Posted on 10/24/2009 4:34:36 AM PDT by Slings and Arrows
October 16, 2009
Dear Cecil:
What’s the deal with getting a song stuck in your head? Why does it happen, especially if it’s a song you don’t like or don’t even know well? Yet all you can think about is that stupid tune. Please enlighten me; I’m getting really sick of “Tainted Love” running circles through my brain.
Cecil replies:
You think you’ve got problems? My assistant Una claims she had the same tune running through her head off and on for 27 years. Only after laborious research online was she able to establish what it was: a concerto by Antonio Vivaldi, which at least has some class. Can you imagine 27 years of “Achy Breaky Heart”?
As is all too often the case with the interesting parts of science, we don’t know much about this phenomenon but we have a good name for it: earworm, a translation of the German Ohrwurm. (Use the German if you want anyone to pay attention to you in the faculty lounge.) People have been interested in earworms for a while now — Mark Twain used one as a plot device in his 1876 story “A Literary Nightmare.” They’re the most common type of what’s called “involuntary imagery,” sounds, pictures, smells, and even tastes that repeatedly come to mind unbidden.
One theory is that earworms are a form of mild musical hallucination (normally a rare experience), the distinction being that with an earworm you (a) usually aren’t on drugs or suffering from schizophrenia and thus (b) are fully aware there’s no actual music being played outside of your skull. Another theory is that earworms are a side effect of your brain trying to consolidate memories, akin to what happens in REM sleep. Yet another possibility is pondered by neurologist Oliver Sacks in his book Musicophilia: earworms might simply be a consequence of our being surrounded by music in our lives whether we want to be or not.
A more promising line of investigation in my opinion is to focus on the earworminess of particular songs. Una contacted the office of James Kellaris, a professor of marketing at the University of Cincinnati who’s styled himself “Dr. Earworm” after years studying the subject, to learn more about a theory of his known as “cognitive itch.” According to Kellaris, “certain pieces of music may have properties that excite an abnormal reaction in the brain” — in other words, your brain detects something extraordinary or unusual about the music that compels attention. Your brain tries to process the itch by repeating it, which only makes things worse — not unlike an epidermal itch. Kellaris finds the music most likely to cause an earworm has one or more of three key qualities: repetitiveness, simplicity, and what he calls incongruity, often an unexpected rhythmic variation. One example he gives is the song “America” from West Side Story, which features a repetitive melody and shifting time signatures.
A 2003 study by Kellaris showed that nearly 98 percent of people experienced earworms, usually involving sung rather than instrumental tunes. (Una’s Vivaldi was a relative rarity, obviously indicating her superior intellect.) While women and men experienced earworms equally often, women had to put up with them for longer and were more likely to be peeved. Kellaris’s research also suggests that musicians and those inclined to worry are particularly susceptible to worm attacks.
In the early 1980s Chicago parking garage bigwig Myron Warshauer used earworms as the basis of a patented “musical theme floor reminder system,” in which a different well-known song plays in each floor’s elevator lobby. When you come back hours later and can’t remember what floor you parked on, all you have to do is pay attention to the tune that’s (theoretically) still running through your head — the song titles are listed opposite the buttons in the elevators.
Despite all this, no one really knows what causes earworms or how to get rid of them. Common removal techniques include replacing the tune with a different one, trying to distract oneself with something else, listening to the piece in question, talking to others about the earworm, or just waiting the worm out.
In an unscientific poll on the Straight Dope Message Board, more than half of 91 respondents reported experiencing earworms daily, with popular music by far the most common culprit. About half could get rid of an earworm only by putting something else in its place; 30 percent said nothing worked reliably. Another survey of 286 people found earwormants typically had heard the song three times or more just before the earworm set in and were in a “neutral to positive emotional state” but alone and bored. So avoid ennui, my friends. That’s when the earworms strike.
A final infobit: A 2005 survey found 7.5 percent of respondents were inflicted by their least favorite song as an earworm, and more than a third hated the song’s lyrics more than anything else about it. The most loathed tune? No surprise here: Billy Ray Cyrus’s “Achy Breaky Heart.”
“There is nothing unusual about having instrumental music playing in your head if you listen to classical a lot.”
This is the solution to low-brow earworms, fer sher. ;^)
Actually, I consider this feature a dividend of listening to the classical composers; one can call up movements and solos, and vary the orchestrations - it’s never boring.
Otoh, Bobby Goldsboro singing something in your head can be a near-death experience! But, merely summon the shades of Vivaldi, Bach, and Beethoven, and the screeching hyenas vanish.
It works for me.
I was reading about Nat King Cole recently. Apparently he used to smoke a couple of cigarettes before recording a song. It gave his voice his signature smooth gravely affect.
Sadly, he died young of lung cancer.
Like this one:
Feliz Navidad
Feliz Navidad
Feliz Navidad
Prospero Ano
y Felicidad
In popular music, I am more likely to hear Paul Simon, Graham Parker, or the Byrds.
Current ear worm : Through Glass, by Stone Sour. :-( Oh, how I loathe ear worms. Thank God I’ve never had one for 27 years-can’t begin to imagine-!
That was post-campaign. It is a hymn to the new embodiment of the violation of the First Commandment.
>>It is a hymn to the new embodiment of the violation of the First Commandment.<<
LOLOLOL!
Spot on!
What really bothers me is when I get a commercial jingle stuck in my head...especially if the commercial is for something I don’t like.
If I even hear the opening bars to “Daydream Believer” I will run out the door. SCREAMING...
In fact, I must immediately get involved in another thread to forget this one.... or....
OH NOOOOOOOooo.........
To late....
Huh, haven’t heard that one in years. Catchy, you bet.
I'll have to figure out how to save it and maybe play it at the next Tea Party.
Now does anyone have a version of the Chinese national anthem worshiping Oba-mao?
The annoying thing about that is when you hear it get past the initial bass line and you realize that Rush isn't coming on.
"Mambo No. 5" was originally a hit for Perez Prado & His Orchestra in 1950. When it was revived in 1999, I was teaching in a high school and noticed that it was especially popular among girls whose names were mentioned in the lyrics.
I understand that Meat Loaf clears the pallet. If you get an ear-worm, but think of any Meat Loaf song, and both will be gone.
So far, I find it to be true.
Try "Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini" or "Tie Me Kangaroo Down, Sport."
I sympathize!
I am not clicking on any links! ;-)
Think cow bells.
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