Skip to comments.The Last Confessions of E Howard Hunt
Posted on 03/28/2007 11:29:12 AM PDT by meg88
Once, when the old spymaster thought he was dying, his eldest son came to visit him at his home in Miami. The scourges recently had been constant and terrible: lupus, pneumonia, cancers of the jaw and prostate, gangrene, the amputation of his left leg. Long past were his years of heroic service to the country. In the CIA, he'd helped mastermind the violent removal of a duly elected leftist president in Guatemala and assisted in subterfuges that led to the murder of Che Guevara. But no longer could you see in him the suave, pipe-smoking, cocktail-party-loving clandestine operative whose Cold War exploits he himself had, almost obsessively, turned into novels, one of which, East of Farewell, the New York Times once called "the best sea story" of World War II.
Diminished too were the old bad memories, of the Bay of Pigs debacle that derailed his CIA career for good, of the Watergate Hotel fiasco, of his first wife's death. But his firstborn son -- he named him St. John; Saint, for short -- was by his side now. And he still had a secret or two left to share before it was all over.
They were in the living room, him in his wheelchair, watching Fox News at full volume, because his hearing had failed too. After a while, he had St. John wheel him into his bedroom and hoist him onto his bed. He asked St. John to get him a diet root beer, a pad of paper and a pen.
There were a couple of days back in 1972, after the Watergate job, when the boy, then eighteen, had risen to the occasion. The two of them, father and son, had wiped fingerprints off a bunch of spy gear, and Saint had helped in other ways, too. He was E. Howard Hunt, a true American patriot, and he had earned his while serving his country. As he once said, "I had always assumed, working for the CIA for so many years, that anything the White House wanted done was the law of the land."
Now, in August 2003, propped up in his sickbed, paper on his lap, pen in hand and son sitting next to him, he began to write down the names of men who had indeed participated in a plot to kill the president. He had lied during those two federal investigations. He knew something after all. He told St. John about his own involvement, too. It was explosive stuff, with the potential to reconfigure the JFK-assassination-theory landscape. And then he got better and went on to live for four more years.
In the early days of the cold war, the CIA's mandate was simple: to contain the spread of communism by whatever means necessary; it was tacitly given permission to go about its dirty business unfettered by oversight of any kind. For much of the Cold War, it was answerable to no one. And if you were lucky enough to become one of its agents, you had every right to consider yourself a member of an elite corps, a big swinging all-American dick like no other. The middle-class son of a Hamburg, New York, attorney, E. Howard Hunt graduated from Brown University in 1940 with a bachelor's in English, joined the Navy during World War II, served in the North Atlantic on the destroyer Mayo, slipped and fell, took a medical discharge and wound up in China working under "Wild" Bill Donovan in the newly formed Office of Strategic Services. When the OSS was transformed into the CIA, Hunt jumped onboard. He loved action as much as he hated communism, and he soon began operating with a level of arrogance entirely typical of the CIA. He was instrumental, for instance, in planning the 1954 coup in Guatemala that overthrew the left-leaning, democratically elected president, Jacobo Arbenz, and ushered in forty years of military repression, which ultimately cost 200,000 Guatemalans their lives. Years later, when asked about the 200,000 deaths, E. Howard said, "Deaths? What deaths?" Like Saint says, he never felt guilt about anything: "He was a complete self-centered WASP who saw himself as this blue blood from upstate New York. 'I'm better than anybody because I'm white, Protestant and went to Brown, and since I'm in the CIA, I can do anything I want.' Jew, nigger, Polack, wop -- he used all those racial epithets. He was an elitist. He hated everybody."
In the early Fifties, his father could often be seen cruising around in a white Cadillac convertible; he loved that car. He also loved his cigars and his wine and his country clubs and being waited on by servants and having his children looked after by nannies. He was full of himself and full of the romantic, swashbuckling, freewheeling importance of his government mission. He had quite an imagination, too. When he wasn't off saving the world from Reds, he spent much of his time in front of a typewriter, hacking out espionage novels, some eighty in all, with titles such as The Violent Ones ("They killed by day, they loved by night") and I Came to Kill ("They wanted a tyrant liquidated, and cash could hire him to do it").
Wherever E. Howard was stationed -- he'd pop up Zelig-like in hot spots from Japan to Uruguay to Spain -- he and his family lived lavishly and well, all presumably to lend credence to his cover job as a high-ranking embassy official. One estate was as large as a city block, and one dining table as long as a telephone pole, with the parents sitting at distant opposite ends. Sadly, he treated his children the way he and the CIA treated the rest of the world. They were supposed to bend to his will and otherwise be invisible. God forbid during a meal one of them should speak or rattle a dish.
That same year, his father retired from the CIA after being relegated to the backwaters for his role in the Bay of Pigs. He went to work as a writer for a PR firm. He was bored and missed the hands-on action of the CIA.The following year, however, his lawyer pal Chuck Colson, who was special counsel to Nixon, called him up with an invitation to join the president's Special Investigations Unit as a kind of dirty-tricks consultant. He signed on. He really thought he was going places.
Around the time of St. John's Miami visit in 2003 to talk to his ailing father about JFK, certain other people were also trying to get things out of E. Howard, including the actor Kevin Costner, who had played a JFK-assassination-obsessed DA in the Oliver Stone film JFK and had become somewhat obsessed himself. Costner said that he could arrange for E. Howard to make $5 million for telling the truth about what happened in Dallas. Unbeknown to St. John, however, Costner had already met with E. Howard once. That meeting didn't go very well. When Costner arrived at the house, he didn't ease into the subject. "So who killed Kennedy?" he blurted out. "I mean, who did shoot JFK, Mr. Hunt?" E. Howard's mouth fell open, and he looked at his wife. "What did he say?"
"Howard," Laura said, "he wants to know who shot JFK."
And that ended that meeting, with E. Howard grumbling to himself about Costner, "What a numskull."
But then St. John got involved, and he knew better how to handle the situation. For one thing, he knew that his stepmother wanted to forget about the past. She didn't want to hear about Watergate or Kennedy. In fact, E. Howard swore to Laura that he knew nothing about JFK's assassination; it was one of her preconditions for marriage. Consequently, she and her sons often found themselves in conflict with St. John.
"Why can't you go back to California and leave well enough alone?" they asked him. "How can you do this? How dare you do this? He's in the last years of his life."
But Saint's attitude was, "This has nothing to do with you. This stuff is of historical significance and needs to come out."
So when Saint arrived in Miami to talk to his dad, the two men spent a lot of time waiting for Laura to leave the house. Saint painted the living room and built a wheelchair ramp. In the mornings, he cooked breakfast. In the afternoons, he plopped a fishing hat on E. Howard's head and wheeled him around the neighborhood. They drank coffee together. And watched lots of Fox News. And when Laura finally left, they talked.
Afterward, another meeting was arranged with Costner, this time in Los Angeles, where the actor had fifty assassination-related questions all ready to go. (The actor declined comment for this article.) Though the $5 million figure was still floating around, all Costner wanted to pay E. Howard at this point was $100 a day for his time. There would be no advance. St. John called Costner.
"That's your offer? A hundred dollars? That's an insult. You're a cheapskate."
"Nobody calls me a cheapskate," said Costner. "What do you think I'm going to do, just hand over $5 million?"
"No. But the flight alone could kill him. He's deaf as a brick. He's pissing in a bag. He's got one leg. You want him to fly to Los Angeles and for $100 a day? Wow! What are we going to do with all that money?!"
"I can't talk to you anymore, St. John," Costner said. And that was the end of that, for good. It looked like what E. Howard had to say would never get out.
One evening in Eureka, over a barbecue meal, St. John explains how he first came to suspect that his father might somehow be involved in the Kennedy assassination. "Around 1975, I was in a phone booth in Maryland somewhere, when I saw a poster on a telephone pole about who killed JFK, and it had a picture of the three tramps. I saw that picture and-- like a cartoon character, my jaw dropped, my eyes popped out of my head, and smoke came out of my ears. It looks like my dad. There's nobody that has all those same facial features. People say it's not him. He's said it's not him. But I'm his son, and I've got a gut feeling."
He chews his sandwich. "And then, like an epiphany, I remember '63, and my dad being gone, and my mom telling me that he was on a business trip to Dallas. I've tried to convince myself that's some kind of false memory, that I'm just nuts, that it's something I heard years later. But, I mean, his alibi for that day is that he was at home with his family. I remember I was in the fifth grade. We were at recess. I was playing on the merry-go-round. We were called in and told to go home, because the president had been killed. And I remember going home. But I don't remember my dad being there. I have no recollection of him being there. And then he has this whole thing about shopping for Chinese food with my mother that day, so that they could cook a meal together." His father testified to this, in court, on more than one occasion, saying that he and his wife often cooked meals together.
St. John pauses and leans forward. "Well," he says, "I can tell you that's just the biggest load of crap in the world. He was always looking at things like he was writing a novel; everything had to be just so glamorous and so exciting. So my dad in the kitchen? Chopping vegetables with his wife? I'm so sorry, but that would never happen. Ever."
Not that it was all bad back then, in Potomac, at Witches Island. E. Howard played the trumpet, and his son was into music too, so sometimes the pair went down to Blues Alley, in Georgetown, to hear jazz. Back home, E. Howard would slap Benny Goodman's monster swing-jazz song "Sing, Sing, Sing" on the turntable, and the two would listen to it endlessly. And then, sometimes, during the stomping Harry James horn solo, E. Howard would jump to his feet, snapping his fingers like some cool cat, pull back his shirt sleeves, lick his lips and play the air trumpet for all he was worth. It was great stuff, and St. John loved it. "I would sit there in awe," he says. But the best was yet to come. It was well past midnight on June 18th, 1972. Saint, eighteen years old, was asleep in his basement bedroom, surrounded by his Beatles and Playboy pinup posters, when he heard someone shouting, "You gotta wake up! You gotta wake up!"
When he opened his eyes, Saint saw his father as he'd never seen him before. E. Howard was dressed in his usual coat and tie, but everything was akimbo. He was a sweaty, disheveled mess. Saint didn't know what to think or what was going on.
"I don't need you to ask a lot of questions," his father said. "I need you to get your clothes on and come upstairs."
He disappeared into the darkness. Saint changed out of his pajamas. Upstairs, he found his father in the master bedroom, laboring over a big green suitcase jumble-filled with microphones, walkie-talkies, cameras, tripods, cords, wires, lots of weird stuff. His father started giving him instructions. Saint went to the kitchen and returned with Windex, paper towels and some rubber dishwashing gloves. Then, in silence, the two of them began wiping fingerprints off all the junk in the suitcase. After that, they loaded everything into E. Howard's Pontiac Firebird and drove over to a lock on the C&O Canal. E. Howard heaved the suitcase into the water, and it gurgled out of sight.
They didn't speak on the way home. St. John still didn't know what was going on. All he knew was that his dad had needed his help, and he'd given it, successfully.
The next day, dressed in one of his prep-school blazers, he drove to a Riggs Bank in Georgetown and met his father inside the safety-deposit-box cage. His father turned him around, lifted his blazer and shoved about $100,000 in cash down the back of his pants. The boy made it home without picking up a tail. Then his father had him get rid of a typewriter. Saint put the typewriter in a bag, hoofed it across the Witches Island property onto the neighboring spread and tossed it into the pond where he and his brother David used to go fishing.
"Don't ever tell anybody you've done these things," his father said later. "I could get in trouble. You could get in trouble. I'm sorry to have to put you in this position, but I really am grateful for your help."
"Of course, Papa," Saint said.
Everything he had done, he'd done because his father and his gang of pals had botched the break-in at the Watergate Hotel. Soon his mother would be killed in a plane crash, and his father would be sent to jail, and Nixon would resign, and his own life would fracture in unimaginable ways. But right now, standing there with his father and hearing those words of praise, he was the happiest he'd ever been.
Years later, when saint started trying to get his father to tell what he knew about JFK, he came to believe the information would be valuable. He both needed money and thought he was owed money, for what he'd been through. Also, like many a conspiracy nut before him, he was more than a little obsessed.
"After seeing that poster of the three tramps," he says, "I read two dozen books on the JFK assassination, and the more I read, the more I was unsure about what happened. I had all these questions and uncertainties. I mean, I was trying to sort out things that had touched me in a big way."
Touched him and turned him upside down, especially the death of his mother. He had been particularly close to her. She was part Native American and had sewed him a buckskin shirt that he used to wear like a badge of honor, along with a pair of moccasins. At the same time, Saint feels that he never got to know her. She told him that during World War II, she'd tracked Nazi money for the U.S. Treasury Department, and Saint believes that early in her marriage to his father, she may have been in the CIA herself, "a contract agent, not officially listed." But he isn't sure about any of it, really.
"In our family, everything was sort of like a mini-CIA," he says. "Nothing was ever talked about, so we grew up with all of these walls, walls around my father, walls around my mother, walls around us kids, to protect and insulate us. You grow up not knowing what really happened. Like, who was my mom, for Christ's sake? Was she a CIA agent? What was her life really like?" The one thing he does know is that when she died, so in large part did the Hunt family.
That time in Miami, with Saint by his bed and disease eating away at him and him thinking he's six months away from death, E. Howard finally put pen to paper and started writing. Saint had been working toward this moment for a long while, and now it was going to happen. He got his father an A&W diet root beer, then sat down in the old man's wheelchair and waited.
E. Howard scribbled the initials "LBJ," standing for Kennedy's ambitious vice president, Lyndon Johnson. Under "LBJ," connected by a line, he wrote the name Cord Meyer. Meyer was a CIA agent whose wife had an affair with JFK; later she was murdered, a case that's never been solved. Next his father connected to Meyer's name the name Bill Harvey, another CIA agent; also connected to Meyer's name was the name David Morales, yet another CIA man and a well-known, particularly vicious black-op specialist. And then his father connected to Morales' name, with a line, the framed words "French Gunman Grassy Knoll."
So there it was, according to E. Howard Hunt. LBJ had Kennedy killed. It had long been speculated upon. But now E. Howard was saying that's the way it was. And that Lee Harvey Oswald wasn't the only shooter in Dallas. There was also, on the grassy knoll, a French gunman, presumably the Corsican Mafia assassin Lucien Sarti, who has figured prominently in other assassination theories.
"By the time he handed me the paper, I was in a state of shock," Saint says. "His whole life, to me and everybody else, he'd always professed to not know anything about any of it. But I knew this had to be the truth. If my dad was going to make anything up, he would have made something up about the Mafia, or Castro, or Khrushchev. He didn't like Johnson. But you don't falsely implicate your own country, for Christ's sake. My father is old-school, a dyed-in-the-wool patriot, and that's the last thing he would do."
Later that week, E. Howard also gave Saint two sheets of paper that contained a fuller narrative. It starts out with LBJ again, connecting him to Cord Meyer, then goes on: "Cord Meyer discusses a plot with [David Atlee] Phillips who brings in Wm. Harvey and Antonio Veciana. He meets with Oswald in Mexico City... Then Veciana meets w/ Frank Sturgis in Miami and enlists David Morales in anticipation of killing JFK there. But LBJ changes itinerary to Dallas, citing personal reasons."
David Atlee Phillips, the CIA's Cuban operations chief in Miami at the time of JFK's death, knew E. Howard from the Guatemala-coup days. Veciana is a member of the Cuban exile community. Sturgis, like Saint's father, is supposed to have been one of the three tramps photographed in Dealey Plaza. Sturgis was also one of the Watergate plotters, and he is a man whom E. Howard, under oath, has repeatedly sworn to have not met until Watergate, so to Saint the mention of his name was big news.
In the next few paragraphs, E. Howard goes on to describe the extent of his own involvement. It revolves around a meeting he claims he attended, in 1963, with Morales and Sturgis. It takes place in a Miami hotel room. Here's what happens:
Morales leaves the room, at which point Sturgis makes reference to a "Big Event" and asks E. Howard, "Are you with us?"
E. Howard asks Sturgis what he's talking about.
Sturgis says, "Killing JFK."
E. Howard, "incredulous," says to Sturgis, "You seem to have everything you need. Why do you need me?" In the handwritten narrative, Sturgis' response is unclear, though what E. Howard says to Sturgis next isn't: He says he won't "get involved in anything involving Bill Harvey, who is an alcoholic psycho."
After that, the meeting ends. E. Howard goes back to his "normal" life and "like the rest of the country . . . is stunned by JFK's death and realizes how lucky he is not to have had a direct role."
After reading what his father had written, St. John was stunned too. His father had not only implicated LBJ, he'd also, with a few swift marks of a pen, put the lie to almost everything he'd sworn to, under oath, about his knowledge of the assassination. Saint had a million more questions. But his father was exhausted and needed to sleep, and then Saint had to leave town without finishing their talk, though a few weeks later he did receive in the mail a tape recording from his dad. E. Howard's voice on the cassette is weak and grasping, and he sometimes wanders down unrelated pathways. But he essentially remakes the same points he made in his handwritten narrative.
Shortly thereafter, Laura found out what had been going on, and with the help of E. Howard's attorney put an end to it. St. John and his father were kept apart. When they did see each other, they were never left alone. And they never got a chance to finish what they'd started. Instead, the old man set about writing his autobiography. He asked for his JFK memos back, and Saint returned them, though not before making copies. There is no way to confirm Hunt's allegations -- all but one of the co-conspirators he named are long gone. St. John, for his part, believes his father. E. Howard was lucid when he made his confession. He was taking no serious medications, and he and his son were finally on good terms. If anything, St. John believes, his father was holding out on him, the old spy keeping a few secrets in reserve, just in case.
What a great story. I don't believe a word of it.
Watch the Zapruder film and the photos of LBJ (it is hard to when you are so focused on JFK)
The zapruder film proves the head shot came from the front (I went to college ror Physics- no one can tell me different)
I stopped at "Rolling Stone".
Even if it's true, why would LBJ want that ? Not just power lust, has to be more.
He says this like it's a bad thing...
I went a little further than that.
I stopped at "murder of Che Guevara"
Maybe you are referring to the photo of Speaker of the House Carl Albert winking at LBJ (who is smiling at Albert) as LBJ is being sworn in as President aboard Air Force One? Jackie is in the photo, too, of course. She's not as happy as LBJ.
Also, if you have seen the photo of the Three Tramps, you will notice the similarity between Hunt and one of the Three Tramps. But actually, the article implies Hunt was grateful to not be "directly involved," even though he was (according to Saint) in Dallas that day and appeared to be one of the Three Tramps. Kind of an inconsistency, I guess.
Loved this article. Very interesting.
I've long suspected LBJ might have been involved. He was ruthless and unscrupulous, like the Klintoons.
Something more? How about to avoid going to prison with Bobby Baker? How about his connections to Mac Wallace and some murders? Those are a couple of my guesses.
Lucien Sarti (born Corsica, died April 27, 1972 in Mexico City) was a drug trafficker and killer-for-hire involved in the infamous French Connection heroin network. He was named on the television series The Men Who Killed Kennedy as one of the men who shot U.S. President John F. Kennedy. The series aimed to critically analyse the evidence in the assassination and attacked the official government conclusion that Lee Harvey Oswald had acted alone in killing Kennedy. In one of the late episodes of the series, aired in 2003 on The History Channel, French prisoner Christian David named Sarti as one of three French criminals hired to carry out the assassination of Kennedy on November 22, 1963, when he was interviewed by author Anthony Summers. David's account was verified by Michele Nicoli, a former associate of David's who is currently in the U.S. Drug Enforcement Administration's witness protection program. Sarti was the only man David explicitly named, as he had been killed by police in Mexico City in 1972. The trio had all been working for heroin trafficker Auguste Ricord at the time of Kennedy's death, a known client of the Marseilles underworld. http://en.wikipedia.org/wiki/Lucien_Sarti
***I stopped at "Rolling Stone".***
I read the whole thing, and the ONE thing that stands out for me is ROLLING STONE.
Gee, I wonder where this writer stands on the ideological spectrum...
LBJ was looking at going to the slammer...
"Saint" trying to figure out how to get a big payday for himself, look out for a movie or a book based on this "startling new information."
"Saint" needs to get his story straight, though. So was Pop one of the tramps or did Pop refuse to be involved in the plot? Oh, foolish consistency!
i always thought it was jackie........hell hath no fury like that of a woman scorned...
I believe the part about Costner being a numbskull...
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