Posted on 06/28/2002 6:05:31 PM PDT by vannrox
Archaeologists state that the discovered pyramids are similar to that ones of Giza, Egypt, though in contrast of them, Uzbek pyramids they have a flat surface.
According to the experts, thanks to their remoteness, the pyramids were not taken to pieces to serve as a building material for a later epoch.
Though it is not obligatory, that the Uzbek pyramids had the same purpose as the Egyptian ones. That could be religious constructions, all the more that they are almost two times younger. Pyramids were also built in Northern America, in Africa, by ancient Ethiopians, while Mesopotamian pyramidal towers are also sometimes compared with Egyptian pyramids, however in scientific circles this considered to be incorrect.
According to archaeologists, if the constructions are really pyramids, this is a very important discovery, taking into account that nothing of the kind was found in this area before. Now, the task of the scientist is to link the find with chronology and known local cults, to clear up what was the purpose of these constructions: tombs, temples, or something else
Yelena Kiseleva PRAVDA.Ru
Translated by Vera Solovieva
My take is that a pyramid is so absolutely basic a form for building, that I'm only surprised that they aren't found everywhwere.
Have you ever watched a kid build with blocks, or sand, or dirt, or rocks? Inevitably, they build something that looks like a pyramid. Its just a very basic design. One that can go upwards with very little lateral support, which would entail more complicated engineering, than just 'stacking stuff up until it wants to fall over'.
In my humble opinion, there's no connection except the desire to build 'up' (for whatever reason, religious or merely practical) and lack of any other way to accomplish that feat.
David Meadows, who can be reached as dmeadows@direct.com publishes a weekly summary of ancient history news every Sunday Morning under the name of Explorator. Subscription is free and I think all you need to do is email him at the direct address and he will put you on the distribution list.
Q & A
BY JOHN MCCALLA
It's the stuff that made Indiana Jones and that lost ark an international sensation: adventures over land, across seas and in the middle of deserts. Archaeologist Fredrik T. Hiebert, Ph.D., would probably be the last to find the glamour in his adventures, but his energetic tales and disarming enthusiasm leave listeners captivated.
The Robert H. Dyson Jr. Assistant Professor of Anthropology and assistant curator of the University Museum, Hiebert set out to be an artist, took a turn in Paris and wound up an archaeologist.
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From the Silk Road to the Black Sea, Fred Hiebert searches for the common language of trade. Photo by Candace diCarlo |
His pursuits in the latter profession have made him someone to watch, with cameras from National Geographic about to track his work with research partner Robert Ballard, discoverer of the Titanic.
In November, Hiebert received a $15,000 Chairman's Award from the National Geographic Society's Committee on Research and Exploration. Throughout his career, Hiebert's chosen obsession has been the Silk Road trade routes, and since 1994, he has focused on the Black Sea connections between ancient civilizations.
His work with Ballard combines land and sea exploration in a single program, "from mountain top to ocean bottom" - a first in the research world. Hiebert's goal is nothing short of changing the way people think of the Black Sea.
Q. How did you segue from artist to archaeologist?
A. Most people, when asked how they started in archaeology, always say they were interested in it since they were a kid playing in the sandbox. I wasn't. I didn't have any interest in going to college. I was trained at Interlochen Arts Academy, a professional-arts-oriented high school. After I graduated, my teacher sent me to Paris, to an art studio in a basement at the bottom of Montmartre. When I got to Paris, they said, "We don't take apprentices." So, I had to pay to work in the studio. And the way I did that was to work for an archaeologist drawing artifacts. They kept inviting me back, so I went into the field with them, and that's how I got interested in archaeology. Then they said you can't go into archaeology unless you go to college. So I came back from a wonderful year in Paris and went to the University of Michigan.
Q. Where did you start?
A. I worked in Egypt. My first interest was in maritime trade - long-distance trade through the Indian Ocean and the Red Sea. I went to Harvard after that. My first semester, my professor said, "What are you doing? You should go work overland, and compare overland with overseas trade," which sounded great, except of course I had to learn Russian to do that. So I did an intense crash course in Russian, and received an IREX year-long grant to go to the Soviet Union. It was a university-to-university exchange, and I was the first American ever to be placed in Turkmenistan.
Q. What did you do there?
A. I went out in the desert oases to look at the origins of the Silk Road. I [expected to] work with the medieval and classical Silk Road, the Silk Road that we know from historians that talked about the great trade that went across it. But we kept finding much earlier stuff. We found that the desert oases, these ports in the sand, existed for hundreds, if not thousands, of years earlier than that. So, in the spring of that year, I joined a Russian excavation out there. My wife and I went out and we lived in a tent way out in the middle of the desert in what was a dried up Bronze Age oasis. There we found the remnants of what turned out to be a separate civilization. It was not only the origins of the Silk Road, but it was a civilization that had previously been unknown, to the West that is, which was comparable in age to ancient Mesopotamia, ancient India and ancient China. We were finding the link in Asia between the great civilizations. We were finding trade items from China, from Anatolia, from the Steppe region where the nomads were, and we were even finding traces all the way to the Black Sea.
Q. When did your interest in the Black Sea escalate?
A. In 1994, when Bob Ballard, the discoverer of the Titanic, called me up almost out of the blue and said he was interested in the Black Sea for completely different reasons. His reason was that it was the world's most special deep-water environment. In the Black Sea, there are no microbes, no oxygen, no wood bores. If there were a shipwreck in that area, in deep water, it would be perfectly preserved. I thought well, this is a way to get back into this long-term interest I had in the Black Sea, and to work with someone whose technology just couldn't be beat. This was a dream situation.
Q. And what did you find?
A. The same 4,000-year-old Bronze Age culture we had found in the desert oasis, we also found in the Black Sea. But, surprisingly, we were also finding materials almost 6,000 years old. This was very interesting because it showed a strong interaction around the Black Sea. This was particularly interesting in light of what linguists have been proposing for some time about the origins of our language, Indo-European languages. Indo-European language may not be affiliated with one single culture, but it may well be an intercultural language, a trading language.
Q. What have you dug up since you started?
A. What we've done the last three years is a walking survey along one of the key port areas of the Black Sea coast. We've taken the area from being almost terra incognita, and we found over 170 sites. Trying to figure out where the key port sites are, we've been able to create a very systematic program of research that allows us to focus where we search for shipwrecks with Robert Ballard. In July 1998, we did a six-day sonar survey and must have found a dozen real targets. And that was just a test of what we're going to do. We're going to go in and do a systematic survey to see if we can find shipwrecks [or] any evidence of settlements that may have been affected by sea-level change.
Q. That method is what got you the award?
A. Yes, it is a unique structure which we call mountain top to ocean bottom. And our future work is being funded by National Geographic and the Oliver S. Donaldson Trust and the Samuel Freeman Charitable Trust in New York. It was a risk to try and do a land-and-sea operation, but I think we've been successful.
Q. And you're basically hoping to change the way people think about the Black Sea.
A. Absolutely. The coastal cultures are more closely related to each other than they are to the inland areas. This is the natural economic unit and we find it very interesting. We are having a common dialogue with our contemporary economic situation where now the borders of the Soviet Union have fallen and there's an attempt to re-establish the Black Sea as one of the major trading zones in Eurasia. As someone who has studied land and sea trade, I can tell you sea trade is a much better and a much less risky way of trading than overland. Ships represent a much more efficient way of moving stuff around. Rather than being a barrier to communication and exchange, the sea is a natural conduit for trade. We're seeing this coming back despite old [nationalistic] walls that exist which had been restricting trade through the Black Sea.
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National Geographic - ARCHAEOLOGY & PALEONTOLOGYThe Wild Side of Geoarchaeology Page
Nautical Archaeology - Texas A & M University (TAMU)
Index of Cartographic ImagesForensic Archaeology
Tracy's personal website - list moderator of HistoryRUs@egroups
Archaeologists, InfluentialEncyclopaedia
Bullfinch's Mythology
Mercator's World magazineBEAUTIFUL pictures - AnthroArcheArt
www.novaonline.org
Archaeology Web RingMysteries of History
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Ancient History (about.com)Archaeology on the Net Web Ring
Archaeology Magazine Newsbriefs
Biblical Archaeology SocietyKaren's Archaeology Page - A goldmine of links
Discovering Archaeology News
NGNews @ nationalgeographic.comWelcome to American Archaeology
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Previous issues of weekly features and columns, archived by topic, from your archaeology about.com GuideArchaeology
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Index to newsbriefs
Yes, like the idea that the Greeks and Archimedes invented geometry. Clay tablets found in Babylon in what appears to have been a temple school show the unmistakable signs of a geometry workbook. These tablets were a thousand years older than Archimedes.
I think it was in the same part of Babylon from about the same period that electric storage batteries were found. I always wondered how the ancients did gold and silver plating without electricity.
True, not everyone was Greek. The Greek language was everywhere, so much was written in that common language, the coine, the Lingua Franca. No one was literate unless he could write in Greek. Okey-doke?
Hmmmmm.... 15 meters is a little more than 49'.
That's a pretty good sized pile of rocks,
but still nowhere near the size of what we commonly think of as "pyramids".
If they find some interesting artifacts, good for them and science.
I just hope my tax dollars aren't paying for this along with everything else.
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bump to see the photo
2) "My name is clinton and I'm moral"
3) "I read it in pravda so it must be true."
It was the Latvians who went to India, not vica versa!
PRAVDA.RU:
Take it with a pyramid size grain of salt.
Fascinating.
I love anything to do with the Silk Road. Thank you!
Bump!
The "shock of recognition" is more than a poetic metaphor; it can hit you with physical force. This has happened to me on three occasions. One was at the Metropolitan Museum of Art in NY perhaps 25 years ago. I was, as usual, investing all my time in the antiquities. (I'm not sure I've ever made it upstairs at the MMA. Is there anything up there?)
Anyhow, after hours with the prehistoric, Egyptian, Sumerian, Babylonian, Assyrian, etc. artifacts, I turned the corner into a special exhibition from classical Greece. I was stunned. This stuff was modern. The Greek artists saw the world the way we do. Their pieces were still alive after 2400 years. There was humor and pathos. It wasn't alien. Certainly I had read tributes to the Greeks along these lines in the history books, but it took that experience to pound the thought home. I've never wondered since why the Greeks represented such a profound turning point.
Certainly to some extent the Greeks of the early classical period translated an earlier oral tradition to writing. But in doing so, they used a rationalized, philosophically sophisticated language that reflects a fundamental shift in perspective. That was their real achievement: the independence of the intellect, the authority of reason, critical distance, the acknowledgement of conflicted motives, comedy, tragedy, and drama. There is nothing else like it in antiquity, and it was the beginning of the modern world.
I suppose classicists learn this early on. I tripped over it in a museum. Better late than never.
There are pyramids all over the planet. Pyramids last longer than other designs because they are of a shape that cannot fall down. Actually, many buildings that fall down assume the shape of a pyramid. But, if your building is made of 1000 ton rocks, it will last anyway.
Voyages of the Pyramid Builders:
The True Origins of the Pyramids
from Lost Egypt to Ancient America
by Robert M. Schoch
with Robert Aquinas McNallyVoices of the Rocks:
A Scientist Looks at Catastrophes
and Ancient Civilizations
by Robert M. Schoch Ph.D.
with Robert Aquinas McNally
It's true, inherently most stable. It helps at Giza (and some other places in Egypt) that the structures are 99 per cent solid masonry. Even so, Khufu's pyramid was so badly shaken by an earthquake (probably not long after completion, if indeed not during construction) that the corbels at the top of the Grand Gallery are only holding on by a fraction of an inch on one end.
In "COUNTING THE STONES: How Many Blocks in Khufu's Great Pyramid?" by Anthony Sakovich, KMT A MODERN JOURNAL OF ANCIENT EGYPT, VOLUME 13, Number 3, FALL 2002, a number of approximately 4 million is given for the number of stones in the Khufu pyramid. The largest stones are some of the corbels, the rest vary a great deal in size. The most common size runs about 2 tons.
Contrast this to Zahi Hawass, who claimed a few years ago that 2.3 million (the commonly used figure for the number of stones) was far too HIGH, and that the average weight of the stones was around 1000 pounds, or even less.
A cubic yard is a ton, give or take. So we can estimate the weight of a pyramid. As to an earthquake moving the stones, yes, it would be easy for them to move a foot or more and the earthquake wouldn't even notice the weight of the pyramid. Any open interior structure would eventually collapse
Interesting indeed. I love history.
Around when do you think the human species started building buildings out of dressed stone?
I wouldn't know, but the oldest lithic construction seem to be in the 10,000 year old range so far. It may go back 50,000 years, but even stone would have a lifetime. Just 2,000 years does a good weathering job on exposed stone.
>>My take is that a pyramid is so absolutely basic a form for building, that I'm only surprised that they aren't found everywhwere.<<
Yes, that is my take as well. It's like the wheel. Inevitably, all "successfull" cultures will end up with the "round" wheel. Those that have no wheel at all, or try to produce a square or triangular wheel cannot successfully carry eggs to market, and their civilization ultimately dies of malnutrition. But their meat may be more tender.
Yeah, I hope the whole "lost city" thing gets a lot less tinfoil. I suspect we had a lot of old civilizations that are lost for now because people don't have a good idea of how long stuff lasts.
I know Danny Hillis, and the whole millennium clock thing is fascinating.
Imagine if we could remove or see through the top 100 feet of dirt, sand, even water all over the planet, but leave made things in place. Or even the top 20 feet.
All the technical gadgets we've come up with in the past decade or so have helped us locate long hidden relics and ruins. It's amazing and fascinating. As students, we read about Rome or Greece, Egypt or Sumeria, but it's when we actually see everyday objects they handled or had in their homes...cups, amphora, pottery, mosaics...that history comes alive.
Among the most fascinating artifacts from neolithic Scotland i.e. predating Pythagoras, Euclid, and Plato by millenia, were detailed carved stone models of the Platonic Solids, plus a myriad of other polyhedra with up to 160 sides.
For a set of stone Scottish Platonic solids from 2000BC, see the following link:
Awsome
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