Posted on 02/08/2002 7:59:07 PM PST by calvin sun
How old is this guy, this editor? Does anyone here think he's under, say 72? He didn't consider the internet? He's invoking a copyright? How "old media" is he?
How incompetent is this guy? Does aonyone here wonder at his 20/20 hindsight realization that if he were an editor in NYC he wouldn't have run the cartoon? The major story of our lifetimes, and he wants to view it from a viewpoint that is not virtuously "unsophisticated" but stubbornly "provacative". Maybe the San Francisco Chronicle needs a newspaper editor, because this offense is worth being fired over.
I even think his apology is sufficiently abject, I just think the fellow's a dope now, that's the problem!
Excerpt:
On Friday, after the cartoon ran, I spoke with Marland to tell him I was writing this column. One idea behind the cartoon, he said, was that the terrorist attack had had a direct bearing on Bush's budget and the fate of Social Security. But my decision to run the cartoon assumed that for others, as for myself, enough time had passed for the wounds of Sept. 11 to heal and for the terrorist attacks to take their place in the long history of political satire. Sometimes artists, including political cartoonists, get there before the rest of us. I thought this might be such a time. In retrospect, the decision was wrong for three interrelated reasons.
First, I should have foreseen that most readers' reaction to the cartoon would have nothing to do with Bush and Social Security. That was Marland's intended subject, and since there was nothing subtle about his message on the issue, there was no question readers would understand it. But their principal response would be to the use of the tower tragedy in a cartoon.
That was the second reason I should have spiked the cartoon: The spot where the towers stood is sacred territory. Yes, the country has had time to pass through all the stages of grief, but the World Trade Center site remains a symbol of national sorrow. Probably that will be true long after the events of Sept. 11 have passed from human memory.
Finally, running the cartoon was a mistake because we live in the world of the Internet. A local editor no longer makes decisions in a vacuum. Residents of Central New Hampshire took the events of Sept. 11 and their aftermath personally, but personal connections to those events were few. Had I been an editor in New York City, there is no way I would have even considered publishing this cartoon.
Well, these days, news travels fast. Even though Marland's cartoon was copyrighted, it was on the Internet by midday Friday. Monitor editors' e-mail queues and voice mails were soon filled with messages from New York and elsewhere expressing disgust and anger over the cartoon.
When we decided to run the cartoon, I did not even consider this possibility. I should have, and that alone should have kept me from running it.
Good job fellow FReepers!!
Above is the actual title in the Concord Monitor's retraction of the cartoon of Bush flying into the WTC (this one). . .
I think the cartoonist isn't being totally honest about his intent and I think the editor who allowed the cartoon should have been around during the Clinton years. Perhaps his concern over censorship might have been expressed in allowing coverage of the Juanita Broaddrick and impeachment stories.
That alone is not reason enough to pull an editorial cartoon. An editorial cartoonist's function in life is to provoke. Whenever I see a cartoon that I think might be too provocative, I ask myself whether the reaction I am experiencing is an impulse to edit or an impulse to censor. If it is the latter, I err on the side of publishing and resolve to take the heat if there is any." ......Mike Pride, Concord editor
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It's excusable when they do it but let a conservative editorial cartoonist do something provocative and stand back and watch the fur fly.
A & M Student paper blasted for printing cartoon called racist
... We have declined to run a cartoon or two over the years because we found them tasteless ...Reconcile these two claims, Calvin.
... I thought that rejecting the cartoon would be censorship ...
This comment is the most telling one in the entire piece. It betrays the real thoughts in this "editors" mind.
According to the editor's statement his decision, as editor, not to run this cartoon would have been "censorship."
Anyone sufficiently experienced in the newspaper business to have attained the position of editor must realize that censorship does not occur through the actions of private newspaper choosing to purchase or not purchase a particular submission; censorship is an act of a government, or other outside, interfence.
Furthermore, assuming the editor did think this was censorship, his thought process is absolutely without logic. Under the editor's faulty "logic," he must run every cartoon submitted to him and every letter to the editor submitted to him; he must run every newspaper article submitted to him as written; as he cannot reject cartoons, he cannot reject stories or even story ideas.
In short, under his logic, he cannot "edit" his own newspaper at all.
Obviously, the editor cannot, and surely does not, operate in this manner.
Therefore, one has to question the veracity of his statement that not running the cartoon would be censorship.
More likely than not, the editor never considered the "censorship" question at all, and is attempting to hide behind same in an effort to cloak his extremely ill-advised decision to run this cartoon behind a veil of "First Amendment" patriotism.
Bulls**t. The only idea behind the cartoon is the visceral hatred the left has for our President, which IMHO far exceeds any hatred we ever had for the Clinton bunch.
I wonder if he remembers the sight of two gigantic buildings collpsing on the heads of thousands of people...INNOCENT people. WHat great material to attack GWBush with. It's beyond bad taste and it never should have run.
I wonder if his paper ever ran any cartoons very critical of Clinton and his sexual addiction problems, or maybe having a pharma plant in Sudan with the words "ECONOMY" on the side and Bubba riding a Tomahawk...
Perhaps this statement should be directed to Mr. Pride, the editor? I am merely repeating his words. But I agree with you, his statement does lack consistency
It is reasoned, but the apology should have been, "Our artist was wrong to draw such a stupid depiction equating the mass murder of 3,000 people with slightly LOWER INCREASES in social security, and I was a fool or a coward for not pulling it. In either case, both HE AND I were completely wrong."
Mike Pride has been editor of the Concord Monitor since 1983. Prior to that, he served as its managing editor. Under his editorship the Monitor has won the New England Newspaper of the Year Award 16 times,as well as numerous national awards for excellence. The paper was cited by Time magazine and the Columbia Journalism Review as one of the best papers in the country.Before joining the Monitor, Pride was city editor of the Clearwater Sun and the Tallahassee Democrat A graduate of the University of South Florida, he served as a Russian linguist in the Army during the late 1960s and began his journalism career as a sports writer at the Tampa Tribune .
Pride won the National Press Foundation's editor of the year award in 1987 for directing the Monitor's coverage of the Challenger disaster and later the Yankee Quill Award for contributions to New England journalism. A former chairman of the Small Newspapers Committee of the American Society of Newspapers Editors, he also served on the Society's writing awards board. He is a contributing editor for Brill's Content, where his column, "Out Here," appears regularly. With a colleague, he recently completed a history of a Civil War infantry regiment from New Hampshire.
This is from the announcement of his appointment to the Pulitzer Prize Board. Which about says it all about his political leanings and integrity..."Left" and "None", respectively.
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