“Every Breath You Take” was the biggest hit of the Police’s career, and it’s remained popular through the years as both a love song and a slow-dance number. If Sting, who wrote it, had just kept his mouth shut, it would forever be known as a kind of unremarkable love song, but he explained that was not the case, and it’s actually sung from the point of view of a stalker. “I was thinking of Big Brother, surveillance and control,” he said.
Image Credit: The Police by Scott Ableman (CC BY-NC-ND).
8. ‘Walk on the Wild Side’ by Lou Reed (1972)
The most successful song of Lou Reed’s career, “Walk on the Wild Side” is a counterculture anthem that describes people no one was really singing about at the time, such as trans women and male prostitutes. While it’s not misogynistic, transphobic, or racist, it does use certain terms that went way out of fashion decades ago. He likely never meant any harm by it, but hearing those words will cause severe-to-moderate cringing by anyone born after 1960.
9. ‘Centerfold’ by The J. Geils Band (1981)
“Centerfold” was the biggest hit of the J. Geils Band’s career, and the melody, hooks, and “na na na na na na” vocal section are pretty hard to beat. It depicts a man whose high school crush has re-entered his life via the centerfold of a “girlie magazine,” a subject that can cause automatic ire to much of the listening audience. While the lyrics don’t get into anything too outrageously offensive, some people felt that the way the song ends, with the narrator hoping to abscond with his love to a motel, could have been a bit more enlightened.
10. ‘Used to Love Her’ by Guns N’ Roses (1988)
Guns N’ Roses never saw a list of offensive songs that they didn’t want to be included in, and “Used to Love Her” certainly deserves its place on such a list. While songs in which people sing about no longer loving their romantic partner have existed since time immemorial, this one goes the extra step of saying, “I used to love her, but I had to kill her, I had to put her six feet under, and I can still hear her complain.” Hasn’t he ever heard of couples therapy? Critic Stephen Thomas Erlewine specifically called the song out for its “misogyny” and he wasn’t wrong.
11. ‘Money for Nothing’ by Dire Straits (1985)
“Money for Nothing” was a huge hit for Dire Straits. The song is sung from the perspective of a blue-collar worker who perceives rock musicians as people who make obscene amounts of money without working a real job. Several epithets are deployed by this character throughout the song’s lyrics, and the impact of those words on women and gay people was something the band clearly didn’t think through when they wrote the song. Dire Straits guitarist Mark Knopfler has since spent a lot of time explaining the meaning of the song to people, and as any political consultant will tell you, if you’re explaining, you’re losing.
12. ‘Some Girls’ by The Rolling Stones (1978)
Guns N’ Roses may have wanted to be the most offensive band on earth, but they would have to wrestle it out of the hands of the all-time repeat offenders, the Rolling Stones. “Some Girls,” for example, is a bottomlessly offensive song that first characterizes women as gold diggers who are only after Mick Jagger’s money. The lyrics then go into a whole section in which Sir Mick runs down all the different ethnic types of women (French, Italian, American, Chinese, Black, etc.) and reduces them to stereotypes that are both racist and sexist! We can’t print any of them here, but trust us on this one.
So... who are the progressive asswipes at “Mediafeed”? And why ought we to give them the time of day?
I suspect Daniel, is heavily “educated” from a prestigious college.
Who comes up with these lists? Like there are only 12? There are so many more that are not on this list that get picked on. Not much is left that does not offend someone.
I am tired of faggoty concern trolls trying to shame us 24x7x365. I will begin playing these wherever leftists hang out.
He’s obviously a queer black guy, since he included those ‘phobias’ in there too.
Grand Funk Railroad. Shoulda been No.1
We’re an American band. The title. Big and bold and proud!
Sweet, sweet Connie, doin’ her act
She had the whole show and that’s a natural fact
Dont forget the 4 Chaquitas from Omaha who was out to meet the boys in the band.
~This entire song is misogynistic in every verse as well as the theme of the song and the Title.
I can come up with a better list than that!
Mainly because I had one or two creepy songs dedicated to me.
London After Midnight “Kiss” (or the Dope Stars Inc cover of it)
Queensryche “Gonna Get Close to You”
Donnas “Take Me to the Back Seat” and “Shake it Off”
Guns n Roses “Pretty Tied Up”
(Look up the lyrics!)
Sounds to me like the author is just upset over something and wants to complain.
“At the same time, the lyrics credit the amply proportioned woman with the earth’s rotation when Freddie Mercury sings, “Fat bottomed girls you make the rockin’ world go round,””
Idiot click bait website foreigner wrote it or idiot who doesn’t understand idiomatic expressions or dude who’s laughing at his clickbait woke satire all the way to the bank.
Pure assed weakness
Why do they care
Most young white men middle class and up are straight up soft as butter on my Mississippi windowsill 1965 when we had no AC
It’s pathetic
Never ever has a civilization self destructed like ours has
>> He’s obviously a queer black guy
“Meet our team... Michael Schreiber...Constance Brinkley-Badgett... Kris Collingridge... Kaitlyn Farley...”
But but but those names EXUDE White Privilege out of every pore!!! ROFL.
“Constance Brinkley-Badgett”... I’m developing a mental image of a chubby white progressive chick from NYC or maybe Boston... bet I’m not wrong! LOL
without custard on his chin
White boy, behold... an ARTIST.
ROFLMAO! What trash.
That band has an astrophysicist in it so I am sure they accounted for that.
Libtards would love Crusader by Saxon
Crusader, the Lord of the Realm
To battle, to battle, the Saracen hordes
We follow the warrior king
Onward, ride onward, into the fight
We carry the sign of the cross
Warlords of England, Knights of the Realm
Spilling their blood in the sand
Crusader, crusader, the legend is born
The future will honour your deeds
ELP, Carn Evil #9
“Performing on a stool we’ve a sight to make you drool
Seven virgins and a mule keep it cool, keep it cool
The Doors:
“Build me a woman,
Make her ten feet tall.
Build me a woman,
Make her ten feet tall.
Don’t make her worthless,
Don’t make her small.
Build me someone I can ball
All night long.”
RUSH “Need Some Love”
Note - This song was from their first album. The drummer at the time had written lyrics, but tore them up right before the 2-hour recording session that they had (for the entire album!) So the lyrics for the album were written in haste (some the day of recording). Thankfully the group found a new drummer who loved to write!
Well I been hustlin’ here,
I been hustlin’ there.
I been searchin’ for about a week.
And I started feelin’
this strange sensation.
My knees are startin’ gettin’ weak.
Well I need what keeps
a young man alive;
I’m sayin’ I need it now.
I’m gonna get the message
across to you
someway, somehow.
Oo, I need some love.
I said I need some love!
Oo yes, I need some love
This feelin’ I can’t rise above.
Oo, yeah yeah!
This is almost trolling. Who cares what some 20-something soybitchboy thinks about real music? (He won’t even mention Ted Nugent/Stranglehold)
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