Posted on 01/14/2003 5:38:29 PM PST by sweetliberty
I was just watching O'Reilly interviewing Mel Gibson who is doing a very graphic movie making a very strong statement about the death of Christ. It was evident to me in the interview that Mel is committed to getting the Christian message out although he apparently is quite aware that there are those in America (of course) who are busy now behind the scenes trying to generate a scandal, even going so far as to try and intimidate his elderly father into making incriminating statements. Normally I could care less about what the morons in Hollywood are doing, but this was such a refreshing change from the usual liberal weirdness and perversity that I just had to start a thread.
I remember reading a really neat story about Mel in one of the Sunday paper magazines. A reporterette had accompanied him to take his drivers' test in California not too many years back - apparently he had been out of the country when it expired so he actually had to drive. He was able to enter the DMV without anyone particularly noticing him at all - had the ability to "look regular," not at all the star with a retinue type.
The examiner (female) came out to go on the test with him, checked the name and was about to make some comment about his having the same name as a famous actor when she realized he was the famous actor. Again, the ultimate nice guy, he did everything to make her comfortable, drove well and passed except for one item she marked him off for (which I've since forgotten).
Everything I've read about him paints him as a normal guy, not at all enthralled by his fame and fortune.
1. to support him
2. to stare at him for two hours or more
After Gibson’s high school graduation, he considered becoming a chef or journalist. However, when his sister submitted an application on his behalf to The National Institute of Dramatic Art in Sydney, he decided to audition. Without any prior acting experience, he was accepted and enrolled in the drama school. While there, he made his stage debut in a production of Romeo and Juliet, and his screen debut in the low-budget film Summer City (1977). Upon his graduation that year, Gibson joined the Southern Australian Theater Company, where he appeared in the title roles of classical productions, such as Oedipus and Henry IV.
After conquering the stage, Gibson tried his hand at television, landing his first role on the Australian series The Sullivans. In 1979, Gibson graduated to mainstream cinema with his role as a futuristic warrior in Mad Max, and as a mentally retarded man in love with Piper Laurie in Tim, for which he earned his first Australian Film Institute (AFI) Award for Best Actor. Furthermore, Mad Max became the biggest commercial success of any Australian film, grossing over $100 million worldwide.
Gibson received his second AFI Award for Best Actor for his performance as a patriotic idealist in Peter Weir’s World War I drama Gallipoli (1981). Later that year, he reprised his role as the leather-clad hero in Mad Max 2 (1981). The film was released in the U.S. as The Road Warrior in 1982, and it’s success established Gibson as an international star. His second collaboration with Weir, The Year of Living Dangerously (1982), featured the actor in his first romantic lead alongside Sigourney Weaver.
Gibson’s American film debut in The River (1984) was considered a success. The film earned four Oscar nominations, including a Best Actress nod for Sissy Spacek. In 1985, he returned to Australia to complete the Mad Max trilogy in the less impressive Mad Max: Beyond the Thunderdome, which co-starred singer Tina Turner. Later that year, Gibson’s popularity was confirmed when he was featured on the cover of People magazine as the first ever “Sexiest Man Alive.”
After a brief hiatus, Gibson returned to the screen with the blockbuster hit Lethal Weapon (1987), playing volatile cop, Martin Riggs, opposite Danny Glover’s by-the-book character, Roger Murtaugh. The success of Lethal Weapon inspired three sequels - Lethal Weapon 2 (1989), Lethal Weapon 3 (1992), and Lethal Weapon 4 (1998), all of which featured Glover and Gibson in their respective roles as good cop and bad cop.
In Franco Zeffirelli’s Hamlet (1990), Gibson gave a notable performance as the tormented prince. In addition, Hamlet was the first film produced by Gibson’s newly formed production company, Icon productions. Other productions by Icon included the Beethoven biopic Immortal Beloved (1994), and the 1997 remake of Leo Tolstoy’s Anna Karenia.
In the early ‘90s, Gibson appeared in a few poorly received films, including Air America (1990) and the sappy Forever Young (1992). He made his feature directorial debut with the 1993 tearjerker The Man Without a Face, in which he also played a severely disfigured burn victim.
In 1995, Gibson released his most passionate project to date, directing and starring as the 13th century Scottish nobleman, Sir William Wallace, in the medieval epic Braveheart. The film triumphed at the Oscars, winning top honors in five categories, including Best Picture and Best Director. Gibson diversified his range of characters later the same year, when he provided the voice of John Smith in Disney’s Pocahontas (1995).
In the late ‘90’s, Gibson starred in a handful of crime thrillers, including 1996’s Ransom (with Renee Russo and Gary Sinise), 1997’s Conspiracy Theory (with Julia Roberts), and the independent film Payback (1999). In 2000, he headlined the highly anticipated war saga The Patriot, in which he played a reluctant hero during the American Revolution. Also that year, he starred in the romantic comedy What Women Want, costarring Helen Hunt, Lauren Holly, and Bette Midler. In 2002, Gibson headlined another box-office hit, M. Night Shyamalan's Signs, where he plays a rural Pennsylvania farmer whose life takes a drastic turn when 500-foot crop circles appear in his cornfields.
Gibson's next project puts him back in the director's chair in an ambitious film about the final 12 hours of Jesus Christ's life. The Passion will be entirely in the ancient languages of Latin and Aramaic, without the use of subtitles. He has also signed on for the fourth installment of the Mad Max franchise, Fury Road.
In 1980, Gibson married Robyn Moore. They have seven children and recently celebrated their 20th wedding anniversary. Biography
No subtitles in "The Passion" , but married 20 years in Hollywood!!! Good Man!!!
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