FReeper Canteen ~ Tunes For The Troops! ~ 20 July 2013

Our Troops Rock !!!! | The Canteen DJ's

[Kathy in Alaska]

 

 

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Tunes For Our Troops

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Support the artists you hear throughout the Canteen!
Click on the links below! Keep the music going!

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Warning: Not all the music you hear below will be appropriate for children! Please click with caution. Thank you!

Tunes For The Troops
 

 


This music is provided for the entertainment of our Troops, Veterans, Allies & their families!

Enjoy the variety of musical selections that the Canteen Deejays provide throughout the thread. Please ping any DJ with your requests for the Troops!


All music is removed on Monday.
Thanks to all the DeeJay's for their time & effort providing entertainment for the Troops!

*Canteen Mission Statement*

Showing support and boosting the morale of
our military and our allies military
and the family members of the above.
Honoring those who have served before.

 

 

Garth Brooks - Wild As The Wind (The Duet with Trisha Yearwood)	George Jones & Tammy Wynette - 08 Duets - My Elusive Dreams
George Jones with Melba Montgomery - We Must Have Been Out Of Our Minds	Johnny Cash - That Silver Haired Daddy of Mine (With Tommy Cash)
Johnny Cash - You Can't Beat Jesus Christ (With Billy Joe Shaver)	Luciano Pavarotti - There Must Be An Angel (with Eurythmics)
Roy Orbison - Crying (Duet With K.D. Lang)	Seal (Duet With Heidi Klume) - Wedding Day
Shania Twain & Bryan White - From This Moment On (Duet)	Simon & Garfunkel - Mrs. Robinson
Tears For Fears & Oleta Adams - Moman In Chains	Terence Trent D'arby & Des'ree - Delicate
Tony Bennett - Body And Soul (duet with Amy Winehouse)	Tony Bennett - For Once In My Life (duet with Marc Anthony)
UB40 & Chrissie Hynde - I Got You Babe	Waylon Jennings & Jessie Coulter - Suspicious Minds

[Publius]

One of the most haunting songs I’ve ever heard.

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Presents

You Can't Always Get What You Want
~ The Rolling Stones ~

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You Gotta Move
~ The Rolling Stones ~

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Wild Horses
~ The Rolling Stones ~

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Brown Sugar
~ The Rolling Stones ~

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Can't You Hear Me Knocking
~ The Rolling Stones ~

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Tumbling Dice
~ The Rolling Stones ~

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Casino Boogie
~ The Rolling Stones ~

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Let It Loose
~ The Rolling Stones ~

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Shine A Light
~ The Rolling Stones ~

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Torn And Frayed
~ The Rolling Stones ~

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I Just Want To See His Face
~ The Rolling Stones ~

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Stop Breaking Down
~ The Rolling Stones ~

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Ventilator Blues
~ The Rolling Stones ~

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Shake Your Hips
~ The Rolling Stones ~

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[Kathy in Alaska]

OK, Meg...that kid knows how to stay cool. Splash!!

Thanks for the prayer for our protectors.

[Publius]

It’s time for the Seattle Chamber Music Festival! We have a concert scheduled for Monday, July 22. Thanks to the miracle of the Internet, you can hear the concerts live at the website of KING-FM. I’ll be providing programs and links to the concerts throughout the summer festival. In preparation for a concert, I’ll give you a preview of the pieces to be played. On concert nights, I’ll introduce the musicians.

Wolfgang Amadeus Mozart’s favorite passions in sports were bowling and billiards. He bet and lost a lot of money at the billiard table before the game of pocket billiards, or “pool”, was invented. The term kegelstatt means “bowling alley”, which is where he wrote this piece while awaiting his turn with the ball. Mozart could actually listen to another composer’s piece at a concert while writing a piece of his own. That’s concentration!

The clarinettist for whom this piece was written was Anton Stadler, who ended up being the soloist who premiered Mozart’s Clarinet Quintet and Clarinet Concerto. The clarinet was a new instrument at the time, descended from the chalameau, which had a deeper, throatier tone. Stadler had a clarinet that could go five tones lower than the modern instrument, which gave him a greater range.

The first movement of this Trio for Piano, Clarinet and Viola in E-flat, K. 498, ”Kegelstatt”,, in a period instrument performance, starts andante (walking pace) with two themes, one in E-flat, and the second in B-flat, both in a languid 3/4. His development works the themes up in A-flat and then through a variety of keys. Mozart re-composes his recapitulation and ends it sweetly.

The minuet second movement breaks up 3/4 into “one-and-two-and-three-and”, which is minuet tempo. The middle section features the viola running rings around the clarinet.

The allegretto finale is in rondo format, duple time, and is the heavyweight movement in the work, written when Mozart was 30. You’ll hear that beguiling opening theme a lot in rondo format.

Mozart: Trio for Piano, Clarinet and Viola in E-flat, K. 498, ”Kegelstatt”

[luvie]

Ahhh...in other words she is her “old” self again...keeping you in line! :)

[spel_grammer_an_punct_polise]

Yes, that is a good way to express it! Making me toe the line! ;-)

[Liberty Valance]

Greetings & Salutations to the Troops,
our Allies and the Canteen Crew!

Ray Charles - What'd I say