Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows
Are you a lucky little lady from The City of Lights?
Or just another lost angel?
City of Night, City of Night
City of Night, City of Night
L.A. woman, L.A. woman
L.A. woman, Sunday afternoon
L.A. woman, Sunday afternoon
L.A. woman, Sunday afternoon
Drive through your suburbs
Into your blues, into your blues, yeah
Into your blues, into your blues!
I see your hair is burning
Hills are filled with fire
If they say I never loved you
You know they are a liar
Driving down your freeways
Midnight alleys roam
Cops in cars, the topless bars
Never saw a woman so alone
So alone, so alone
Motel money murder-madness
Let's change the mood from glad to sadness
[Outro] Mr. Mojo Risin', Mr. Mojo Risin'
Mr. Mojo Risin', Mr. Mojo Risin'
Got to keep on risin'
Mr. Mojo Risin', Mr. Mojo Risin'
Mojo Risin', gotta Mojo Risin'
Mr. Mojo Risin', gotta keep on risin'
Risin', risin'
Gone risin', risin'
I'm gone risin', risin'
I gotta risin', risin'
Well, risin', risin'
I gotta, wooo, yeah, risin'
Whoa, oh yeah
Well, I just got into town about an hour ago
Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows
Are you a lucky little lady in The City of Lights?
Or just another lost angel?
City of Night, City of Night
City of Night, City of Night, whoa, c'mon
L.A. Woman, L.A. Woman
L.A. Woman, you're my woman
Little L.A. Woman, Little L.A. Woman
L.A. L.A. Woman Woman L.A. Woman c'mon
Never saw a woman so alone
Those lines always reminded me of a line from the movie Rumble Fish.
The main character, Rusty James, dreams of going to California like his older brother, Motorcycle Boy. They both grew up in Tulsa, Oklahoma.
At one point, he asks his brother what California is like, and Motorcycle Boy says this:
"California's like a beautiful, wild... beautiful, wild girl on heroin... who's high as a kite, thinkin' she's on top of the world, not knowing she's dying even if you show her the marks."
I’m a rust-belt, snow-belt midwesterner. When I first went to SoCal as a kid in the 70s with family to visit cousins who lived near the beach - I thought I had stepped through a time-space portal into some advanced version of western civilization.
I’ve never been a doors fan but this song I love. There is something about this song.
I always preferred Peace Frog.
L
“Everything is broken up and Dances”
But those early 1980s years had a lot of good memories. I remember taking two weeks of leave from the Marines in 1983 and spending the entire time on and around Venice Beach and Santa Monica. Used to take walks down Wilshire and Santa Monica Boulevard, through Beverly Hills and into Hollywood. Some parts were getting seedy but it was still very much the Southern California of legend with a lot of surfers plying the waves and rock and roll music blaring out of the cars driving by.
Don't forget the fire reference in Jimmy Buffett's "Fruitcakes":
Paradise - Lost and found
Paradise - take a look around
I was out in California
Where I hear they have it all
They got riots, fires and mud slides
They got sushi in the mall
https://www.youtube.com/watch?v=wneCa_yIuzg
There's a lot of truth in that ...
I’m a child of the 60’s and 60’s music is still the soundtrack of my life.I used to love the Doors but IMO their work hasn’t aged well.Give me the early Stones,the early Who,the Beatles (through Revolver and Rubber Soul),the early Byrds...among others.
Another member of the 27 club.
We interviewed Robby Krieger in our film “Rockin’ the Wall” (2010).
Never liked the Doors and disliked Morrison even more.
Bloody red sun of fantastic L.A.
James Douglas Morrison
A few fun facts...
Morrison was a HUGE fan of Frank Sinatra and his voicing.
When the Doors walked into Sunset Recorders for their first album, Morrison's eyes immediately spotted a Neumann U-67 microphone, a legendary classic that was world renown for its' amazing midrange detail, ultra-low distortion and smooth sound quality...and it used a Telefunken vacuum tube to achieve that magical sound.
Morrison knew the U-47 (and later the U-67) was THE microphone Sinatra demanded be used in his recording sessions...and he got excited excited knowing he would record his vocals into the same mic used by Sinatra.
The Neumann U-67 was also famously used on the piano for the Beatles' "A Day In The Life".
Sinatra in Capitol Studios w/Neumann U-67
Beatles & Neumann U-47