Free Republic
Browse · Search
Religion
Topics · Post Article

To: SanchoP

There is a good probability that this was not about race at all, but about a distinct animosity between two men who were acquainted with each other in a very difference context, and Derek Chauvin, a “dirty cop” in the very best of the tradition, was a “quick on the trigger” kind of Dirty Harry. El Nuevo Rodeo, the Latin nightclub where Chauvin worked as a security guard, also employed George Floyd. The nightclub had at one time been under investigation for passing of counterfeit bills, which may have been the source of the $20 bill that George Floyd attempted to pass. It is quite possible that Derek Chauvin knew a great deal more about the counterfeiting operation, and when George Floyd attempted to pass a bill, the assault that Officer Chauvin visited upon Floyd was a punishment directed from above to close a possible line of inquiry about the alleged counterfeiting ring.

The death was by no means accidental.


9 posted on 06/12/2020 7:52:18 AM PDT by alloysteel (Freedom is not a matter of life and death. It is much more serious than that..)
[ Post Reply | Private Reply | To 2 | View Replies ]


To: alloysteel

https://www.dallasnews.com/news/investigations/2019/07/31/you-re-gonna-kill-me-dallas-police-body-cam-footage-reveals-the-final-minutes-of-tony-timpa-s-life/
Then what was this? Same police procedure,racism? Both White,black officer standing just to the right.
Have you heard of “Excited Delirium” ,Look it up,this police procedure is used in those cases,when and if you get to hear the actual police can recording,you will hear the officer ask,Excited Delerium to Officer Chauvin,he replies,that’s why he is on his stomach,not this guy is black,or I know him he is an ahole.


13 posted on 06/12/2020 8:06:00 AM PDT by ballplayer (By)
[ Post Reply | Private Reply | To 9 | View Replies ]

Free Republic
Browse · Search
Religion
Topics · Post Article


FreeRepublic, LLC, PO BOX 9771, FRESNO, CA 93794
FreeRepublic.com is powered by software copyright 2000-2008 John Robinson