FReeper Canteen - Tunes For Our Troops - 28 June 2014

Our troops rock!!!!!!!!!!!!!! | The Canteen DJ's

[AZamericonnie]

 

 

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Tunes For Our Troops

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Warning: Not all the music you hear below will be appropriate for children! Please click with caution. Thank you!

Tunes For The Troops
 

 


This music is provided for the entertainment of our Troops, Veterans, Allies & their families!

Enjoy the variety of musical selections that the Canteen Deejays provide throughout the thread. Please ping any DJ with your requests for the Troops!


All music is removed on Monday.
Thanks to all the DeeJay's for their time & effort providing entertainment for the Troops!

*Canteen Mission Statement*

Showing support and boosting the morale of
our military and our allies military
and the family members of the above.
Honoring those who have served before.

 

 

Accept - No Time To Lose	After Forever - Withering Time
America - This Time	Amy Grant - Hard Times
Animals As Leaders - Tempting Time	Army Of The Pharaohs - Time To Rock
B T O - A Long Time For A Little While	Black Label Society - Time Waits For No One
Booker T - Reunion Timee	Bret Michaels - Wasted Time
Brooks & Dunn - Chance Of A Lifetime	Chris Rea - Sometimes
Corinne Bailey Rae - Feels Like The First Time	Creed - Time
Dan Fogelberg - Love In Time	Darius Rucker - I Hope They Get To Me In Time

[mylife]

Nektar~ Do You Believe In Magic?

[left that other site]

yes...his music does that to me too.

[Drumbo]

The Lord's Prayer
~ Mahalia Jackson ~

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[Drumbo]

Dedicated To The One I Love
~ The Shirelles ~

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[ExTexasRedhead]

In case anyone missed this video:

http://www.ijreview.com/2014/06/151966-marine-pilot-caught-camera-making-emergency-landing-stool-totally-nailed/

[Drumbo]

My Special Prayer
~ Percy Sledge ~

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[Drumbo]

When Mama Prayed
~ Randy Travis ~

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[Publius]

SEATTLE CHAMBER MUSIC FESTIVAL

MONDAY, JULY 7, 8 PM PDT

Schubert: Octet in F, D. 803, third movement

There was no way Schubert could have heard the call-and-response, antiphonal music of a black church, but he manages to create its sound in an uncanny fashion.

This scherzo in F Major is marked “allegro vivace”, and it’s full of high spirits. For those interested, the format is AA-BB-CC-DD-AB. Note the juicy clarinet parts that Frannie wrote for Troyer.

Schubert: Octet in F, D.803, third movement

[Drumbo]

On A Wing And A Prayer
~ Jo Dee Messina ~

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[luvie]

((((hugs))))...back! :)

[mylife]

Barbara Gaskin~ I'm In A Different World

[Publius]

SEATTLE CHAMBER MUSIC FESTIVAL

MONDAY, JULY 7, 8 PM PDT

Schubert: Octet in F, D. 803, fourth movement

There is no sin in classical music in recycling earlier material into new forms. Handel did it, recycling material from his Italian operas into bits of “Messiah”. Beethoven took some country dances, wrote a series of piano variations on them, and then turned them into the finale of his Third Symphony. Here, Frannie takes a tune from his teenage years. He had used it in the Second Symphony he wrote at the choirboys school, used it again in a failed opera, “The Friends from Salamanca” – all his operas failed – and again in a song, “In the Greenwood”. Now he works it out in grand style as theme-and-variations.

If you remember your Professor Publius classes, in theme-and-variation format the only thing that must remain constant is the harmony supporting the melody. Everything else is permitted to change. One variation should be in the opposite mode; in this case it would be the minor.

The theme is in C Major, is marked “andante”, and features wonderful writing for Troyer’s clarinet. It shows a composer in the fullness of his maturity, writing like a young god. There is one part in the theme that is so sentimental you can’t help but go, “Aw!”

Variation #1: At 1:13, the first violin works around the melody.

Variation #2: At 2:27, Troyer’s clarinet part takes over, as he gets a chance to work around the melody.

Variation #3: At 3:36, the horn and clarinet work their magic while the first violin plays filagree around them.

Variation #4: At 5:00, the cello takes a star turn.

Variation #5: At 6:23, things turn dark and serious; this is the minor key variation. While the cello and bass play pizzicato, the strings form one choir and the winds the other.

Variation #6: At 7:32, Frannie turns his ensemble into the organ of a small church. A few months later, in his String Quartet in D minor, he would use this effect to climax his theme-and-variations movement. Here he uses it to change the mood and settle things down.

Variation #7: Frannie saves the best for last. At 9:40, he gives us the babbling brook. No one wrote water music like Schubert.

Coda: At 10:47, Frannie puts it to bed.

Schubert: Octet in F, D. 803, fourth movement

[mylife]

http://www.youtube.com/watch?v=XO04c_r2z2g

[Drumbo]

Prayer to St. Peter (Let Them In)
~ Edwin McCain ~

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[AZamericonnie]

Prayers up for Barbara’s recovery Liberty!!!!

[mylife]

Barbara Gaskin~ Walking The Dog

[left that other site]

In Rock, that would be called “soloing over a chord progression”. I’ve seen some really skilled soloists STEER the rest of the musicians into the minor. It is SO coo0l when that happens.

[Drumbo]

Stolen Prayer
~ Alice Cooper ~

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[Drumbo]

My Lover's Prayer
~ Otis Redding ~

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[spel_grammer_an_punct_polise]

BOOM!