Three names: Marin Alsop, Rachel Worby and Margaret Hillis.
I guess I tend to agree with Jansons on this. While I am sure it is possible that a woman can be a great conductor (there are certainly many great women orchestra members and soloists), I would probably eschew a recording by a woman conductor for fear that she's an affirmative action hire and not really very good. The fact that Jansons had to apologize shows that women conductors are a protected class like any other class that receives the benefits of affirmative action.
I did buy a Marin Alsop recording once of the Brahms 1st. I bought it because it was in SACD format. However, the performance sounded to me like a copy of Bernstein's versions. From that point, I started to think of her as an unoriginal conductor. I may have been wrong, but there are so many great recordings by so many great conductors that I don't feel inclined to listen to any more women conductors unless I read a rave review by a reviewer I trust.